Gustavo Ten Hoever

3 Queens

2019

In this fast moving world photographer Chris Leidy has found his inspiration within the depths of global oceans. Under water, Chris captures a vision – a flash in time – through his ...

Edition of 60

The images were proofed and the edition of 40 was printed with archival pigment inks on Crane, Museo Max 365 gsm fine art paper at Lococo Fine Art Publisher. The suite of 3 measures ...

edition of 10

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

CONSTELLATION SUITE #6, 2021 Archival Pigment Print on Hahnemühle 100% Cotton Fine Art Paper, Custom framed 45 x 35 cm All prints from an Edition of 9 Series: Constellations All aro...

Studio Portrait: Medaglia d’Oro, 2009 Archival Pigment Print on Hahenmühle Fine Art Paper, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass 76x76cm/30x30in Edition of 5 only Certificate of Authenticity provided, Stamped and Signed by the gallery and John Reardon Archive Estate Medaglia d'Oro (foaled April 11, 1999) is an American Thoroughbred racehorse who won several major stakes races including the 2002 Travers Stakes and the 2003 Whitney Handicap. He also finished second in the 2002 Belmont Stakes, the Breeders' Cup Classic in both 2002 and 2003, and the 2004 Dubai World Cup. Since retiring to stud, he has become an excellent stallion whose progeny include 2009 Horse of the Year Rachel Alexandra, two-time champion filly Songbird and two-time Hong Kong Horse of the Year Golden Sixty. This piece is part of "(after) Whistlejacket" - Contemporary Equine Photographs exhibition at MMX Gallery by John Reardon. The show explores an artistic way of photographing horses. "Racehorses, and the people in their realm, turned out to be his ideal subjects. Reardon’s eye found the elegance, power, and plaintive vulnerability of whatever settled before his camera, and the thoroughbred...

"Exploring new formats, techniques and ideas provides me with the foundations to all of my work. Since 2006 I had purposely avoided colour, and due to physical restrictions in the sm...