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Art Subject: Antler
The Malta Mushroom - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored.
Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...
Category
1870s Modern Figurative Prints
Materials
Lithograph
Moon Stag by Guy Allen. Print from copper plate etching. Unframed
By Guy Allen
Located in Coltishall, GB
Deep in the forest, amidst the mists of dawn, a red deer stag appears…
Guy Allen’s etchings inspired by the fauna of Norfolk have a remarkable level of detail. His etchings captur...
Category
21st Century and Contemporary Other Art Style Animal Prints
Materials
Paper, Etching
Deer Horns - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Deer horns is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper. Signed on plate on the lower left margin.
The work is glued on cardboard. ...
Category
1770s Modern Figurative Prints
Materials
Etching
Cornamentas - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Cornamentas is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper. Signed on plate on the lower left margin.
The work is glued on cardboard....
Category
1770s Modern Figurative Prints
Materials
Etching
Cornamentas - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Cornamentas is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper. Signed on plate on the lower left margin.
The work is glued on cardboard....
Category
1770s Modern Figurative Prints
Materials
Etching
Cornamentas - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Cornamentas is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper. Signed on plate on the lower left margin.
The work is glued on cardboard. T...
Category
1770s Modern Figurative Prints
Materials
Etching
Deer Horns - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Deer Horns is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper. Signed on plate on the lower left margin.
The work is glued on cardboard....
Category
1770s Modern Figurative Prints
Materials
Etching
Deer Horns - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Deer horns is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper. Signed on plate on the lower left margin.
The work is glued on cardboard. ...
Category
1770s Modern Figurative Prints
Materials
Etching
Jean-François Briant - Vintage Poster Galerie Di Meo
Located in Roma, IT
This Jean-François Briant - Galerie Di Meo is a vintage poster.
This artwork was realized in occasion of the exhibition by Jean-François Briant held at Galerie Di Meo in Paris in 19...
Category
1990s Contemporary Figurative Prints
Materials
Offset
Cornamentas - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Cornamentas is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper. Signed on plate on the lower left margin.
The work is glued on cardboard....
Category
1770s Modern Figurative Prints
Materials
Etching
Deer Horns - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Deer horns is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper. Signed on plate on the lower left margin.
The work is glued on cardboard. ...
Category
1770s Modern Figurative Prints
Materials
Etching
Cornamentas - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Cornamentas is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper. Signed on plate on the lower left margin.
The work is glued on cardboard....
Category
1770s Modern Figurative Prints
Materials
Etching
Cornamentas - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Cornamentas is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper. Signed on plate on the lower left margin.
The work is glued on cardboard....
Category
1770s Modern Figurative Prints
Materials
Etching
Deer horns - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Deer horns is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper. Signed on plate on the lower left margin.
The work is glued on cardboard. ...
Category
1770s Modern Figurative Prints
Materials
Etching
Deer Horns - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Deer horns is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper. Signed on plate on the lower left margin.
The work is glued on cardboard. To...
Category
1770s Modern Figurative Prints
Materials
Etching
Random Combination of Indeterminate Lines - Contemporary, 21st Century, Etching
By Bernar Venet
Located in Zug, CH
Bernar Venet, Random Combination of Indeterminate Lines
Contemporary, 21st Century, Etching
Etching (Portfolio of 6)
Edition of 50
68.5 x 91 cm (27 x 35.7 in)
Each is signed and numb...
Category
2010s Contemporary Figurative Prints
Materials
Etching
Le Feuille morte from Lettera amorosa, 1963
Located in Palo Alto, CA
A leaf rests on the sheet in Georges Braque Le Feuille Morte from Lettera Amorosa, 1963 as a testament to the beauty found in the cycle of nature. As gorgeous pink and brown tones wi...
Category
1960s Modern Figurative Prints
Materials
Lithograph
Intrepid Caribou
Located in San Francisco, CA
This artwork titled "Intrepid Caribou" 2002 is an original color stone cut on Japan paper by noted Canadian/Inuit artist Kananginak Pootoogook, 1935-2010. It is hand signed, dated, titled, located, described and numbered 22/50 in pencil by the artist. The image size is 18.5 x 12.5 inches, sheet size is 23 x 16 inches, framed size is 24.85 x 29.65 inches. Custom framed in a black metal frame, with black matting. It is in excellent condition.
About the artist:
Kananginak Pootoogook was an Inuit sculptor and printmaker who lived in Cape Dorset, Nunavut, in Canada. He died as a result of complications related to surgery for lung cancer.
Pootoogook was born at a traditional Inuit camp called Ikerasak, near Cape Dorset, Nunavut (then in the Northwest Territories) to Josephie Pootoogook, leader of the camp, and Sarah Ningeokuluk. The family lived a traditional lifestyle hunting and trapping while living in an iglu in the winter and a sod house in the summer and did not move into their first southern style house until 1942. In 1957 Pootoogook married Shooyoo, moved to Cape Dorset and began work for James Houston.
Originally, Pootoogook did some carving, made prints and lithographs for other artists. At the same time he was a leader in setting up the West Baffin Eskimo Co-operative, the first Inuit owned co-op, now part of the Arctic Co-operatives Limited and served from 1959 until 1964 as the president. Although Kananginak had worked with his father, Josephie, in 1959, it was not until the 1970s that Kananginak began work as a full-time artist producing drawings, carvings and prints. According to Terry Ryan, former Co-op manager, Pootoogook was both influenced by and an admirer of the works of his uncle, photographer and historian Peter Pitseolak.
The World Wildlife Commission released a limited edition set in 1977 that included four of Pootoogook's images and in 1980 he was elected to the Royal Canadian Academy of Arts. In 1997 Pootoogook built a 6 ft (1.8 m) inukshuk in Cape Dorset for former Governor General of Canada, Roméo LeBlanc. The inukshuk was dismantled and shipped to Ottawa and with the assistance of his son, Johnny, it was rebuilt at Rideau Hall and unveiled on 21 June, National Aboriginal Day.
Pootoogook had several exhibitions and showings of his work. In 2010, he went to Vancouver for the 2010 Winter Olympics and to open a showing of his work at the Marion Scott Gallery. He also had a showing of his work, his first solo exhibition at a public institution, at the Museum of Inuit Art in Toronto from February to May 2010. He also received a 2010 National Aboriginal Achievement Award in the arts category from the National Aboriginal Achievement Foundation.
While working on his final, and unfinished, drawing of a Peterhead owned by his father, he was struck by coughing spells, which he declared was cancer. Along with his wife, Shooyoo, he flew to Ottawa, staying at the Larga Baffin home, and was diagnosed with lung cancer. In October 2010, he underwent surgery and did not recover. He died 23 November 2010 in Ottawa. The work of Kananginak Pootoogook is held in numerous collections and museums, includingThe McCord Museum, the Dallas Museum of Art, Musee National des Baux Arts...
Category
Late 20th Century Other Art Style Figurative Prints
Materials
Other Medium
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Born in Utica, New York, Arthur Davies attended the Chicago Academy of Design from 1879 to 1882. He furthered his studies at the Chicago Art Institute, before moving to New York City in 1885 where he studied at the Art Students League and Gotham Art Students League. In 1893, he made the first of many trips to Europe, visiting Holland, Paris, and London. He became an arch-exponent of Modernism and the central organizing figure of 1913's watershed Armory Show. Davies developed a style that combined visionary Symbolism with elements of Tonalism and Cubism.
Who Was Who in American Art describes him as an “…important but enigmatic Modernist whose work was poetic, mysterious, and visionary”. Davies was the recipient of many gold medals and prizes and juried awards and his work is held in the permanent collections of museums nationwide, including New York’s Museum of Modern Art, the Art Institute of Chicago, the Baltimore Museum of Art and the Los Angeles County Museum of Art, among others.
Photo of Arthur B Davies circa 1907 in New York City by Gertrude Käsebier courtesy of Library of Congress Prints and Photographs Division Washington, D.C.
Reference:
Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 1, p. 835; Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 1, p. 280; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 7/8, p. 470; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 4, p. 293; Davenport’s Art Reference and Price Guide 2009/10 Edition, LTB Gordonsart, Inc. 2008, p. 672; et al.
Additional biographical information follows, written by Catherine Southwick and Robert Torchia from the National Gallery of Art Online Editions:
Arthur B. Davies’s mystical, mysterious paintings hearken back to 19th-century romanticism, even while Davies aligned himself with American artists advancing the most radical ideals of their day. Davies was born on September 26, 1862, in Utica, New York, the son of English and Welsh parents who had immigrated to the United States in 1856. He first took art lessons as a teenager from a local landscape painter, Dwight Williams...
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Previously Available Items
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Good conditions.
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The Artist's signature is engraved lower right.
Good conditions.
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Located in Roma, IT
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The Artist's signature is engraved lower right.
Good conditions.
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Located in Roma, IT
The Horns is an etching realized by Jacques Baron in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is engraved lower right.
Good conditions.
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1770s Modern Figurative Prints
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