Tom Wesselmann

Lulu

1982

Original lithograph printed in black ink on China paper. Signed on the stone with the artist’s butterfly monogram upper center. A superb, richly printed impression of Spink’s only state From the edition of unknown size printed by Lemercier, Paris (apart from the posthumous edition of 58 printed by Goulding in 1904). Catalog: Spink 169; Levy 129; Way 151 Collections in which impressions from this edition can be found: Art Institute of Chicago (4 impressions); Hunterian Art Gallery, University of Glasgow (1 impression); British Museum, London (1 impression); Freer Art Gallery, Smithsonian Institution, Washington, D.C. (1 impression); National Gallery of Art, Washington, D.C. (1 impression); University of Michigan Museum of Art, Ann Arbor (1 impression); Boston Public Library (1 impression); Museum of Fine Art, Boston (1 impression); Cleveland Museum of Art (1 impression); Metropolitan Museum of Art, New York (2 impressions); Achenbach Foundation for the Graphic Arts, San Francisco (1 impression) . “The Shoemaker” was one of the first lithographs that Whistler made after his acrimonious break with his London printers, the Ways. It was entitled “The Shoemaker, Dieppe” by Rosalind Birnie Philip in her 1903 inventory of the artist’s estate, and indeed it does seem to have been drawn during a period when Whistler was making frequent Channel crossings...

Original lithograph printed in colors on wove paper Signed on the stone lower left Mucha. A superb impression of the first of five variants of the original version of this lithogra...

Original lithograph printed in dark green ink on wove paper, with hand-coloring added A superb impression of the definitive state, from the edition issued in the book Documents Décoratifs...

Original lithograph printed in colors on Arches wove paper. A superb impression of the definitive state, from the album edition of 250 (apart from the pencil-signed and numbered edi...

Original lithograph printed in four colors (yellow, red, olive green, black) on wove poster paper Signed on the stone lower right Steinlen, also bearing the artist’s printed monogra...

Original lithograph printed in colors on wove paper bearing the “ARCHES / FRANCE” watermark. Hand-signed in pencil in the margin lower right Marc Chagall. A superb artist’s proof i...

845/1000 Keith Haring rose to prominence in 1980s New York within the East Village art scene alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer. He bridged the gap betwe...

Tom Wesselmann (1931, Cincinnati, Ohio – 2004, New York) Rosemary Sitting Up Straight, 1990 Signed in pencil and numbered PP 2/3. A printer's proof, aside from the edition of 26. ...

Tom Wesselmann (1931, Cincinnati, Ohio – 2004, New York) Monica Reclining Towards Right, 1990 Signed in pencil and numbered PP 2/3. A printer's proof, aside from the edition of 26....

”Still Life with Lobster”. Signed, dated and numbered rf Lichtenstein ’74 2/100. Lithograph and screenprint in colours, I. 81.7 x 78.8 cm, S....

Tom Wesselmann (1931, Cincinnati, Ohio – 2004, New York) Monica Legs Crossed, 1990 Signed in pencil and numbered PP 2/3 A printer's proof, aside from the edition of 26 Published by ...

KEITH HARING - Untitled (Andy Mouse) Rare and limited 1990s edition by the Keith Haring Foundation, Inc. Only 150 copies total (here 39/150). ...