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Michael Godard
MATRIX MARTINI

2010

$1,299List Price

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True Love, Pop Art, Sailing Art, Coastal Art, Seascape Art, Painting by Numbers
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Abstract Giclée Print by Yang Dongying - Series Spring Landscape No.5
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Abstract Giclée Print by Yang Dongying- Series Spring Landscape No.1
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Abstract Giclée Print by Yang Dongying- Series Spring Landscape No.4
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Abstract Giclée Print by Yang Dongying- Series Spring Landscape No.2
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By Yang Dongying Series Spring Landscape No.2 Giclée Print, ed. 61/99 51 x 49 x 0,1 cm Yang Dongying is a Chinese artist born in 1980 in Inner Mongolia...
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Abstract Giclée Print by Yang Dongying- Series Spring Landscape No.3
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Kenny Scharf, Flintstones, Screenprint, 1998
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DR. SUESS "THE CAT'S DEBUT - RIGHT" SIGNED & NUMBERED
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THE CAT'S DEBUT - DIPTYCH
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CHRISTO AND JEANNE-CLAUDE, VERPACKTE WEGE, 1983 - MIXED MEDIA
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VICTOR VASARELY - OEUVRES PROFONDES CINETIQUES VIII - 1973
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Artist: Victor Vasarely Title: Profound Works VIII Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher: Editions du Griffon Neuchatel Suite: Profound Works Medium: 3D, Serigraph on Acitate Over Serigraph on Paper Condition: Excellent Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works. Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface. Vasarely’s work was heavily influenced by his time spent at Breton Beach of Belle Isle...
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