Wang Guangyi

Wang Guangyi No - Contemporary, 21st Century, Lithograph, Chinese

2007-2008

Wang Guangyi, No Time Contemporary, 21st Century, Lithograph, Chinese, Chinese Culture Lithograph on Velin BFK Rives 300 gr Accompanied by poem by Fernando Arrabal Edition of 165 p...

Anri Sala Cactus Score, 2011 Lithograph Edition of 110 45,5 x 60 cm (17.9 x 23.6 in), unframed In mint condition Blind-stamp on the front, signed and numbered on certificate of authenticity PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. Anri Sala was inspired by the punk song “Should I Stay or Should I Go?” to make his video ‘Le Clash’. The name of the video is that of the British group, The Clash who wrote the cult tune which hit the charts in 1981. The film takes place next to a modernist building. In the video, the melody of this hit song emerges from a music box and a barrel organ...

Wang Guangyi, No Time Contemporary, 21st Century, Lithograph, Chinese, Chinese Culture Lithograph on Velin BFK Rives 300 gr Accompanied by poem by Fernando Arrabal Edition of 165 p...

Sarah Slappey, Tied Up II, 2020 Tied Up II - Contemporary, 21st Century, Lithograph, Limited Edition, Female 12-colour lithograph with Marinoni lithograp...

Inspired by contemporary tensions in China, Zhang Xiaogang makes grim, unsettling portraits that consider identity and heredity in a collectivist state. The artist draws on influence...

Yue Minjun, Backyard Garden Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered in Roman numerals In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. The print is mounted on double sheet of paper with a poem on one spread and print on the other. Backyard Garden belongs to the set of twenty lithographs from the “Snatched Ecstasy of Yue Minjun”, which comes as a limited edition of 130 rare books. The work of Yue Minjun is instantly recognizable with its uniform laughing faces, the artist's faces. Minjun creates various realities against which the laughing figures are rendered, thus creating ambiguous images, often with the sinister atmosphere, which comes as his personal cynical reaction to various social and political dimensions of contemporary Chinese realities. Immediately humorous and sympathetic, Yue Minjun’s paintings offer a light-hearted approach to philosophical enquiry and contemplation of existence. Yue’s self-portraits have been describe by theorist Li Xianting as “a self-ironic response to the spiritual vacuum and folly of modern-day China”, thus the acidic tones and commercialized vacuity of his works are used to underscore the insincerity of his figures’ mirth. “Art should be an expression of one's particular feelings and should be direct and deep. So I drew one person, and then added another and another until there were crowds of them. Then I felt my emotions to be fully expressed.„ —Yue Minjun YUE MINJUN Yue Min-Jun (born 1962, Daqing, China) is one of the leading Chinese artists. He is best known for oil paintings depicting formations of his laughing self-portraits in various settings. His iconography is easily recognisable, it challenges social and cultural conventions by depicting objects and political issues in a radical, abstract, ironic and cynical manner. Yue Min-Jun initially started painting as a hobby, subsequently he graduated from the Oil Painting Department of Hebei Normal University, China in 1985. In the 90s he joined an artist community in Yuan Ming...

Nelson Mandela, Hand of Africa, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his ...

Nelson Mandela, Impressions of Africa (black and white), Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of ...

This work by Wifredo Lam from 1983 is part of the portfolio "Against Apartheid". In this year, many renowned artists decided to create a portfolio of printmaking works to set a sign against the Apartheid. There was also a touring exhibition. The complete project was supported by the United Nations Special Committee against Apartheid. Please scroll through our seller storefront...

Four colour lithograph on Somerset Velvet Warm White 400gsm. Edition of 100. Signed, titled, numbered and dated by the Tracey Emin.

’St Francis in the Wood’ By Arthur Boyd Medium - Lithograph Signed - Yes Edition - Artist Proof Size - 740mm x 500mm Date - 1979 Condition - 9 Colour of pr...

Additional Information: Item is comprised of the complete set of lithographs printed in red, orange, yellow, blue and teal. The prints are accompanied by four copies of the “Hackney Today” newspaper featuring the artist and the “Holding Hands” sculpture...