Sandra Jones Campbell

"Life Is Just A Shell Game" contemporary expressionist Serigraph

2005

"Life Is Just A Shell Game" is from Sandra Jones Campbell's series inspired by her unique social observations. It features her unique blend of modernism and expressionistic style, al...

"Life Is Just A Shell Game" is from Sandra Jones Campbell's series inspired by her unique social observations. It features her unique blend of modernism and expressionistic style, al...

"Margo Is A Real Drag After 10:30 is from Sandra Jones Campbell's upcoming collection, "Nocturne," a series that displays her unique vision of the world and is informed by her curren...

"Lawn Chairs, Porch Light Communion" is from Sandra Jones Campbell's recent collection, "Please Be Seated," a series that displays her unique vision of the ...

"Seat Taken, Until Tiger Finishes His Martini" is from Sandra Jones Campbell's recent collection, "Please Be Seated," a series that displays her unique vision of the world and is inf...

"Pammy Serves Spam To Her Fans In The Hammock (During A Meteor Shower)" is an impressive large painting from Sandra Jones Campbell's recent collection, "Setting The Scene," a series ...

Artist: (after) Edvard Munch (Norwegian, 1863-1944) Title: "Detroit Institute of Arts (Two People - The Lonely Ones)" Year: 1972 Medium: Original Screenprint, Exhibition Poster on sm...

The Bolshevik Era (1917-1921) was a life and death struggle for the Bolsheviks and their ideology. The propaganda poster was everywhere, as the Bolsheviks struggled to win the Civil War against the Whites and fought the Poles over control of the Ukraine and parts of modern day Belarus. The early Soviet poster - an incredible 3600 designs - was remarkable for its revolutionary fervor and biting wit. Powerful visual symbols were invented, like the red star and hammer and sickle. These four posters are as follows: 1." May 1st All Russian Subbotnik " is a Russian poster promoting the first all Russian Subbotnik held on May 1st, 1920 in which Vladimir Lenin was in attendance. "Subbotnik" were weekend days of unpaid, volunteer community service work following the October Revolution which eventually became obligatory. By Russian artist Dmitry Moor 2. " Anniversary of Vsevobuch--Develop and Learn to Defend Freedom"    celebrates the second anniversary of the implementation of universal military training and says ‘2nd Anniversary of Vsevobuch, Develop and Learn How To Defend Freedom. Artist unknown 3." Devil Doll "    The Devil Doll' (January 1920) shows a soldier pointing his bayonet at a looming monster in the first panel. However, in the second it turns out to be the weak and insignificant enemies of the state behind a pathetic mask and cloak.  Russian artist Dmitri Moor 4. " Forward to defend the Ural"    ’By Russian artist A. Petroff ( pseudonym for Alexander Aspit ) from the ´´Plakate der Russichen Revolution 1917 - 1929´´ Dmitry Moor was a Russian graphic artist, poster designer and cartoonist, also known as D. Moor ("Д. Моор"). During the 1900s and 1910s he was a comic pioneer, making satirical comics ridiculing the Czarist regime and censorship. Under the Soviet regime he became one of the most celebrated propaganda artists. Both during the First and the Second World War he ridiculed the German army. In his work Moor often made use of sequential illustrated narratives or comics. He was the house cartoonist of magazines like Budilnik and later Bezbozhnik. Alexander Petrovich Apsit was born in Riga on 25th March, 1880. He moved to Saint Petersburg in 1894 and attended art school and became a student of Lew Dmitriew-Kawkaski. Aspit worked for various Russian magazines and on the outbreak of the First World War was employed by the government to design war posters. After the Bolshevik Revolution Apsit was commissioned by the State Publishing House to design revolutionary posters.

Excelsior by Simon Tozer [2021] limited_edition and hand signed by the artist Screenprint on Paper Edition number of 30 Image size: H:23 cm x W:30 cm ...

Signed and numbered 20/20 Silkscreen print on Somerset enhanced velvet fine art paper 330 gsm 29.7 x 42 cm Framed (matte black wooden frame, black mount, UV anti-reflective museum ...

"Herve Telemaque (France, 1937-2022) 'L´oreille de v. Van Gogh', 1979 engraving on paper 29.6 x 21.7 in. (75 x 55 cm.) ID: TEL1361-001-000"

"Herve Telemaque (France, 1937-2022) 'Joan Prats 1977', 1977 engraving on paper 30 x 22.1 in. (76 x 56 cm.) ID: TEL1361-010-000"