Items Similar to St. Peter's Interior with the Nave
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Giovanni Battista PiranesiSt. Peter's Interior with the Nave 1748
1748
About the Item
St. Peter's Interior with the Nave
Veduta interna della Basilica di S. Pietro in Vaticano
Etching, 1748
Signed in the plate
From: Vedute di Roma, Plate 5
An early Roman printing published by Bouchard e Gavier (ii/VI)
Watermark: Fleur-de-Lys in a Double Circle
Reference: Hind 4 ii/VI, Wilton-Ely 137, Foclion 788
Condition: Very good, centerfold (as usual)
Catholic tradition holds that the basilica is the burial site of Saint Peter, chief among Jesus's apostles and also the first Bishop of Rome (Pope). Saint Peter's tomb is supposedly directly below the high altar of the basilica.
Note: "Designed principally by Donato Bramante, Michelangelo, Carlo Maderno and Gian Lorenzo Bernini, St. Peter's is the most renowned work of Renaissance architecture and the largest church in the world. While it is neither the mother church of the Catholic Church nor the cathedral of the Diocese of Rome (these equivalent titles being held by the Archbasilica of Saint John Lateran in Rome), St. Peter's is regarded as one of the holiest Catholic shrines. It has been described as "holding a unique position in the Christian world"[4] and as "the greatest of all churches of Christendom".
The entire interior of St. Peter's is lavishly decorated with marble, reliefs, architectural sculpture and gilding. The basilica contains a large number of tombs of popes and other notable people, many of which are considered outstanding artworks. There are also a number of sculptures in niches and chapels, including Michelangelo's Pietà.
Catholic tradition holds that the basilica is the burial site of Saint Peter, chief among Jesus's apostles and also the first Bishop of Rome (Pope). Saint Peter's tomb is supposedly directly below the high altar of the basilica.
The central feature is a baldachin, or canopy over the Papal Altar, designed by Gian Lorenzo Bernini. The apse culminates in a sculptural ensemble, also by Bernini, and containing the symbolic Chair of Saint Peter."
Courtesy: Wikipedia
- Creator:Giovanni Battista Piranesi (1720-1778, Italian)
- Creation Year:1748
- Dimensions:Height: 16 in (40.64 cm)Width: 23.5 in (59.69 cm)
- Medium:
- Movement & Style:
- Period:1740-1749
- Condition:Very good Centerfold (as usual).
- Gallery Location:Fairlawn, OH
- Reference Number:
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1978
1stDibs seller since 2013
711 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Fairlawn, OH
- Return PolicyA return for this item may be initiated within 10 days of delivery.
More From This SellerView All
- The So-Called Tempio della Tosse, Near Tivoli. Interior UprightBy Giovanni Battista PiranesiLocated in Fairlawn, OHThe So-Called Tempio della Tosse, Near Tivoli. Interior Upright (Veduta interna del Tempio della Tosse) "Temple of the Cough" Etching, 1764 Signed in the plate From: Vedute di Roma...Category
1760s Old Masters Interior Prints
MaterialsEtching
- S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura)By Giovanni Battista PiranesiLocated in Fairlawn, OHS. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura) Etching, 1748 From...Category
1740s Old Masters Interior Prints
MaterialsEtching
- La Negresse (The Negress)By Louis LegrandLocated in Fairlawn, OHLa Negresse (The Negress) Etching & drypoint, 1909 Unsigned (as issued in the portfolio) From the album "Les Bars" (8 plates plus cover illustration) Editi...Category
Early 1900s Art Nouveau Interior Prints
MaterialsEtching
- Gaiety BurleskBy Reginald MarshLocated in Fairlawn, OHGaiety Burlesque Etching, 1930 Unsigned (as usual for the Whitney edition); Numbered in pencil lower left; Blind stamp of the Whitney Museum (WM) lower right Edition: 114, regular ed...Category
1930s American Modern Interior Prints
MaterialsEtching
- The Art of Conversation (Three characters on...)By Marcel GromaireLocated in Fairlawn, OHThe Art of Conversation (Three characters on...) Etching, 1958 Signed in pencil lower right: “Gromaire” (see photo) Edition: 110 (18/110) see photo Printed on RIVES paper Publisher: ...Category
1950s Cubist Interior Prints
MaterialsEtching
- The Woman and the StreetBy Marc ChagallLocated in Fairlawn, OHThe Woman and the Street Etching, 1927-1930 Signed in the plate lower right corner (see photo) From: The Fables of La Fontaine, Plate 84 From the deluxe portfolio edition of 40 examples, printed on japan nacré paper Printed by Maurice Potin, 1927-1930 Published by Tériade, éditeur, Paris, 1952 Reference: Johnson 174 Condition: Tape stain top center recto from pervious hinging. Image/Plate size: 11 3/4 x 9 1/2 inches Sheet size: 15 1/8 x 11 1/8 inches The Women and the Secret There's nothing like a secret weighs; Too heavy 'tis for women tender; And, for this matter, in my days, I've seen some men of female gender. To prove his wife, a husband cried, (The night he knew the truth would hide,) 'O Heavens! What's this? O dear...Category
1920s French School Prints and Multiples
MaterialsEtching
You May Also Like
- Ancient Roman Medici Marble Vase: An 18th Century Etching by PiranesiBy Giovanni Battista PiranesiLocated in Alamo, CAThis large 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le quail r...Category
1770s Old Masters Figurative Prints
MaterialsEtching
- Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran MoleBy Giovanni Battista PiranesiLocated in Alamo, CA"Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...Category
1760s Old Masters Figurative Prints
MaterialsEtching
- The Giant Wheel (Carceri IX), (2nd State)By Giovanni Battista PiranesiLocated in Chicago, ILThis is a second state impression from three states.Category
Mid-18th Century Old Masters Interior Prints
MaterialsEngraving, Etching
- Mytton HallBy Sir Francis Seymour Haden, R.A.Located in Storrs, CTMytton Hall. 1859. Etching and drypoint. Schneiderman catalog 19 state .iii/v. 4 13/16 x 10 5/16 (sheet 5 3/4 x 10 15/16). As published in Études à l'eau-forte XXIV. Illustrated: Guichard, British Etchers, 1850-1940. An extremely rich impression printed on fine laid paper. Signed in the plate. Housed in a 16 x 20-inch archival mat. Mytton Hall is a fifteenth century mansion house situated on the River Ribble, at Whalley near Blackburn, Lancashire. Haden used to stay there when he went salmon fishing. R. Gutekunst, the dealer who inherited the rights to sell all of Francis Seymour Haden's remaining prints upon his death, noted on the front of his catalogue in July 1911: "It may be useful to add that those impressions of Sir Seymour Haden's early and rare etchings, which were published in portfolio form in Paris in 1865-66, under the title Études à l'eau-forte have, with the exception of one or two sets, never been signed in autograph by Sir Seymour, and do not, of course, bear any stamp of any kind." Although Gutekunst had impressions of the majority of Haden's works for sale, he had no remaining impressions of Mytton Hall. Henry Taylor...Category
Mid-19th Century Old Masters Landscape Prints
MaterialsDrypoint, Etching
- St. Botolph's Bridge (No. 1).By Frederick Landseer Griggs, R.A., R.E.Located in Storrs, CTSt. Botolph's Bridge (No. 1). 1917. Etching. Comstock catalog 19 state iv. 5 3/4 x 4 1/2 (sheet 9 3/8 x 8 5/8). Edition 50 in this state (total 70 proofs in 4 states.) A rich impres...Category
Early 20th Century Old Masters Landscape Prints
MaterialsEtching
- Jan Uytenbogaert, The GoldweigherBy Rembrandt van RijnLocated in Boston, MABartsch 281, Hind 167 iii/III, Nowell-Usticke 281, iii/III. A fine impression, with burr, as retouched by Baillie in 1792. With an unidentified collectors stamp, verso.Category
17th Century Old Masters Figurative Prints
MaterialsDrypoint, Etching
