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Interior Prints For Sale
Price: $1 to $9,500
Elaine Sturtevant, Duchamp Triptych - Three Signed Prints, Conceptual Art
Located in Hamburg, DE
Elaine Sturtevant (American, 1924-2014)
Duchamp Triptych, 1998
Medium: Two grano lithographs and one silkscreen, all on Rives rag paper
Dimensions: Each 50 x 40 cm (19.75 x 15.75 in)...
Category
20th Century Conceptual Interior Prints
Materials
Lithograph, Screen
Keith Haring & Andy Warhol, Montreux Jazz Festival 1986
By Keith Haring
Located in Manchester, GB
Keith Haring & Andy Warhol, Montreux Jazz Festival 1986
Screenprint in colours on half-matte coated 250 gr paper
Printed by Albin Uldry
Plate signed by Keith Hairng & Andy Warhol ...
Category
1980s Pop Art Interior Prints
Materials
Screen
Venice Biennale: XLIV Esposizione Internazionale D'arte (Hand signed by Kapoor)
By Anish Kapoor
Located in New York, NY
Anish Kapoor
Venice Biennale: XLIV Esposizione Internazionale D'arte Biennale Di Venezia (Hand signed and inscribed by Anish Kapoor), 1990
HISTORIC signed poster published on the occasion of Kapoor representing Great Britain at the Venice Biennale
Offset lithograph poster (Hand signed, inscribed to Nadine and dated 2016)
Boldly signed, inscribed and dated by Anish Kapoor on the lower right front
33 × 23 inches
Unframed
Boldly signed and inscribed by Anish Kapoor on the lower right front for the present owner, Nadine, so provenance is direct.
This offset lithograph poster was published on the occasion of Anish Kapoor's exhibition "XLIV Esposizione Internazionale D'Arte" at the Biennale Di Venezia from May 27 to September 30, 1990. Hand signed posters by Kapoor are quite elusive.
The poster is two sided as it was published on the occasion of the artist's participation in the 1990 Venice Biennale (the verso has his lengthy biography), and it bears the original folds as issued.
British-Indian sculptor Anish Kapoor was chosen to represent Britain at the first Biennale of the 1990s. He had been exhibiting since 1980 but it was this show that brought him widespread recognition on the international stage. Sixteen huge sandstone blocks dominated the Pavilion’s main room; they were so heavy that the floor had to be reinforced with supports. Kapoor had started working in stone in the late 1980s and each block in Void Field (1989) has a hole filled with another motif in his work, the powdered blue pigment used in Indian religious ceremonies. The same vibrant tones, which was also inspired also by Yves Klein’s statement bold blue colour, were used in his low-lying slate sculpture, A Wing at the Heart of Things (1990), in the back gallery of the Pavilion; this work is now part of Tate’s collection.
“Venice is an interchange of East and West, reflecting the way Kapoor borrows from both cultures” said Henry Meyric Hughes, British Council.
Kapoor’s exhibition also wove together references to spiritualism and eroticism, with the red slit in the Pavilion's wall, entitled The Healing of St. Thomas (1989), alluding to the saint that doubted Jesus’ resurrection...
Category
1990s Contemporary Interior Prints
Materials
Lithograph, Offset
DRAG QUEEN Original Lithograph, Surreal Pencil Portrait, Cabaret-Berlin style
Located in Union City, NJ
DRAG QUEEN is a superbly executed hand drawn, original lithograph printed from a lithographic stone using traditional hand printmaking techniques on archival paper 100% acid free. DRAG QUEEN portrays a pencil drawing of a seated man wearing a scallop edge black slip dress, dark stockings, pom pom mules/slides, holding a small black purse. He looks straight out toward the viewer with one eye open, one closed as he pokes the eye of a mysterious man looking up from the bottom of the composition. Very intriguing, Cabaret-Berlin style, surreal portrait that was hand printed in Paris France during the early 1970's. Artist is unknown....
Paper size: 12.75 x 9.5 inches, unframed, unsigned Printers Proof, hand torn edges, fine impression, excellent condition.
From Wikipedia, the free encyclopedia-
A drag queen is a person, usually male, who uses drag clothing and makeup to imitate and often exaggerate female gender signifiers and gender roles for entertainment purposes. In modern times, drag queens are associated with gay men and gay culture, but people of other genders and sexual identities...
Category
1970s Surrealist Interior Prints
Materials
Lithograph
Sigmar Polke, Bargeld Lacht: Pop Art, Capitalist Realism, Signed Print
By Sigmar Polke
Located in Hamburg, DE
Sigmar Polke (German, 1941 – 2010)
Bargeld Lacht, 2002
Medium: Colour offset and screenprint on cardboard
Dimensions: 70 × 50 cm
Edition of 70 + X: Hand-signed, numbered and dated
Co...
Category
21st Century and Contemporary Pop Art Interior Prints
Materials
Offset, Screen
Erró, Are You Ready - Pigment Print, Pop Art, Signed Print, Narrative Figuration
By Erró
Located in Hamburg, DE
Gudmundur Gudmundsson, aka Erró (Icelandic, b. 1932)
Are you ready, 2016
Medium: Pigment print
Dimensions: 115 x 111 cm
Edition of 60 + 35 EA: Hand-signed and numbered
Condition: Exc...
Category
21st Century and Contemporary Pop Art Interior Prints
Materials
Pigment
JR // Giants, Alain // Lithograph, Street Art, Urban Art, Signed Print
Located in Hamburg, DE
JR (French, b. 1983)
Giants, Alain, April 13, 08.22 P.M., Havana, Cuba, 2019
Medium : 17 colors lithograph on wove paper
Dimensions : 100 x 70 cm (39.5 x 27.5 in)
Edition of 180: Han...
Category
21st Century and Contemporary Street Art Interior Prints
Materials
Lithograph
Kara Walker, Theme for the Fons Americanus - Signed Print, Contemporary Art
By Kara Walker
Located in Hamburg, DE
Kara Walker (American, b. 1969)
Theme for the Fons Americanus, 2021
Medium: Archival digital pigment print on paper
Dimensions: 77.5 x 56 cm
Edition of 80: Hand-signed and numbered
C...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Archival Pigment
Mid 19th Century Figurative Scene from "Great Exhibition of 1851", London
By Lowes Cato Dickinson
Located in Soquel, CA
Hand-colored steel engraving of a the Turkish section of the Great Exhibition of 1851 by Lowes Cato Dickinson (British, 1819-1908). On verso i...
Category
1850s Aesthetic Movement Interior Prints
Materials
Watercolor, Engraving
David Shrigley, The Biggest Hottest Chilli In The World, 2023
Located in Manchester, GB
David Shrigley
The Biggest Hottest Chilli In The World, 2023
12 colour screenprint with varnish overlay
29 9/10 × 22 in (76 × 56 cm)
Edition of 125
David Shrigley’s drawings, paint...
Category
2010s Contemporary Interior Prints
Materials
Screen
Lady's Bedroom, Set of 4 Lithographs, 1906
Located in Saint Amans des cots, FR
Set of four lithographs enhanced with gouache by Maurice Dufrene. Four original plans from "Interieur Moderne d'une Famille Française" by Maurice Dufrene in 1906.
These four plans ar...
Category
Early 1900s Art Nouveau Interior Prints
Materials
Lithograph
The Clan of Macalister (Tartan), Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Clan of Macalister (Tartan)
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of desc...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
Elizabeth Peyton, The Kiss - Etching, Contemporary Art, Signed Print
Located in Hamburg, DE
Elizabeth Peyton (American, b. 1965)
The Kiss, 2018
Medium: Etching on wove paper
Dimensions: 33 x 37 cm
Edition of 30: Hand-signed and numbered
Condition: Mint
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Linocut
Peter Halley, Cartoon Explosion - Abstract Art, Minimalism, Signed Print
By Peter Halley
Located in Hamburg, DE
PETER HALLEY (American, b. 1953)
Cartoon Explosion, 1999
Medium: 5-part leporello, digital pigment print on handmade rice paper (folded, as issued)
Dimensions: 49.21 x 12.60 in (125....
Category
21st Century and Contemporary Abstract Interior Prints
Materials
Digital Pigment
Synagogue Duke's Palace Houndsditch by Th. Sunderland after Pugin & Rowlandson
Located in Middletown, NY
A faithful architectural rendering of the earliest Ashkenazi synagogue constructed in London; built about 1690, and subsequently destroyed in the Blitz, 1941.
London: Rudolph Ackerm...
Category
Early 19th Century English School Interior Prints
Materials
Aquatint, Engraving, Handmade Paper
Daniel Richter, Untitled (Paris Sexy 65) - Signed Screenprint, Collage
Located in Hamburg, DE
Daniel Richter (German, born 1962)
Untitled (from 11 Screenprints), 2019
Medium: Screenprint on paper
Dimensions: 59.4 x 42 cm
Edition of 11: Hand-signed and numbered
Condition: Exce...
Category
21st Century and Contemporary Abstract Interior Prints
Materials
Screen
Damien Hirst, Theodora (The Empresses, H10-3) - Abstract Art, Pop Art, Signed
By Damien Hirst
Located in Hamburg, DE
Damien Hirst (British, b. 1965)
Theodora (The Empresses, H10-3), 2022
Medium: Laminated giclée print on aluminium composite, screen printed with diamond dust
Dimensions: 100 × 100 cm...
Category
21st Century and Contemporary Abstract Interior Prints
Materials
Giclée
Christopher Wool, Untitled - Signed Screenprint, Abstract Art, Contemporary Art
Located in Hamburg, DE
Christopher Wool (born 1955 in Chicago)
Untitled, 2016
Screen print, on 270 g/qm vellum Rives
Dimensions: 80.5 × 70 cm
Edition size: unknown
Signature: Hand-signed and dated “WOOL 20...
Category
21st Century and Contemporary Abstract Interior Prints
Materials
Screen
The Jacobite Tartan, Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Jacobite Tartan
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descriptive text.
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
Once upon a time in London, Morning, Woodcut print, Vincent Van Gogh, Sunflowers
Located in Deddington, GB
A limited edition woodcut on paper print by Mychael Barratt of Vincent Van Gogh in his bedroom with his dog. Sunflowers appear in the background, brightening up a blue and purple room.
Additional information:
Mychael Barratt
Once upon a time in London, Morning
Woodcut on paper
Signed and titled in pencil
Numbered from the edition of 100
Image size
Height: 27.5 cm
Width: 27 cm
Complete size of sheet
Height: 39.6 cm
Width: 37.5 cm
Depth: 0.2 cm
ARTIST PROFILE: Mychael Barratt was born in Toronto, Canada, however, considers himself to be a Londoner since arriving for what was supposed to be a two-week stay thirty years ago. He is a narrative artist whose work is steeped in imagery relating to art history, literature, theatre and everything else that overfills his bookshelves. He was an artist in residence for Shakespeare’s Globe Theatre...
Category
2010s Contemporary Interior Prints
Materials
Paper, Woodcut
Laure Prouvost, Nice To Not Be A Screen - Signed Print, Contemporary Art
Located in Hamburg, DE
Laure Prouvost (French, b. 1978)
Nice to not be a screen, 2020
Medium: Digital pigment print, on Hahnemühle Photo Rag
Dimensions: 54 x 40 cm (21.25 x 15.75 in)
Edition of 20: Hand-si...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Digital Pigment
André Butzer, Pastrami - Signed Print, Etching, Abstract, Expressionism
Located in Hamburg, DE
André Butzer (German, b. 1973)
Untitled (Pastrami), 2019/2022
Medium: Etching in colors on wove paper
Dimensions: 43 x 33 cm
Edition of 15: Hand-signed, numbered and dated in pencil
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Etching
The Clan of Fraser (Tartan), Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Clan of Fraser (Tartan)
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descript...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
Frank Stella, Sidi Ifni (from Hommage à Picasso) - Signed Print, Minimalism
By Frank Stella
Located in Hamburg, DE
Frank Stella (American, b. 1936)
Sidi Ifni (from Hommage à Picasso), 1973
Medium: Lithograph in colors, on wove paper
Dimensions: 22 × 30 in (55.8 × 76.2 cm)
Edition of 90 + XXX + 15...
Category
20th Century Abstract Interior Prints
Materials
Lithograph
These Enhanced Techniques, Abstract Art, Contemporary Art, 21st Century
By Jenny Holzer
Located in Hamburg, DE
Jenny Holzer (American, b. 1950)
These Enhanced Techniques, 2012
Medium: Black pulp on white handmade paper, stenciled
Dimensions: 90.5 × 70 cm (35 3/5 × 27 3/5 in)
Edition: From the...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Handmade Paper, Stencil, Other Medium
Leamington
Located in Greenwich, CT
Leamington is a serigraph on paper measuring 26 x 41.25 inches, signed 'McKnight' lower right and annotated lower left. Framed in a classic, gold-tone frame. Numbered 122/200 from th...
Category
20th Century Contemporary Interior Prints
Materials
Paper, Screen
Landscape with Window and Chair
Located in Fairlawn, OH
Landscape with Window and Chair
Mezzotint on wove paper, 2000
Signed in pencil lower right (see photo)
Edition: 150 (93/150) (see photo)
Special Presentation Print for the Print Club of Albany, 2000
Condition: Mint
Image/Plate size: 4 1/2 x 3 1/2 inches
Sheet size: 7 x 5 1/2 inches
From the Print Club of Albany:
"Kipniss states that it is part of his working process to explore an image in pencil, in paint and in print. As the image evolves, its ramifications lead to hints of the next work. This image is well-suited for this medium since in mezzotint the artist literally draws the light as he burnishes the tiny rocked copper pinholes that trap the ink and become the image."
From 1968 into 1990, Kipniss created lithographs that followed the style and content of his paintings, whether generally or specifically. A commission from a print publisher in 1968 for five editions of lithographs precipitated his adoption of lithography as a medium.
Kipniss's first lithographs were done in black and white, but by 1970 he was also working in color. He taught himself "to lay in the most delicately light silvery tones on the surface of the limestone by maintaining an exceptionally sharp point on the lithographic pencil and drawing with no pressure other than the weight of the pencil itself." He built up a support so that his hand and wrist could "dangle" over the stone. By 1990 Kipniss had completed about 450 editions of lithographs, usually of 90 to 250 impressions, at the Burr Miller studio in Manhattan. He worked from 1969 with master printer Burr Miller and then with Steve and Terry, his sons.
Works by the artist are in the following public collections:
• Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco, California Palace of the Legion of Honor*
• Albertina Museum, Vienna, Austria*
• Albright-Knox Art Gallery, Buffalo, NY
• Arkansas State University Permanent Collection, State University, AR
• Art Institute of Chicago, Chicago, IL
• Art Museum of Western Virginia, Roanoke, VA
• Art Students League of New York, New York, NY
• Bates College Museum of Art, Lewiston, ME
• Berkshire Museum, Pittsfield, MA
• Bibliothèque nationale de France, Paris*
• Boston Athenæum, Boston, MA
• Bowdoin College Museum of Art, Brunswick, ME*
• British Museum, London, England*
• Brooklyn Museum of Art, Brooklyn, NY*
• Butler Institute of American Art, Youngstown, OH
• Canton Art Institute, Canton, OH
• Carnegie Museum of Art, Pittsburgh, PA
• Century Association, New York, NY
• Cleveland Museum of Art, Cleveland, OH*
• Columbus Museum of Art, Columbus, OH
• Coos Art Museum, Coos Bay...
Category
Early 2000s Contemporary Interior Prints
Materials
Mezzotint
Wade Guyton, Untitled (MAY, Thursday, August 3, 2017 Last Update), Signed Prints
By Wade Guyton
Located in Hamburg, DE
Wade Guyton (American, b. 1972)
Untitled (MAY, Thursday, August 3, 2017 Last Update), 2017
Medium: 4 sheets of Epson DURABrite inkjet on letterhead (on office paper)
Dimensions: each...
Category
21st Century and Contemporary Interior Prints
Materials
Inkjet
Wade Guyton, Red Fire for SMC, Signed Print, Contemporary Art, Abstract Art
By Wade Guyton
Located in Hamburg, DE
Wade Guyton (American, b. 1972)
Red Fire for SMC, 2018
Medium: Epson Ultrachrome HDX print on coated fine art paper
Dimensions: 19 x 15 in (48 x 38 cm)
Edition of 100 + 10 AP: Hand s...
Category
21st Century and Contemporary Abstract Interior Prints
Materials
Inkjet
"Suite: G Nr 5" Photography 32" x 24" in Edition of 10 by Lika Brutyan
By Lika Brutyan
Located in Culver City, CA
"Suite: G Nr 5" Photography 32" x 24" in Edition of 10 by Lika Brutyan
Archival pigment print on Hahnemühle Photo Rag Baryta.
Not framed. Ships in a tube.
Lika Brutyan is America...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Rag Paper, Archival Pigment
Chris Ware New Yorker Cartoonist Limited Edition Thanksgiving Print NYC
By Chris Ware
Located in Surfside, FL
This is one print – printed in full color on 15" x 20" heavy cream-colored paper.
It is from a limited edition series of 175,
the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not.
The page with the hand signature is included here as a photo for reference only it is not included in this sale.
Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style.
Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'"
While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue.
Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb.
Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character.
Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012.
Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle.
In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul.
Awards and honors
Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories.
Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007.
Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...
Category
Early 2000s American Modern Interior Prints
Materials
Color
North View of St. Paul's Cathedral, London English School, 19th century
Located in Middletown, NY
London: Tallis & Co., 1851
Lithograph on cream wove paper, 11 3/4 x 15 3/4 inches (297 x 398 mm), with vaulted margins at the top sheet edge. Significant toning, and some edge wear. ...
Category
Mid-19th Century English School Interior Prints
Materials
Lithograph, Handmade Paper
Jonas Wood - Large Shelf Still Life
By Jonas Wood
Located in Central, HK
Jonas Wood
Large Shelf Still Life, 2017
Offset lithograph in colors on smooth wove paper
23 × 23 in 58.42 × 58.42 cm
Basketballs, ceramics, and lush plants fill Jonas Wood’s painti...
Category
2010s Interior Prints
Materials
Paper
JR, Women Are Heroes - Lithograph, Street Art, Urban Art, Signed Print
Located in Hamburg, DE
JR (French, b. 1983)
Women Are Heroes, Elizabeth Kamanga on Sea, Le Havre, France, 2021
Medium: Lithograph in colors on BFK Rives paper
Dimensions: 50 × 70 cm (19 7/10 × 27 3/5 in)
E...
Category
21st Century and Contemporary Street Art Interior Prints
Materials
Lithograph
AFTER THE BATH Signed Lithograph, Pencil Drawing Nude Portrait, Woman Dressing
Located in Union City, NJ
AFTER THE BATH is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism Painter, 1899-1987. Printed using traditional hand lithography techniques on archival Arches printmaking paper 100% acid-free rag.
AFTER THE BATH is a sensitive, female nude portrait and intimate interior scene; a realistically drawn depiction of a young woman toweling herself dry after her bath printed...
Category
1970s Realist Interior Prints
Materials
Lithograph
MacIntosh - Chief (Tartan), Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
MacIntosh - Chief (Tartan)
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descripti...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
QUILTING TIME Signed Lithograph, African American Culture, Interior Scene, Quilt
Located in Union City, NJ
QUILTING TIME is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. QUILTING TIME by the African American master artist Romare Bearden is from Bearden's Mecklenburg series of images depicting recollections from his childhood in rural Mecklenburg County, NC. A colorful, intimate interior scene showing a black woman and young man tending to a multicolor quilt. Bearden's well known visual motif - the quilt, refers back to a time when the African American quilting tradition was employed by enslaved black people who worked coded messages into their handmade quilts to pass on information about the Underground Railroad...
Category
1980s Contemporary Interior Prints
Materials
Lithograph
Shepard Fairey, Floral Harmony (Red Yin/Yang) - 2 Signed Prints, Street Art
Located in Hamburg, DE
Shepard Fairey (American, b. 1970)
Floral Harmony (Red Yin/Yang), 2020
Medium: 2 screenprints on paper
Dimensions: each 24 x 18 in (61 x 46 cm)
Edition of 100: Each hand-signed and n...
Category
21st Century and Contemporary Street Art Interior Prints
Materials
Screen
André Butzer, Dr. Pfeffer - Signed Print, Etching, Abstract, Expressionism
Located in Hamburg, DE
André Butzer (German, b. 1973)
Untitled (Dr. Pfeffer), 2019/2022
Medium: Etching in colors on wove paper
Dimensions: 43 x 33 cm
Edition of 15: Hand-signed, numbered and dated in penc...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Etching
1936 Lithograph Interregnum Street Riot Protest Small Edition Weimar Germany
By George Grosz
Located in Surfside, FL
Hand lithography on BFK Rives French hand moulded paper Style: German New Objectivity (Neue Sachlichkeit)
According to the frontis these were produced by Hand Lithography. According...
Category
1930s Modern Interior Prints
Materials
Lithograph
FIRST TO ARRIVE Signed Lithograph, Blonde Woman, Waiter, Pink Cocktail w Lime
By Robin Morris
Located in Union City, NJ
FIRST TO ARRIVE by the woman artist Robin Morris, is an original limited edition lithograph printed in 14 colors using hand lithography techniques on archival Arches paper, 100% acid free. FIRST TO ARRIVE is an amusing cocktail party portrait...
Category
1980s Art Deco Interior Prints
Materials
Lithograph
Untitled (Fisherman), Etching and Aquatint, British Artist, Contemporary Art
By Peter Doig
Located in Hamburg, DE
Peter Doig (born 1959 in Edinburgh)
Untitled (Fisherman), 2005
Medium: Etching and aquatint in colors, on vellum
Dimensions: 39.5 x 30 cm (57 x 45.5 cm)
Edition of 35: Hand signed, d...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Etching, Aquatint
The Clan of MacDougal, Tartan, Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Clan of MacDougal
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descriptive te...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
Interior abstract 1973 lithograph by Duncan Grant
By Duncan Grant
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want.
Duncan Grant (1885 - 1978)
Interior (1973)
Lithograph
36 x 30 cm (paper size 77 x 57 cm)
Signed 'Grant' and numbered 9/90 in pencil; part of the Penwith Portfolio. Published by Penwith Galleries, St Ives in 1973 with works by Barbara Hepworth, Henry Moore, Peter Lanyon, Alan Davie, Merlyn Evans, John Piper, Ben Nicholson, Robert Adams, Bernard Leach, Michael Rothenstein, and F E McWilliam...
Category
1970s Abstract Interior Prints
Materials
Lithograph
Rupprecht Geiger, Bluish Red and Blue-Black - Abstract Art, Signed Print
Located in Hamburg, DE
Rupprecht Geiger (German, 1908 – 2009)
Bluish Red and Blue-Black, 1961
Medium: Screenprint on cardboard
Dimensions: 16.7 x 20.6 cm
Framed dimensions: 31.4 x 27.5 x 2.9 cm
Edition of ...
Category
20th Century Abstract Interior Prints
Materials
Screen
Greenwich Window I
Located in Bournemouth, Dorset
Joanna Irvin
Greenwich Window 1
Etching A/P
Image: 15 x 10
Mount 27.0 x 22.0 cm
Joanna Irvin - Joanna was born in Aberdeen and spent her childhood in Scotland and Ireland. She stud...
Category
2010s Interior Prints
Materials
Etching, Aquatint
Stewart - Prince Charles Edward (Tartan), Scottish Scotland lithograph print
Located in Melbourne, Victoria
Stewart - Prince Charles Edward.
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of de...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
Imi Knoebel, Gelbe Fahne - 1999, Abstract Art, Minimalism, Signed Print
By Imi Knoebel
Located in Hamburg, DE
Imi Knoebel (German, born 1940)
Gelbe Fahne, 1999
Medium: Screenprint on rag paper
Dimensions: 100 x 73 cm (39.25 x 28.75 in)
Edition of 99: Hand-signed and numbered
Condition: Mint
Category
Late 20th Century Abstract Interior Prints
Materials
Screen
Ordinary Places Installation - English vintage interior color photography
Located in Cambridge, GB
Ordinary Places Sixteen Piece Installation, British vintage interior photography by Richard Heeps.
Richard Heeps 'Ordinary Places' Series...
Category
1980s Contemporary Interior Prints
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Antique American Modernist Portrait Signed Limited Edition Serigraph Interlude
By Will Barnet
Located in Buffalo, NY
Vintage American modernist interior scene by Will Barnet. Titled "Interlude". Signed and numbered limited edition from 1982.
Category
1980s Modern Interior Prints
Materials
Screen
Chris Ware New Yorker Cartoonist Limited Edition Thanksgiving Print NYC
By Chris Ware
Located in Surfside, FL
This is one print – printed in full color on 15" x 20" heavy cream-colored paper.
It is from a limited edition series of 175,
the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not.
The page with the hand signature is included here as a photo for reference only it is not included in this sale.
Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style.
Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'"
While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue.
Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb.
Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character.
Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012.
Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle.
In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul.
Awards and honors
Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories.
Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007.
Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...
Category
Early 2000s American Modern Interior Prints
Materials
Color
Original Freedom from Want 1943 vintage poster. Thanksgiving
Located in Spokane, WA
Original vintage poster: FREEDOM FROM WANT, Ours to fight for ...
Original. Artist: Normal Rockwell. Archival linen backed in fine condition, ready to frame. Note: All US Go...
Category
1940s American Realist Interior Prints
Materials
Offset
Rupprecht Geiger, Blue-Black and Bluish Red - Abstract Art, Signed Print
Located in Hamburg, DE
Rupprecht Geiger (German, 1908 – 2009)
Blue-Black and Bluish Red, 1961
Medium: Screenprint on cardboard
Dimensions: 16.7 x 20.6 cm
Framed dimensions: 31.4 x 27.5 x 2.9 cm
Edition of ...
Category
20th Century Abstract Interior Prints
Materials
Screen
"KVTNO7_02" Abstract Print 23" x 23" Edition of 50 by DOT
Located in Culver City, CA
"KVTNO7_01" Abstract Print 23" x 23" Edition of 50 by DOT
Print. Signed and numbered by the artist.
ABOUT THE ARTIST:
By compiling concepts from multiple philosophies, DOT’s Art...
Category
21st Century and Contemporary Abstract Geometric Interior Prints
Materials
Canvas, Screen
Epi, Olé, 2023
Located in Manchester, GB
Epi, Olé, 2023
Screen print on 190 gsm paper
Hand-signed by the artist
60.96 x 91.44 cm 24 x 36 in
Shepard Fairey’s famous ‘Obey’ paste-up, vandalised in the fine surrealist t...
Category
2010s Contemporary Interior Prints
Materials
Lithograph
Bridgetown (Caribbean Daydreams)
Located in Greenwich, CT
Bridgetown from the Caribbean Daydreams portfolio is a serigraph on paper measuring 16 x 18 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, ...
Category
20th Century Contemporary Interior Prints
Materials
Paper, Screen
Chris Ware New Yorker Cartoonist Limited Edition Thanksgiving Print NYC
By Chris Ware
Located in Surfside, FL
This is one print – printed in full color on 15" x 20" heavy cream-colored paper.
It is from a limited edition series of 175,
the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not.
The page with the hand signature is included here as a photo for reference only it is not included in this sale.
Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style.
Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'"
While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue.
Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb.
Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character.
Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012.
Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle.
In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul.
Awards and honors
Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories.
Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007.
Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...
Category
Early 2000s American Modern Interior Prints
Materials
Color
Damien Hirst 'H13-7 Mill Bay, Salcombe -2023' Signed & numbered
By Damien Hirst
Located in Pembroke Pines, FL
Artsist: Damien Hirst
Title: 'H13-7 Mill Bay, Salcombe'
Year: 2023
Medium: Laminated Giclée print on aluminium composite panel
Size: 35.4 x 35.4 inches
Edition: 148/289
Numbered and ...
Category
2010s Abstract Expressionist Interior Prints
Materials
Giclée
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