Waldemar Swierzy

American Film Poster - Offset Print - 1983

1983

Photographic collection by Franco Fontana is a vintage poster realized in occasion of Franco Fontana's exhibition in 1977. Original black and white offset. Good condition and aged...

Woman is a vintage Exhibition Poster of an exhibition of Massino Campigli's works, held in Mona Bismarck foundation in 2001. Good condition. Massimo Campigli (Berlin, 1895 - Saint-...

Emilio Tadini Poster Exhibition is an original offset poster realized in 1992, for his exhibition at Rondanini Gallery, Rome 1992. Hand-signed by the artist on the lower right. Go...

Pietro Ruffo - Exhibition Poster is an offset print realized for the exhibition by Pietro Ruffo at Galerie Di Meo in 2011. Good conditions.

I Castelli Romani is a splendid poster realized after Neal Slavin, in 1983, in occasion of the exhibition held in Rondanini Gallery in Rome. Vintage o...

I Castelli Romani is a rare poster realized after Neal Slavin, in 1983, in occasion of the exhibition held in Rondanini Gallery in Rome. Vintage offset, in very good condition. Reg...

John Baldessari (American, 1931-2020) Zorro (Two Gestures and One Mark), 1998 Medium: Offset lithograph and screenprint on Arches paper, and flip book Dimensions: 25.4 x 20.3 cm (10 ...

Rare offset Lithograph Poster on gloss stock paper with a semi gloss finish depicts Barack Obama as Superman. Plate signed on the lower right corner (front). Limited edition release ...

Rare Offset Lithograph on gloss stock paper with a semi gloss finish depict multiple images of supermodel Kate Moss. Plate signed on the lower left recto (front). Limited edition rel...

Martin Puryear Los Angeles Olympic Games 1984, 1982 Offset Lithograph on Parsons Diploma Parchment Paper Hand signed on the front with COA, Edition of 750 (though only approximately ...

Homage to Francis Bacon (Study for Head of George Dyer, moiré) is an offset lithograph, 19.5 x 19.5" image size, signed and numbered lower right, and framed in a contemporary, silver-tone moulding. From the edition of 300, numbered 100/300. Framed in a white contemporary frame, image to be updated. Regarding Murakami’s longtime fascination with Francis Bacon, Murakami was struck by “the way Bacon would distort human faces in his paintings. Murakami compared the process to the way a plug-in for a computer might morph a face in a certain way in Photoshop. “I really think about how Bacon might have transformed a face, and the methodology and the form of it, and that’s how I’ve been trying to do the same kind of transformation using Bacon’s style,” he said.” (Ann Binlot, “Takashi Murakami Talks Instagram Exposure for Emerging Artists, Francis Bacon, and Virgil Abloh,” Forbes, 11 June 2018. During the 20th century, both Isabel Rawsthorne and George Dyer were close companions to the British artist Francis Bacon. Rawsthorne frequently associated with an elite milieu of artists during her generation, while Dyer entered a tumultuous relationship with Bacon and was often portrayed in the artist’s paintings. In Murakami’s Study of Isabel Rawsthorne and Study of George Dyer we find his quintessential use of the Superflat method combined with an adaptation of Western iconography. In addition to the wildly distorted faces...

Homage to Francis Bacon (Study for Head of Isabel Rawsthorne, moiré) is an offset lithograph, 19.5 x 19.5" image size, signed and numbered lower right, and framed in a contemporary, silver-tone moulding. From the edition of 300, numbered 33/300. Regarding Murakami’s longtime fascination with Francis Bacon, Murakami was struck by “the way Bacon would distort human faces in his paintings. Murakami compared the process to the way a plug-in for a computer might morph a face in a certain way in Photoshop. “I really think about how Bacon might have transformed a face, and the methodology and the form of it, and that’s how I’ve been trying to do the same kind of transformation using Bacon’s style,” he said.” (Ann Binlot, “Takashi Murakami Talks Instagram Exposure for Emerging Artists, Francis Bacon, and Virgil Abloh,” Forbes, 11 June 2018. During the 20th century, both Isabel Rawsthorne and George Dyer were close companions to the British artist Francis Bacon. Rawsthorne frequently associated with an elite milieu of artists during her generation, while Dyer entered a tumultuous relationship with Bacon and was often portrayed in the artist’s paintings. In Murakami’s Study of Isabel Rawsthorne and Study of George Dyer we find his quintessential use of the Superflat method combined with an adaptation of Western iconography. In addition to the wildly distorted faces...