Hoi Lebadang

Floating Nude, Etching by Hoi Lebadang

circa 1970

Lebadang (aka Hoi) - Meditation in Space. Year: circa 1970, Medium: Etching with Relief, signed and numbered in pencil, Edition: EA, Size: 15 x 11 in. (38.1 x 27.94 cm)

Lebadang (aka Hoi), Vietnamese (1922 - 2015) - Nude with Two Cats. Year: circa 1970, Medium: Etching with Relief, signed in pencil, Edition: EA, Size: 9.5 x 10 in. (24.13 x 25.4 cm)

Lebadang (aka Hoi), Vietnamese (1922 - 2015) - Travail du Matin. Year: circa 1970, Medium: Etching with Relief, signed in pencil, Edition: EA, Size: 15 x 11 in. (38.1 x 27.94 cm)

Lebadang (aka Hoi), Vietnamese (1922 - 2015) - Volcano Moon. Year: circa 1970, Medium: Etching with Relief, signed and numbered in pencil, Edition: EA, Size: 15 x 11 in. (38.1 x 2...

Nude is an original artwork realized by an artist of the mid-20th century. Etching and Aquatint. The drawing is inside a white cardboard passepartout (69x49 cm).

Abstract Composition is an original colored etching realized by Hsiao Chin in 1977. The artwork is hand-signed and dated in pencil on the lower right. Numbered on the lower left. E...

Nude is an Etching realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Artist'proof. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an Italian writer, painter, engraver and journalist, winner of the Feltrinelli Prize for Painting in 1963 and first winner of the Forte dei Marmi Satira Prize in 1973.After completing his secondary education, he enrolls in university. An interventionist like many young people of his time, he took part in the Great War at the age of nineteen as a field artillery officer. At the end of the conflict he resumed his university studies in Siena and in 1920 he graduated in law. In 1924 he was called by Angiolo Bencini to take care of the printing of the magazine Il Selvaggio, openly uncompromising fascist, revolutionary and anti-bourgeois, where his first engravings were published. After a few years of coexistence between work at the newspaper and the law firm, at the beginning of 1926 he left the legal profession to take over the direction of Il Selvaggio which he would hold until 1942. In 1928 he was the author of the small book published by Vallecchi (Florence), Il Trastullo di Strapaese (little songs and engraved woodwinds) which collected fascist songs (the same book was seized several times from Antonio Gramsci during his detention). With the transfer of the editorial staff of the Selvaggio in 1925 from Colle di Val d'Elsa to Florence, Maccari collaborated with Ardengo Soffici, Ottone Rosai and Achille Lega. In the meantime, between 1927 and 1930, he made himself known to the general public as a painter by participating in various national exhibitions. Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director. His presence in the cultural and editorial world of the fascist regime is very intense, he writes and collaborates with various magazines: Quadrivio, L'Italia Letteraria, L'Italiano and Omnibus by Leo Longanesi; then, during the war, in il Primato di Bottai and, subsequently again, in Il Mondo di Pannunzio (from the first number, in 1949), up to Documento by Federigo Valli. His graphic production is also vast, ranging from the Album of Vallecchi (1925), Il trastullo di Strapaese (1928) to Linoleum (1931). Maccari illustrated in 1934 La vecchia del Bal Bullier by Antonio Baldini and in 1942 he published the Album folder, followed by Come quando fuori Piove and Il superfluo illustrata.For his pictorial work full of evident chromatic accentuations and fast brushstrokes, the violent drawing combined with the lively stroke of the graphic sign of his engravings, he is recognized by critics as a complete artist. In 1962 he was also entrusted with the presidency of the Accademia di San Luca in Rome and managed to obtain a personal exhibition at Gallery 63 in New York. His production of drawings, watercolors, temperas, etc. is endless, sometimes in collaboration with prestigious publishing houses; it is worth mentioning, just as an excellent example, the 32 b/w and color drawings with which he illustrated Il gusto di vivere, a volume that collects writings by Giancarlo Fusco, edited by Natalia Aspesi and published by Laterza in 1985. Maccari, Sienese and great contradaiolo della Torre, painted the Palio...

Nude is a black and white etching realized by Nazareno Gattamelata in the 1970s. Hand signed by the artist on the lower right margin: Gattamelata. Numbered on the lower left margin...