Tristan Eaton

Doves of War #51 Spraypaint Embellished Screenprint Signed and Numbered

2022

MEDIUM: 18” x 24” Giclée on Moab Entrada Rag Paper, Metallic Gold Spray Paint Stencil and Ballistics Damage (.45 ACP / 5.56m). Hand signed lower front by Tristan Easton This is an e...

"I first visited Tokyo in 2004 to see my Uncle Rabindra, an artist who moved there in the 1980’s. He was recovering from Cancer, but took me all over Tokyo and taught me so much abou...

Acrylic paint, spray paint and 24 layer screen print with Metallic Silver surround detail, on 650gsm handmade coton board, untrimmed in artists condition 44 1/10 × 30 1/10 in | 112 ×...

For sale is a captivating giclee art print titled "CHARLOTTA, 2017" by the renowned artist Audrey Kawasaki. This limited edition print showcases Kawasaki's distinctive style and meti...

Mastry 2017 Exhibition Banner Actual Banner Prominently Displayed in Downtown LA Throughout a career spanning four decades, Kerry James Marshall has continuously interrogated and addressed the omission of black individuals from the Western art-historical canon. Across painting and a variety of different media, his complex and multilayered portrayals synthesize disparate genres, while seeking to counter stereotypical representations. As Lanka Tattersall notes, "Marshall's determination to mark the historical absence of black bodies in the Western canon of painting and his emphatic, programmatic insertion of blackness into the field of art are carried through the literal matter—the pigments—of his paintings."1 Marshall was born in 1955 in Birmingham, Alabama. He studied at the Otis Art Institute in Los Angeles, earning his B.F.A. in 1978 and an honorary doctorate in 1999. In 2014, Marshall joined David Zwirner...

Step into the world of Adriana Oliver's captivating artwork, where pared-back, faceless portraits speak volumes in elegant hues. "Stay," a custom-sh...

Versaweiss Feathered up Peacock II, 2016 Archival pigment print and acrylic color spray on archival mat paper 50 x 50 cm Unique Don’t Kill Bambi: The studio 54 phenomenon repo...

Hand-coloured portrait of a bird-like spirit, immobilised in marble, cleansing in a spring-time bath. A character formed from Naiads (a Greek nymph of flowing water), and exploring the idea of a ritualistic cleansing to wash away sombre deeds. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical sculpture...

Handcoloured portrait of nymph Daphne, immobilised in marble, as she is transformed into a laurel tree. Birthed in Greek Mythology, Daphne is associated with bodies of freshwater and is an unwilling object of the god Apollo’s desire. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: Daphne II...

Hand-Embellished Signature LA Hands Print. Blue and White Edition Signed

Sara Jimenez Tropical Bounds A, 2018 Pigment print on Hotpress 25 x 12.5 inches Edition of 18 Publisher: Eminence Grise Editions Printer: Andre Ribuoli.

Sara Jimenez Tropical Bounds C, 2018 Pigment print on Hotpress 25 x 12.5 inches Edition of 18 Publisher: Eminence Grise Editions Printer: Andre Ribuoli