Graham Sutherland

1972 'XXe Siecle no. 38'

1972

Ahab and the Starbuck Portrait is one of twenty-six color lithographs from the Moby Dick: Passion of Ahab collection. Created as an interpretation of Benton Spruance's original litho...

One of twenty-six color lithographs from the Moby Dick: Passion of Ahab collection, Ahab Aloft captures Spruance's powerful interpretation of Melville’s classic. Created as a tribute...

One of twenty-six color lithographs from the collection "Moby Dick Passion of Ahab". Spruance died unexpectedly prior to the completion of this publication. THIS IS AN INTERPRETATION...

Epicerie Parisienne is a charming lithograph by Jan Balet, signed and numbered out of 300 in pencil by the artist, which adds to its authenticity and collectibility. This artwork cap...

NEGRO ES BELLO II is an original limited edition lithograph created by the African-American woman printmaker and sculptor, Elizabeth Catlett using hand printmaking techniques on arch...

Rare collectors' item: Anish Kapoor Venice Biennale: XLIV Esposizione Internazionale D'arte Biennale Di Venezia (Hand signed and inscribed by Anish Kapoor), 1990 HISTORIC signed poster published on the occasion of Kapoor representing Great Britain at the Venice Biennale Offset lithograph poster (Hand signed, inscribed to Nadine and dated 2016) Boldly signed, inscribed and dated by Anish Kapoor on the lower right front 33 × 23 inches Unframed Boldly signed and inscribed by Anish Kapoor on the lower right front for the present owner, Nadine, so provenance is direct. Accompanied by gallery issued Certificate of Guarantee This offset lithograph poster was published on the occasion of Anish Kapoor's exhibition "XLIV Esposizione Internazionale D'Arte" at the Biennale Di Venezia from May 27 to September 30, 1990. Hand signed posters by Kapoor are quite elusive. The poster is two sided as it was published on the occasion of the artist's participation in the 1990 Venice Biennale (the verso has his lengthy biography), and it bears the original folds as issued. British-Indian sculptor Anish Kapoor was chosen to represent Britain at the first Biennale of the 1990s. He had been exhibiting since 1980 but it was this show that brought him widespread recognition on the international stage. Sixteen huge sandstone blocks dominated the Pavilion’s main room; they were so heavy that the floor had to be reinforced with supports. Kapoor had started working in stone in the late 1980s and each block in Void Field (1989) has a hole filled with another motif in his work, the powdered blue pigment used in Indian religious ceremonies. The same vibrant tones, which was also inspired also by Yves Klein’s statement bold blue colour, were used in his low-lying slate sculpture, A Wing at the Heart of Things (1990), in the back gallery of the Pavilion; this work is now part of Tate’s collection. “Venice is an interchange of East and West, reflecting the way Kapoor borrows from both cultures” said Henry Meyric Hughes, British Council. Kapoor’s exhibition also wove together references to spiritualism and eroticism, with the red slit in the Pavilion's wall, entitled The Healing of St. Thomas (1989), alluding to the saint that doubted Jesus’ resurrection...

Fioritura del Tuttocuore is a lithograph realized by Renzo Margonari in 1976. Hand-signed. Artist's proof.

Catching Fire is a lithograph on paper, 9.5 x 5.5 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 170/275 (there were also 100 Roman and 20 AP). ...