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David Hockney
Set for Parade

1980

About

An original offset-lithograph exhibition poster by English artist David Hockney (1937-) titled "Set for Parade", 1980. Created by Hockney for a show held at Andre Emmerich Gallery in New York City in association with the Metropolitan Opera in 1980. It was part of a series of paintings and drawings of set designs and costumes for three 20th century French works (two operas and a ballet) that were performed at the Metropolitan Opera House under the embracing title ‘Parade’. The three names you can see are Erik Satie, Maurice Ravel and Francis Poulenc, the composers of the three works. The ballet, composed by Erik Satie, was first performed in 1917, when the scenery and costumes were designed by Pablo Picasso. Sheet size: 39" x 27". Limited edition: 750. Reference: Catalogue Raisonné: Hockney Posters by Brian Baggott: No. 93. Excellent condition. Rare. Note: Not to be confused with thousands of inkjet reproductions on the market, the works we offer here are the original vintage exhibition posters, hand-made by or under the supervision of the artist for various exhibitions they participated in and fully documented in the artist's catalogue raisonne of authentic original posters. Known for his photo collages and paintings of Los Angeles swimming pools, David Hockney is considered one of the most influential British artists of the 20th century. Born in Bradford, England, in 1937, David Hockney attended art school in London before moving to Los Angeles in the 1960s. There, he painted his famous swimming pool paintings. In the 1970s, Hockney began working in photography, creating photo collages he called joiners. He continues to create and exhibit art, and in 2011 he was voted the most influential British artist of the 20th century.

Details

  • Condition
    Excellent.
  • Dimensions

    H 39 in. x W 27 in.

    H 99.06 cm x W 68.58 cm

  • Gallery location
    Charlottesville, VA
  • Reference number
    LU12121428653

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About David Hockney (Artist)

The art of David Hockney is always engaging in its pleasant ambiguities: It’s warm but somehow aloof; filled with light yet often dark and brooding in subject; simple, frank and mundane, but also ethereal and complex. The artist’s stature in the contemporary- art world is such that, in a 2011 survey of one thousand British painters and sculptors, he was named the most influential British artist of all time.


     Hockney grew up in Bradford, in the northern English county of Yorkshire, studying at the Bradford School of Art from 1953 to ’57, and at the Royal College of Art in London from 1959 to ’ 1962. Though he was educated in art a time when abstraction dominated the field, Hockney stuck resolutely to figurative painting and drawing. His early paintings suggest a search for a style, veering from Expressionism to a grotesquerie suggestive of James Ensor. But Hockney found himself almost the moment he arrived in Los Angeles, in 1963. The move from the gray and rainy Britain to a world of bright sunshine and sparkling water brought Hockney a sense of freedom and an artistic epiphany. He would spend most of the next five years in L.A., painting luminous pictures, such as A Bigger Splash (1967), of things that made him happy: swimming pools, manicured lawns, palm trees, stucco buildings and luxuries like shower stalls. Hockney also painted people, almost always his friends. His California portraits such as Beverly Hills Housewife (1966) are considered to be his finest work. They are at once grandly scaled, intimate and poetic.


     In the 1970s, Hockney moved back to Britain and spent much of his time on photography and printmaking. He returned to painting in the 1980s, and to subjects like still lifes, seascapes and portraits. Hockney has always been fascinated by the use of technology in art — he’s credited with inventing the technique of joining Polaroid photos in a collage to form a panoramic picture — and in the past decade has been using the Brush app to paint on an iPad. Because he is prolific and works in a wide range of mediums, Hockney’s art is available at many price points. His consistently striking and provocative work should have a place in any comprehensive collection of contemporary art.

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