Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 4

James Abbott McNeill Whistler
THE SMITH’S YARD

1895-7

$225
£173.85
€200.99
CA$317.94
A$356.59
CHF 186.74
MX$4,332.94
NOK 2,371.31
SEK 2,248.17
DKK 1,500.28

About the Item

JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903) THE SMITH’S YARD 1895 (Spink, Stratis & Tedeschi 124) lithograph, 1895, on wove paper, from the edition of 3000, published by The International Studio, 1897 7 5/8 x 6 ½. Missing the Studio Blind Stamp
  • Creator:
    James Abbott McNeill Whistler (1834-1903, American)
  • Creation Year:
    1895-7
  • Dimensions:
    Height: 7.625 in (19.37 cm)Width: 6.5 in (16.51 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Santa Monica, CA
  • Reference Number:
    1stDibs: LU411315023752

More From This Seller

View All
THE FORGE - Rich Drypoint
By James Abbott McNeill Whistler
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903) THE FORGE 1866 (Kennedy. 68 iv/vi: Glascow 86 vi/vi) Etching and drypoint. Signed and dated in the plate 1866. VERY GOOD IMPRESSION WITH...
Category

Late 19th Century Impressionist Figurative Prints

Materials

Drypoint

The Whitesmiths, Impresse des Carmelites
By James Abbott McNeill Whistler
Located in Santa Monica, CA
JAMES ABBOTT MCNEILL WHISTLER (1834 – 1903) THE WHITESMITHS, IMPRESSE DES CARMELITES 1894 (03) Way 53, LEVY 84 Transfer lithograph signed with butterfly in stone 8 ½ x 6 1//8". ...
Category

1890s Impressionist More Prints

Materials

Lithograph

Thames Warehouses
By James Abbott McNeill Whistler
Located in Santa Monica, CA
JAMES McNEILL WHISTLER (American 1834–1903 London) THAMES WAREHOUSES, 1859 (K 38 ii/ii; Glascow 46 iv/v; Mansfield 37) Etching and drypoint on fine thin laid paper. Plate: 3 × 8 i...
Category

1850s Impressionist Landscape Prints

Materials

Drypoint, Etching

FULHAM
By James Abbott McNeill Whistler
Located in Santa Monica, CA
JAMES McNEILL WHISTLER (American 1834-1903 London) FULHAM 1879 (K 182 ii/ii; Glasgow 181 iii/iv?) Etching 5 1/8 x 8, sheet, 9 ½ x 12 ¼ inches. In very good condition save for hint o...
Category

1870s Landscape Prints

Materials

Etching

OLD CHINATOWN - SAN FRANCISCO
By Childe Hassam
Located in Santa Monica, CA
CHILDE HASSAM (1859 – 1935) OLD CHINATOWN - SAN FRANCISCO 1904 (Cortissoz 95 i/iii?) Etching, 5 ¼ “ x 5”. Signed and dated in the plate and with his cypher in pencil. An early state before additional work as in the example at Cornell University. Very Scarce print. On old ledger paper. Sheet 9 5/8” x 7”. Pre San Francisco earthquake. Based on a rare photograph by Arnold Genthe...
Category

Early 1900s American Impressionist More Prints

Materials

Etching

New Fish Market - NEW YORK
By Joseph Pennell
Located in Santa Monica, CA
JOSEPH PENNELL (1857 - 1926) NEW FISH MARKET - (NEW YORK) 1921 (W 797) Etching, Signed in pencil, edition probably 50. 9 7/8 x 6 7/8 inches. Full sheet, ...
Category

1920s American Impressionist Landscape Prints

Materials

Etching

You May Also Like

"The Smith's Yard" original lithograph
By James Abbott McNeill Whistler
Located in Henderson, NV
Medium: original lithograph. Catalogue reference: Way 88. Printed in 1897 and published in London for The Studio. Sheet size: 11 x 7 3/4 inches (282 x 197 mm). This impression on cre...
Category

1890s Prints and Multiples

Materials

Lithograph

The Forge
By James Abbott McNeill Whistler
Located in Fairlawn, OH
The Forge Drypoint, 1861 Signed in the plate lower right (see photo) Published as part of the Thames Set, 1871 Printed between 1894 and 1896 when the plate was canceled. This impress...
Category

1860s Impressionist Figurative Prints

Materials

Drypoint

The Mill, Amsterdam, 1889
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...
Category

1880s Impressionist Landscape Prints

Materials

Drypoint, Etching

The Fair
By James Abbott McNeill Whistler
Located in Storrs, CT
The Fair. 1895-96. Lithograph. Way 92, Levy 144, Tedeschi, Stratis and Spink 135 state ii. Image 9 1/4 x 6 1/2 (sheet 13 x 9 5/8). A fine impression printed on antique cream-laid paper. Way lists 15-lifetime impressions (Goulding printed...
Category

Late 19th Century American Modern Figurative Prints

Materials

Drypoint, Etching

The Traghetto
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 19...
Category

1870s Impressionist Landscape Prints

Materials

Drypoint, Etching

Chelsea Rags
By James Abbott McNeill Whistler
Located in Storrs, CT
Chelsea Rags. Chelsea Rags. 1888. Lithograph. Way 22, Levy 35, Tedeschi, Stratis and Spink 26. 7 1/8 x 6 5/16 (sheet 12 3/4 x 8). Printed on cream laid paper. Provenance: Miss Rosalind Birnie Philip, Whistler's sister-in-law, her seal verso: (Lugt 405). Michael Parkin Fine Art, Ltd. from whom purchased in 1972. Christie's, King Street.Signed with the butterfly in the image. One of 13 impressions listed by Way, before the image was transferred to supplementary stones for the edition of 500-1,000 printed by Way and issued in the Albemarle, January, 1892. Signed with the butterfly in the stone and in pencil. Housed in an elegant silk mat with a silver liner, and in a 16 3/4 x 14 3/4-inch silver leaf frame decorated with fleur-de-lis decorations. "And his interest in London has not been restricted to the Thames. Seeing the beautiful, where other men might be discouraged by dullness, he has taken his subject, now in the little cheap shop opening a low window upon the street, now in the forgotten church hidden away in a lonely square. And Chelsea Rags, the Shops of Chelsea, the Drury Lane, as well as The Butcher's Dog, are impressions of vague Rembrandtesque interiors where figures, grim or graceful, peer from out deep shadows— shops as lovely in his prints as the halls of a Veronese, or the palaces of a Claude." Elizabeth Robins...
Category

Late 19th Century American Modern Figurative Prints

Materials

Lithograph