Hebru Brantley

Hebru Brantley Calling All Cars Rug (Hebru Brantley batman)

2022

Keith Haring record art 1983: David BOWIE "Without You" A Rare Highly Sought After Vinyl Art Cover featuring Original Artwork by Keith Haring. Rare Japan 1st Pressing 1983 accompanied by its original record album: Medium: Off-Set Lithograph. Dimensions: 7 x 7 inches Plate signed on lower left & dated K. Haring 1983. Cover: Minor signs of handling. Very good overall vintage condition. Also includes the original record in very good to excellent condition. RARE as such. Literature: Taschen Art Record Covers (pg. 214). Truly vibrant colors that make for stand-out Keith Haring wall art. Keith Haring Album Art: a brief history:  Whether collaborating with Grace Jones, Andy Warhol, and Jean-Michel Basquiat, regularly frequenting clubs like Paradise Garage alongside close friend Larry Levan, or sketching DJ robots, New York artist and activist Keith Haring’s work was deeply entwined with the music world lending his vision to sounds by everyone from David Bowie to Run DMC. Looking for something cool to complement this work? Please feel free to browse additional items like this from Jean Michel Basquiat, Andy Warhol, Damien Hirst, Keith Haring & more on our 1stDibs gallery page.  Related Categories Figurative Drawings. Keith Haring best buddies. Graffiti. 1980s. Kaws. Vintage Keith Haring. Keith Haring posters. Pop Art. keith Haring David Bowie.

Keith Haring Eight Ball 1989: This extremely rare 4 page printed/faxed document was created by Haring in 1988/1989, as a set of instructions to his publisher on “Eight Ball - Haring’...

Andy Warhol Record Art 1982-1986: Set of 4 Andy Warhol illustrated record covers (accompanied by their original records): Warhol's classic rendition of Miguel Bose, Aretha Franklin, ...

1986 Andy Warhol record art featuring Debbie Harry. Featured prominently in 'Andy Warhol: The Record Covers, 1949-1987, a Catalog Raisonne' by Warhol scholar Paul Marechal. Off-se...

Rare unopened Robert Rauschenberg designed Talking Heads Speaking in Tongues: In 1983, legendary pop artist Robert Rauschenberg designed the album cover for Talking Heads’ acclaimed...

Limited Edition Keith Haring spray paint can set published circa 2018 featuring the Estate trademark of Keith Haring. A unique Keith Haring collector’s set that makes for standout ho...

Larry Rivers Modernist mixed media "Brandeis Show Collage" work on cut paper. (this appears to be a vintage lithograph. It has a label that describes it as watercolor and charcoal on back. It is definitley hand cut.) Signed in several areas and stencilled across center. Work measures approx. 34 3/4" height x 20 3/4" width. Frame measures approx. 38 3/8" height x 26 1/4" width overall including frame. Silver paint loss on frame. Larry Rivers (born Yitzroch Loiza Grossberg) (1923 – 2002) was an American artist, musician, filmmaker, and occasional actor. Considered by many scholars to be the "Godfather" and "Grandfather" of Pop art, he was one of the first artists to merge non-objective, non-narrative art with narrative and objective abstraction. Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947–48. He earned a BA in art education from New York University in 1951. His work was quickly acquired by the Museum of Modern Art. A 1953 painting Washington Crossing the Delaware was damaged in fire at the museum five years later. He was a pop artist of the New York School, reproducing everyday objects of American popular culture as art. He was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery in 1955 along with Paul Mommer, Leonard Baskin, Peter Grippe During the early 1960s Rivers lived in the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol Factory and where he brought several of his French nouveau réalistes friends like Yves Klein who wrote there in April 1961 his Manifeste de l'hôtel Chelsea, Arman, Martial Raysse, Jean Tinguely, Niki de Saint-Phalle, Christo & Jean Claude, Daniel Spoerri or Alain Jacquet, several of whom, like Rivers, left some pieces of art in the lobby of the hotel for payment of their rooms. In 1965, Rivers had his first comprehensive retrospective in five important American museums. His final work for the exhibition was The History of the Russian Revolution, which was later on extended permanent display at the Hirshhorn Museum and Sculpture Garden in Washington, DC. He spent 1967 in London collaborating with the American painter Howard Kanovitz. In 1968, Rivers traveled to Africa for a second time with Pierre Dominique Gaisseau to finish their documentary Africa and I, which was a part of the groundbreaking NBC series Experiments in Television. During this trip they narrowly escaped execution as suspected mercenaries. During the 1970s, Rivers worked closely with Diana Molinari and Michel Auder on many video tape projects, including the infamous Tits, and also worked in neon. Rivers's legs appeared in John Lennon and Yoko Ono's 1971 film Up Your Legs Forever. From 1940–1945 he worked as a jazz saxophonist in New York City, changing his name to Larry Rivers in 1940 after being introduced as "Larry Rivers and the Mudcats" at a local pub. He studied at the Juilliard School of Music in 1945–46, along with Miles Davis, with whom he remained friends until Davis's death in 1991. Larry Rivers was born in the Bronx to Samuel and Sonya Grossberg, Jewish immigrants from Ukraine. In 1945, he married Augusta Berger, and they had one son, Steven. Rivers also adopted Berger's son from a previous relationship, Joseph, and reared both children after the couple divorced. In 1949 he had his first one-man exhibition at the Jane Street Gallery in New York. This same year, he met and became friends with John Ashbery, and Kenneth Koch. In 1950 he met Frank O’Hara. This same year he took his first trip to Europe spending eight months in Paris, France, reading and writing poetry. Beginning in 1950 and continuing until Frank’s death in July of 1966, Larry Rivers and Frank O’Hara cultivated a uniquely creative friendship that produced numerous collaborations, as well as inspired paintings and poems. In 1951 Rivers’ works were shown at the Tibor de Nagy Gallery where he continued to show annually (except 1955) for about 10 years. In 1954 he had his first exhibition of sculptures at the Stable Gallery, New York. In 1955 The Museum of Modern Art acquired Washington Crossing the Delaware. This same year he won 3rd prize in the Corcoran Gallery national painting competition for “Self-Figure.” Rivers’ also painted “Double Portrait of Berdie” in 1955, which was soon purchased by the Whitney Museum. In 1957 he and Frank O’Hara began work on “Stones,” a collaborative mix of images and poetry in a series of lithograph for Tatyana Grosman’s company ULAE. During this time he also appeared on the television game show “The $64,000.00 Question” where along with another contestant, they both won, each receiving $32,000.00. In 1958 he again spent time in Paris and played in various jazz bands. In 1959 he painted Cedar Bar Menu...

HEART II - is a unique, hand colored lithograph by the pop culture icon - Peter Max. The image Heart II was printed in 1981 as a limited edition lithograph of 165, using traditional...

Christo and Jeanne-Claude: Wrapped Reichstag, Berlin, 1971-1995, 1996 Hardback monograph with slipcase (hand signed and numbered - Hors Commerce edition, reserved for artists and contributors) Signed by Christo, Jeanne-Claude and photographer Wolfgang Volz and numbered numbered HC-694/HC-700 on the colophon. Also has an encased piece of the actual Reichstag wrapping! fabric! 12 × 12 × 1 1/2 inches Makes a memorable gift! It's hand signed and numbered - with a piece of the actual Reichstag wrapping fabric laid in. Signed by Christo, Jeanne-Claude and Wolfgang Volz and numbered numbered HC-694 on the colophon page (an Hors Commerce [not for sale] edition reserved for artists and collaborators) Original textured silver cloth with blue lettering on spine, housed in matching photo-illustrated slipcase, black lettering on spine. Contains an example of the original aluminum mesh used to wrap the Reichstag, framed in white cardboard (9 x 9") at inside back cover. Documentation of one of the startling and most stunning public art projects, representing the essence of conceptual art on a scale unmatched in the 20th century, one might say. 100 rock climbers abseiling down the facade of the Reichstag, without cranes or machinery being used in the project. This publication provides vivid documentation and a perspective of the extent of the project by the Bulgarian artist. His personal view, as expressed in The Guardian: "Artist - and above all architects - seek permanence," he said. "I don't. I like leaving nothing. That takes courage." His projects were funded mainly by selling preparatory drawings, always refusing sponsorship. Christo forbade the Three Tenors...

Since the 1950s, Jim Dine’s expansive multimedia practice has spanned painting, drawing, printmaking, sculpture, photography, poetry, and performance. Dine was a pioneering member of the Happenings movement alongside artists such as Claes Oldenburg and Allan Kaprow...

ALLEN JONES Mail Order, for Culture Carriers Stamp Out Art, from The Collection of Art Critic Anthony Haden-Guest, 1971 Lithograph mounted on franked envelope of wove paper (Hand Signed) 6 × 9 inches Edition of 250 (unnumbered) Hand signed in blue ink by Allen Jones with his initials on the lower left of the lithographic stamp, affixed to the envelope. Unframed As a consequence of the prolonged strike by the Royal Mail postal workers in the United Kingdom, Allen Jones, along with a group of top British Pop artists of the era including David Hockney, Eduardo Paolozzi, Derek Boshier, the poet/activist Christopher Logue and Richard Hamilton, published ''Culture Carriers Stamp Out Art''to raise funds for the striking workers. The "stamps" were published in a limited edition of only 250 each (some artists, like Paolozzi and Allen Jones created more than one design), with the artists signing each by hand in blue ink with his initials on the lower right. Allen Jones "Mail Order" is an especially clever take on the project; it is at once a postage stamp (hence the title "Mail Order"), but it also refers to the popular mail order catalogues of the era. It was a particular preoccupation of Jones, who, separately, created a large lithograph called "Janet is Wearing" -- referring to his wife Janet, but playing upon the advertising jargon of the day, used in mail order catalogues. For this particular project - creating a stamp to raise money for mail carriers...

JOE TILSON Culture Carriers Stamp Out Art (Hand Signed), from the Collection of Art Critic Anthony Haden-Guest, 1971 Lithograph mounted on franked Air...