Items Similar to Nude - Etching by Sergio Barletta - 1980
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Sergio BarlettaNude - Etching by Sergio Barletta - 19801980
1980
About the Item
Nude is an original etching realized by Sergio Barletta in 1980.
Hand-signed on the lower right in pencil. Numbered, edition of 12/50 prints, on the lower left in pencil.
In very good conditions, except for some folding.
The artwork represents a posing nude through confident and quick strokes. Sergio Barletta (1934) is an Italian cartoonist and illustrator, who has also published some humorous and political satire books. From the age of 22 is active in Rome, where he worked as an illustrator and art director in some monthly magazines like “Costume”, Diners Club house organ, BP Review, IBM, and others. In 1965 started the joint-working with Marino Gallery in Rome, and in 1966 in Milan with Humour Graphic’s group, at Levi Gallery and others in the following years.
In these years graphic work and illustration are mixed with painting and photography, also with satirical drawings for Rinascita, weekly of the Italian communist party; Azione Sociale, weekly of ACLI Catholic Workers Association; movie posters, advertising for Gucci, some writings for Popular Photography Italiana, lay-outs, writings and illustrations for Avinews, bimonthly for tour operators and so on.
During the eighties he starts a long co-operation with satirical weekly “Il Sale”, complemented by a book with Ottaviano edizioni in Milan and others publications in Turin and Rome, all of satirical drawings. In this period he collaborates with Linus, the most important Italian comics monthly, and Harakiri, a humour weekly published in France.
Personal and group exhibitions of paintings, collages, drawings, photographs
Galleria Marino – Roma, 1965
Galleria Levi – Milano, 1966 Galleria Petronio – Bologna, 1967
Galleria d’arte moderna Villa Reale – Milano, 1967
Palazzo Costanzi – Trieste, 1967
Galleria del Naviglio – Milano, 1967
Galleria Marino – Roma, 1967
Galleria Libreria Renzo Cortina – Milano, 1968
Galleria Libreria Renzo Cortina – Milano, 1969
Society Art’s Club – Messina, 1970
Galleria Marino – Roma, 1970
Galleria Libreria Renzo Cortina – Milano, 1972
Galleria Marino – Roma, 1972
Galleria Il Diaframma – Milano, 1973
Galleria Libreria Renzo Cortina – Milano, 1974
Galleria Il Ventaglio – Firenze, 1975
Galleria Marino – Roma, 1975
Palazzo Gonfalonieri – Milano, 1976
Bedford House Gallery – London, 1977
Galleria Apicella – Bonn, 1979
Civico Museo Archeologico – Milano, 1980
Palazzo Barberini – Roma, 1981
Palazzo delle Stelline – Milano, 1981
Castello Sforzesco Biblioteca Trivulziana – Milano, 1982
Civico Museo Archeologico – Milano, 1983
Biblioteca Sormani – Milano, 1983
Club Migros – Milano, 1985
Centrodomus – Milano, 1985
Galleria Vittorio Emanuele – Milano, 1988
Galleria d’Arte ex libris – Roma, 1989
Civico Museo Archeologico – Milano, 1989
Palazzo delle Stelline – Milano, 1990
Palazzo d’Arte – triennale Milano, 1991
Galleria Molica Guid’Arte – Roma, 1991
Molica Gallery, West Broadway – New York, 1991
Civico Museo Archeologico – Milano, 1992
Palazzo Mediceo – Serravezza, 1994
Lalit Kala Akademi – New Delhi, 2005
Birla Academy of Art and Culture – Calcutta, 2005
Galleria Marino – Roma, 2011
- Creator:Sergio Barletta (1934, Italian)
- Creation Year:1980
- Dimensions:Height: 24.89 in (63.2 cm)Width: 17.13 in (43.5 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2017
6,749 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Rome, Italy
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Woman - Original Etching by Jeanne Bardey - Early 20th CenturyBy Jeanne BardeyLocated in Roma, ITWoman is an original etching realized in Early 20th Century after Auguste Rodin by French artist Jeanne Bardey (1872 - 1954) Numbered.Edition, 9/25. Good conditions. Jeanne Barde...Category
Early 20th Century Modern Figurative Prints
MaterialsEtching
- Nude from Back - Original Etching by Henri Farge - Early 20th CenturyLocated in Roma, ITNude from Back is an original modern artwork realized in the first decades of the 20th Century by the French artist Henri Farge (1884-1970). Original et...Category
Early 20th Century Modern Figurative Prints
MaterialsEtching
- The Suffering Folk - Original Etching by Louis Jou - Early 20th CenturyBy Louis JouLocated in Roma, ITThe Suffering Folk is an original etching realized by Louis Jou in the Early 20th Century. Applied on a Passpartout by gluing: 47 x 63 cm. Hand-Signed, Numbered. Edition, 14/40. Good conditions. Louis Jou (Gracia, 1882 - Baux, 1968), the twentieth-century etcher and wood engraver, was a prolific illustrator of a large number of books in France, authored by big names like Andre Gide...Category
1920s Modern Nude Prints
MaterialsEtching
- Figure assise, le bras droit appuye sur une table - Etching by H. Matisse - 1929By Henri MatisseLocated in Roma, ITSeated figure is an original modern artwork realized by Henri Matisse in 1929. Etching on Chine appliquè on Arches Velin paper. Original title: Figure assise, le bras droit appuye ...Category
1920s Modern Figurative Prints
MaterialsEtching
- Nude in Woods - Etching by Ker Xavier Roussel - 1920sBy Ker Xavier RousselLocated in Roma, ITNude in Woods is an original etching print artwork on ivory-colored paper realized by Ker-Xavier Roussel in 1920 ca. Hand-Signed on the lower right margin. Very Good conditions. Ker-Xavier Roussel (Lorry-les-Metz,1867 – L'Étang-La-Ville, 1944), the French artist, together with his friend Édouard Vuillard , studied at the artist studio of the painter Diogène Maillart. In 1888, he attended the École des Beaux-Arts, and then he studied at the Académie Julian where Maurice Denis and other artists formed the group Les Nabis , shifting towards mythological compositions with clear and luminous palettes of color. As a matter of fact, he is well-known for his paintings of French landscapes, usually depicting nymphs and fauns, women, and children in bucolic settings. In Gertrude Stein's Autobiography o f Alice B...Category
1920s Modern Figurative Prints
MaterialsEtching
- Nude in Woods - Etching by Ker Xavier Roussel - 1920sBy Ker Xavier RousselLocated in Roma, ITNude in Woods. is an original etching print artworkk on ivory-colored paper realized by Ker-Xavier Roussel in 1920 ca. Hand-Signed on the lower right margin. Very Good conditions. Ker-Xavier Roussel (Lorry-les-Metz,1867 – L'Étang-La-Ville, 1944), the French artist, together with his friend Édouard Vuillard , studied at the artist studio of the painter Diogène Maillart. In 1888, he attended the École des Beaux-Arts, and then he studied at the Académie Julian where Maurice Denis and other artists formed the group Les Nabis , shifting towards mythological compositions with clear and luminous palettes of color. As a matter of fact, he is well-known for his paintings of French landscapes, usually depicting nymphs and fauns, women, and children in bucolic settings. In Gertrude Stein's Autobiography o f Alice B...Category
1920s Modern Figurative Prints
MaterialsEtching
You May Also Like
- Four Figures and a Head, on Giant Phallus by Claes Oldenburg erotic nude sceneBy Claes OldenburgLocated in New York, NYThis sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of joy and come-hither coquettishness. T...Category
1970s Modern Figurative Prints
MaterialsEtching
- Claes Oldenburg mythological Erotic Fantasy Suite print set of 6 medusa mermaidBy Claes OldenburgLocated in New York, NYThese erotic etchings depict mythological and fantasy creatures as striking nudes. A host of sensuous and shocking figures include a mermaid, Medusa, and women in both jubilant and p...Category
1970s Modern Figurative Prints
MaterialsEtching
- Irving Guyer, Strip ActBy Irving GuyerLocated in New York, NYIrving Guyer captured the bustle of the city in a modernist style. This print is signed and titled in pencil.Category
Mid-20th Century Modern Figurative Prints
MaterialsEtching
- Monica Nude with MatisseBy Tom WesselmannLocated in New York, NYA very good impression of this etching and aquatint. Signed 75/75 in pencil by Wesselmann.Category
1990s Modern Nude Prints
MaterialsEtching, Aquatint
- Le peintre au cirqueBy Pablo PicassoLocated in Wien, 9- Plate 55 from the Suite 156 - with stamp signature - dated in the plate 2.3.70 - edition 26/50 - cat. raisonné Bloch 1910Category
1970s Modern Figurative Prints
MaterialsDrypoint, Etching
- Leonor Fini - Untitled - Original Handsigned EtchingBy Leonor FiniLocated in Collonge Bellerive, Geneve, CHLeonor Fini - Untitled - Original Handsigned Etching Circa 1982 On colored paper Handsigned and Numbered Edition: 275 Dimensions: 69 x 52.5 cm Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...Category
1980s Modern Nude Prints
MaterialsEtching