Frank Moore

Untitled

1996

Untitled 1999 Signed, dated, and numbered in pencil, recto Iris print (Edition of 100) 22 x 30 inches (55.9 x 76.2 cm), sheet 18 x 19.75 inches (45.7 x 50.2 cm), image This work ...

Untitled Signed, l.r. Collage 18.5 x 15.5 inches (47 x 39.4 cm), framed 10 x 8 inches (25.4 x 20.3 cm), image This work is offered by CLAMP in New York City.

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Recently graduated from Pasadena’s legendary Art Center College of Design, Tom Baldwin created the series of inkjet prints Japanese Gardens in 1996 on his computer, using then-nascent graphics technology to "paint" his images on the computer screen. Baldwin embraced this technology and its accompanying printing process not just for the speed and ease of their use, but because the artist could achieve the absolute flatness that the principles of modernism preached but ultimately--because of the limitations of their tools--never reached. These colorful, semi-abstracted views of Japanese temple landscapes subtly, but radically redefine picture space. Baldwin shifts fore and backgrounds, giving equal weight to skies and hillsides. Endowing a lowly bush with a vibrant purple or orange might cause it to pop out of proportion, but ultimately lends balance and stability to the work itself, in short, returning the composition to its original, harmonious whole in keeping with the subject matter. these original prints employ a color scheme that seems more reminiscent of 1980s Japanese pop art beer advertisements...