Screen Interior Prints

Artist: Kenny Scharf Title: Kenny Scharf, Flintstones, Screenprint, unsigned Year: 1998 Medium: Screenprint, unsigned Edition: 150 Size: 35 x 44 in. (88.9 x 111.76 cm) Image Size: 3...

Richard Tuttle (American, born 1941) Homesick as a Nail, 1998 Medium: Set of 1 drypoint etching on wove paper and 1 silkscreen, printed in five colors on acetate on both sides, with ...

Iain H Williams, Paradigim Distortion V4 (2022) 59.4 x 84.1 cm 23.4 x 33.1 in Limited edition hand-finished work on paper Hand-signed by the artist Iain's work has his own bo...

Iain H Williams, Paradigim Distortion V3 (2022) 59.4 x 84.1 cm 23.4 x 33.1 in Limited edition hand-finished work on paper Hand-signed by the artist Iain's work has his own bo...

I started my sticker campaign in 1989 and I continue to value the power of a small but mighty source of disruption and expression. When I was younger and had few resources my strateg...

Koak (US American, b. 1981) Female Comes In Many Forms, 2019 Medium: Five color risograph print Dimensions: 43 x 28 cm (17 x 11 in) Edition of 200: Hand numbered and signed Condition...

Victor Vasarely (Hungarian-French, 1906-1997) Kandahar I (from "Album I" by Galerie Denise René), 1955 Medium: Screenprint in colors, on paper Dimensions: 26 × 20 1/10 in (66 × 51 cm...

Shepard Fairey Radical peace Screenprint Handsigned in pencil by the artist Unnumbered proof Size 91 x 61 cm (c. 36 x 24 in) Excellent condition

Shepard Fairey Shadowplay Screenprint Handsigned in pencil by the artist Unnumbered proof Size 91 x 61 cm (c. 36 x 24 in) Excellent condition

Shepard Fairey Lotus Angel Screenprint Handsigned in pencil by the artist Unnumbered proof Size 91 x 61 cm (c. 36 x 24 in) Excellent condition

Shepard Fairey Lotus Angel Screenprint Handsigned in pencil by the artist Unnumbered proof Size 91 x 61 cm (c. 36 x 24 in) Excellent condition

Shepard Fairey AR-15 Lily Screenprint Handsigned in pencil by the artist Unnumbered proof Size 91 x 61 cm (c. 36 x 24 in) Excellent condition

Koak (US American, b. 1981) Families Belong Together, 2019 Medium: Five color risograph print Dimensions: 43 x 28 cm (17 x 11 in) Edition of 200: Hand-numbered and signed Condition: ...

Dave Buonaguidi Party Like It's 1999, 2021 Medium: Screenprint on paper Dimensions: 42 x 29.7 cm Edition of 60: Hand-signed and numbered in pencil

Allan D'Arcangelo (American, 1930-1998) Untitled, 1969 Medium: Screenprint on paper Dimensions: 35.6 x 29.9 cm Outside the edition of 125: Not signed, not numbered

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

Shepard Fairey Make art not war, 2023/24 Screenprint Handsigned in pencil by the artist Unnumbered proof Size 90 x 60 cm (c. 35,4 x 23,6 in) Excellent condition

UNTITLED (INV# NP2230) Ken Price silkscreen on Arches 88 paper 14.875 x 12.375” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books Ken Price (1935 - ...

UNTITLED (INV# NP2232) Ken Price silkscreen on Arches 88 paper 14.875 x 12.375” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books Ken Price (1935 - ...

UNTITLED (INV# NP2233) Ken Price silkscreen on Arches 88 paper 14.875 x 12.375” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books Ken Price (1935 - ...

UNTITLED (INV# NP2231) Ken Price silkscreen on Arches 88 paper 14.875 x 12.375” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books Ken Price (1935 - ...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

Peter Pommerer (German, b. 1968) Giraffe with Blue Coloured Eyes, 2000 Medium: Screenprint on wove paper Dimensions: 26 x 21 cm Edition of 100: Hand-signed and numbered in pencil Con...

Original screenprint poster for Günter Fruhtrunk's exhibition at Galerie Denise René Hans Mayer in 1970 in Krefeld, Germany.

Artist: Victor Vasarely Title: Profound Works VII Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher...

Artist: Kenny Scharf Title: Sajippe Krakka Joujesh Year: 1998 Medium: Screenprint Edition: XXX /150 Image Size: 37 x 44 inches Size: 39 x 46 inches (93.98 x 111.76 cm) Publisher: Bru...

ANOTHER DAY is an original limited edition woodcut and screen print by the American painter and sculptor, Otto Neals. The woodblock used to print ANOTHER DAY was hand-carved by Otto ...

Artist: Victor Vasarely Title: Profound Works VI Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher:...

A major figure of the contemporary street art movement, Shepard Fairey rose to prominence in the early 1990s with his “Andre the Giant Has a Posse” campaign, which distributed poster...

Artist: Victor Vasarely Title: Profound Works I Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher: Editions du Griffon Neuchatel Suite: Profound Works Medium: 3D, Serigraph on Acitate Over Serigraph on Paper Condition: Excellent Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works. Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface. Vasarely’s work was heavily influenced by his time spent at Breton Beach of Belle Isle...

Artist: Hunt Slonem, American (1951 - ) Title: Two Chairs Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 250 Image Size: 24 x 24 inches Size: 27 in. x 2...

Artist: Victor Vasarely Title: Profound Works Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher: Ed...

"I’ve made several images over the years addressing police brutality, and I think humor and absurdity help make such a heavy topic more digestible. There is a violent history of poli...

Artist: Victor Vasarely Title: Profound Works VIII Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher: Editions du Griffon Neuchatel Suite: Profound Works Medium: 3D, Serigraph on Acitate Over Serigraph on Paper Condition: Excellent Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works. Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface. Vasarely’s work was heavily influenced by his time spent at Breton Beach of Belle Isle...

Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One and Robbie Conal to create a series of anti-Bush/anti-war posters for the street-art campaign: Be The Revolution. In 2005, Fairey accepted a residency at the Contemporary Museum in Honolulu, Hawaii, where he created murals and prints that reveal a dramatic combination of constructivist style with distinctly traditional Hawaiian themes and influences. Amanda Fairey gave birth to the couple’s first child, Vivienne in June 2005, she is the namesake of punk fashion legend Vivienne Westwood. Vivienne would be the model for Fairey’s “Vivi La Revolucion” print of 2008. Fairey's street-art, was featured with that of Dan Witz...

Artist: Victor Vasarely Title: Profound Works III Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher...

Keith Haring & Andy Warhol, Montreux Jazz Festival 1986 Screenprint in colours on half-matte coated 250 gr paper Printed by Albin Uldry Plate signed by Keith Hairng & Andy Warhol ...

Santa Barbara is a serigraph on paper measuring 26 x 29 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, black frame. Numbered XCIX/CL from t...

34" x 24" Unframed Limited Edition Serigraph of 120 Hand Signed by Diana Christensen

23" x 17" Unframed Limited Edition Serigraph Artist Proof of 20 Hand Signed by Jason Alexander

23" x 17" Unframed Limited Edition Serigraph Artist Proof of 20 Hand Signed by Jason Alexander

Standard Edition 16" x 12" Unframed Limited Edition Serigraph of 100 Hand Signed by Jason Alexander 1996 Artist Proof 16" x 12" Unframed Limited Edition Serigraph RP of 10 Hand Sign...

Ugo Rondinone Stars, 2009 Medium: Screenprint on paper Dimensions: 105.0 x 74.7 cm (41.3 x 29.4 in) Edition of 300: Hand-signed and numbered Condition: Excellent

16" x 12" Unframed Limited Edition Serigraph of 10 Hand Signed by Jason Alexander

Standard Edition 16" x 12" Unframed Limited Edition Serigraph of 100 Hand Signed by Jason Alexander 1996 Artist Proof 16" x 12" Unframed Limited Edition Serigraph with Hand Drawn Re...

Standard Edition 16" x 12" Unframed Limited Edition Serigraph of 100 Hand Signed by Jason Alexander 1996 Artist Proof 16" x 12" Unframed Limited Edition Serigraph AP & RP of 10 Hand...

Keith Haring & Andy Warhol, Montreux Jazz Festival 1986 Screenprint in colours on half-matte coated 250 gr paper Printed by Albin Uldry Plate signed by Keith Hairng & Andy Warhol ...

Leamington is a serigraph on paper measuring 26 x 41.25 inches, signed 'McKnight' lower right and annotated lower left. Framed in a classic, gold-tone frame. Numbered 122/200 from th...

Victor Vasarely (Hungarian 1908 - 1997) Editions du Griffon, Neuchâtel, Switzerland 15 ⅝" x 15 ⅝ sight size "Koska-Rev", 1974. Heliogravure, no sig...

Bridgetown from the Caribbean Daydreams portfolio is a serigraph on paper measuring 16 x 18 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, ...

Original screenprint poster for Rupprecht Geiger's exhibition “Rupprecht Geiger – Eine Werkschau zum 100. Geburtstag” from 2007-2008. This screenprint was produced in a limited edit...

"KVTNO7_01" Abstract Print 23" x 23" Edition of 50 by DOT Print. Signed and numbered by the artist. ABOUT THE ARTIST: By compiling concepts from multiple philosophies, DOT’s Art...

Vintage American modernist interior scene by Will Barnet. Titled "Interlude". Signed and numbered limited edition from 1982.

Jaipur Lake Pavilion is a serigraph on paper measuring 24 x 27 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, black frame. Numbered XXX/CC ...

Serigrafía sobre papel.

La serie El origen de la luz consta de tres piezas impresas en serigrafía sobre papel. La serie explora uno de los principios de la auto-percepción, la conc...

I’ve enjoyed bringing some of the spray paint textures from my fine art into my screen prints. I like the subtle color shifts and ethereal gradients that can be achieved with spray p...

Koak (US American, b. 1981) All Love Is Equal, 2019 Medium: Five color risograph print Dimensions: 43 x 28 cm (17 x 11 in) Edition of 200: Hand numbered and signed Condition: Mint