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A. GilbertCirca 1895 original vintage poster by A. Gilbert - Clément & Cie french bicycle1895
1895
$2,045.69
£1,514.53
€1,700
CA$2,832.40
A$3,092.30
CHF 1,621.17
MX$37,557.21
NOK 20,245.75
SEK 19,117.38
DKK 12,942.46
About the Item
A dynamic celebration of early cycling culture, this original vintage poster by A. Gilbert captures the energy, elegance, and modern spirit of Clément & Cie, one of the most prestigious French bicycle manufacturers of the Belle Époque.
Designed to promote Société des Vélocipèdes Clément, this beautifully lithographed advertisement features a fashionably dressed couple riding a tandem bicycle. The composition is rich with movement and intimacy, cleverly illustrating not only the mechanical ingenuity of Clément bicycles but also their role in shaping a new, more mobile social lifestyle in turn-of-the-century Paris.
The woman leads, confidently gripping the handlebars, while her male companion follows, adding a subtle nod to the progressive air of the era. Their detailed outfits — hats, gloves, coats — reflect both style and social status, reinforcing Clément’s appeal to the urban elite.
On the left side, the Clément emblem proudly proclaims the brand's identity: "Marque de Fabrique – Clément & Cie – Paris", and details the company’s capital of 4,000,000 francs — an impressive figure at the time, attesting to its industrial significance. The addresses at 20 Rue Brunel and 31 Rue du 4 Septembre anchor the brand firmly in the Parisian landscape.
Printed by the renowned Imp. Farches-Garnier, this poster is a masterclass in late 19th-century advertising design, where typography, branding, and visual narrative seamlessly merge.
Whether viewed as a tribute to cycling history, a rare artifact of Parisian industry, or simply as a stunning Art Nouveau-era design, this poster is a collector's gem — a testament to the golden age of bicycles and the artistry of early commercial lithography.
Cycle - Advertising - Sport
Factory and stores
Printed by Camis
- Creator:A. Gilbert
- Creation Year:1895
- Dimensions:Height: 77.17 in (196 cm)Width: 47.25 in (120 cm)
- Medium:
- Period:
- Condition:Good condition, creases, small tears.
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU1792216976522
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The book and card was inscribed to Jack Haber, the Editor-in-Chief of the magazine Gentlemen's Quarterly (GQ) from 1969 to 1983. GQ was owned by Conde Nast, and Alexander Liberman, who worked for Conde Nast for 32 years, was the Editorial Director from 1962-1983. Sadly, Jack Haber would die in 1984 at the age of 45 - one of the first casualties of the AIDS crisis, which was devastating to the art and publishing industries.
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Alexander Liberman
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Dear Jack
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Book information:
Publisher: Abbeville Press, 1981.
Hardcover. Bound in publisher's original white cloth with spine and front cover stamped in black. Full color illustrations throughout, including several color foldouts. 392 pages.
About Alexander Liberman:
Considered a revolutionary Minimalist artist, Alexander Liberman produced works that predated the movement by more than a decade. Liberman, not wanting to limit himself to any one form of expression, worked to produce radically minimalist paintings and sculpture in order to illuminate his beliefs about celestial motion, the movement of the eye, as well as human sexuality. The artist’s fascination with American industrialization and modernization ultimately resulted in his widely known red steel sculptures and geometric paintings, which seem to decompose the turbulence of the time period.
Alexander Liberman was born in 1912 in Kiev, Russia. He studied first in London and then in Paris. He took courses in philosophy and mathematics at the Sorbonne and architecture at L’École des Beaux-Arts in Paris. Liberman has had numerous solo exhibitions at museums such as the Jewish Museum, New York (1966); Storm King Art Center, Mountainville, NY (1970); and the Corcoran Gallery of Art, Washington, DC (1970). His sculpture and paintings are included in the museum collections of the Art Institute, Chicago; the Museum of Fine Arts, Houston; the Los Angeles County Museum of Art; the Metropolitan Museum of Art, New York; the Solomon R. Guggenheim Museum, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Hirshhorn Museum & Sculpture Garden, Washington, DC; the Tate Gallery, London and many others. Additionally his public sculpture can be seen in over 40 cities around the world including Honolulu, Los Angeles, Miami, New Haven, New York, Oklahoma City and Philadelphia. Alexander Liberman died in November of 1999 at the age of 87.
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