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Style: Victorian
MacDonald of the Isles and Slate (Tartan), Scotland art design lithograph print
Located in Melbourne, Victoria
MacDonald of the Isles and Slate (Tartan)
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a she...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
MacDonald of Glengarry (Tartan), Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
MacDonald of Glengarry (Tartan)
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of desc...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
The Clan Colquhoun (Tartan), Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Clan Colquhoun (Tartan)
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descript...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
The Jacobite Tartan, Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Jacobite Tartan
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descriptive text.
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
The Clan of Macalister (Tartan), Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Clan of Macalister (Tartan)
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of desc...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
The Clan of MacDougal, Tartan, Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Clan of MacDougal
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descriptive te...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
Stewart - Prince Charles Edward (Tartan), Scottish Scotland lithograph print
Located in Melbourne, Victoria
Stewart - Prince Charles Edward.
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of de...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
The Clan of Fraser (Tartan), Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Clan of Fraser (Tartan)
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descript...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
MacIntosh - Chief (Tartan), Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
MacIntosh - Chief (Tartan)
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descripti...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
The Clan Lamond, Tartan, Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Clan Lamond
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descriptive text.
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
The Clan of Skene (Tartan), Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Clan of Skene (Tartan)
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descripti...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
"Crystal and Jade" Still Life Lithograph in Ink on Paper
Located in Soquel, CA
"Crystal and Jade" Still Life Lithograph in Ink on Paper
Delicate and detailed lithograph of a crystal glass and jade vase by John Taylor Arms (American, 1887-1953). On the left side of the composition, there is a crystal martini glass, with intricate designs. Next to it is a jade vase or urn, with a carved surface. They are sitting on an ornate tablecloth, with a strand of beads, possibly a rosary.
Numbered ("VI"), inscribed with a dedication ("To Georgiana Brewer and Jasper S. Mathews Jr from Dorothy and John Taylor Arms"), signed ("John Taylor Arms"), and dated ("1940") along the bottom edge.
Presented in a wood frame with an off-white mat.
Frame size: 16.5"H x 14.75"W
Image size: 8.5"H x 7.25"W
John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919.
His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities.
He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...
Category
1940s Victorian Interior Prints
Materials
Ink, Lithograph, Paper
The Rob Roy Tartan, Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Rob Roy Tartan
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descriptive text.
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
The Clan of Macauley (Tartan), Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Clan of Macauley (Tartan)
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descri...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
The Clan of MacLaren, Tartan, Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Clan of MacLaren
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descriptive text.
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
The Clan of Robertson (Tartan), Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Clan of Robertson (Tartan)
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descr...
Category
Late 19th Century Victorian Interior Prints
Materials
Lithograph
"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate)
Located in Soquel, CA
"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate)
Delicate and detailed drypoint etching of the Church of St. Aignan in Chartres, France by John Taylor Arms (American, 1887-1953). The viewer stands in an alley near the church, looking out of the shadows at the sunlit towers. The architectural details of the church are well-captured, including the texture of the stone walls, the roof, and ornamental detail.
Titled, signed, dated, and inscribed along the bottom edge:
Sketch, Saint Aignon, Chartres John Taylor Arms 1950
The inscription includes details about production, as well as a dedication "To my friends Georgia and Jasper Mathews, with my sincerest good wishes"
Presented in a wood frame with an off-white mat.
Frame size: 12.5"H x 9.25"W
Image size: 7"H x 4.5"W
John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919.
His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities.
He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...
Category
1940s Victorian Interior Prints
Materials
Ink, Etching, Drypoint, Paper
Interior of the Great Temple of Aboo Simbel - Orientalist - David Roberts
Located in London, GB
David Roberts R.A.
1796 - 1864
Interior of the Great Temple of Aboo Simbel
Subscription edition and First edition lithographs available
Full plate: 139
Acid free mount
With David ...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
London Dandies-or- Monstrosities of 1816, Scene, Hyde Park, from Monstrosities
Located in Middletown, NY
London: Thomas McLean, 1818. Third Edition. Etching with hand coloring in watercolor on cream wove paper (published August 1st, 1835), 9 7/8 x 14 inches (250 x 354 mm), full margins....
Category
Early 19th Century Victorian Interior Prints
Materials
Watercolor, Etching
Monstrosities of 1822; Plate 5
Located in Middletown, NY
London: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 9 1/2 x 13 3/4 inches (240 x 348 mm), full margins. With light, fresh color....
Category
Early 19th Century Victorian Interior Prints
Materials
Watercolor, Etching
Albert Kruger After Max Liebermann, The Flax Barn at Laren, Etching
Located in Cheltenham, GB
This late-19th-century etching by German draughtsman Albert Kruger (b. 1858) is after a painting by Max Liebermann (1847-1935).
The rhythmical monotony of the spinners, organised like a rigid machine, echoes through the low barn. Youths, hunched by square windows, wind flax onto spindles. While women stand in clogged feet, working tirelessly with aching bones.
Liebermann captured their daily grind with aplomb, avoiding sentiment in favour of laborious reality. Yet, amid this harsh environment, he celebrates their efforts. The composition conveys determination with its lines and strong verticals while the atmosphere is one of steel rather than tortuous circumstance.
Liebermann was a realist yet he found light among the ordinary.
Originally published in The Art Journal...
Category
1890s Victorian Interior Prints
Materials
Paper, Etching
L'examen (The Examination)
Located in Middletown, NY
Heliogravure on light weight Japan paper, full margins. Titled in pencil in the lower right margin. In good condition with some minor handling creases, dog-eared lower right corner, ...
Category
Late 19th Century Victorian Interior Prints
Materials
Photogravure
An Election Ball
Located in Middletown, NY
London: Thomas Mclean, 1835. Etching with hand coloring in watercolor on cream wove paper. 5 3/8 x 7 3/4 inches (135 x 195 mm), full margins. A lovely well inked impression with fres...
Category
Mid-19th Century Victorian Interior Prints
Materials
Watercolor, Etching
Mr. B- “seeking the Bubble reputation"
Located in Middletown, NY
from The Sailor’s Progress, Plate 5
London: Thomas McLean, 1835. Second Edition. Etching with hand coloring in watercolor on cream wove paper, 1835. 8 1/4 x 11 1/2 inches (250 x 354...
Category
Early 19th Century Victorian Interior Prints
Materials
Watercolor, Etching
Monstrosities of 1824; Plate 7
Located in Middletown, NY
London: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 1818 (published August 1st, 1835) 9 1/2 x 13 3/4 inches (240 x 348 mm), full...
Category
Mid-19th Century Victorian Interior Prints
Materials
Watercolor, Etching
Anglo Parisian Salutations, or Practice par Excellence!
Located in Middletown, NY
A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor.
London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...
Category
Early 19th Century Victorian Interior Prints
Materials
Etching, Watercolor
The Root of King’s Evil, NB To cure the Constitution of this evil, the axe ...
Located in Middletown, NY
A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor.
London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...
Category
Early 19th Century Victorian Interior Prints
Materials
Watercolor, Etching
Radical Parliament; "Plan to Assassinate Her Magestie's Ministers."
Located in Middletown, NY
An image of the last major insurrection in Great Britain, known as Guy Fawkes's Cato Street Conspiracy.
London: Thomas Mclean, 1835. Etching with hand coloring in watercolor on crea...
Category
Mid-19th Century Victorian Interior Prints
Materials
Watercolor, Etching
To Calais
Located in Middletown, NY
London: Thomas McLean, 1835. Etching with hand coloring in watercolor on cream wove paper. 6 1/4 x 8 3/8 inches (157 x 210 mm), full margins. Initialed in the plate by Cruikshank, and bearing Frederick Marryat's anchor monniker. A well inked impression of this humorous print...
Category
Mid-19th Century Victorian Interior Prints
Materials
Watercolor, Etching
Mr. B. Masthead- or, enjoying the fresh air for the 304th time
Located in Middletown, NY
From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 4)
London: Thomas Mclean, 1835. Etching with handcoloring in watercolor on cream wove p...
Category
Mid-19th Century Victorian Interior Prints
Materials
Watercolor, Etching
Master B. Finding things are not exactly what he expected-
Located in Middletown, NY
From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 2)
Etching with handcoloring in watercolor on cream wove paper, 1835. 210 x 290 mm; 8 3/...
Category
Mid-19th Century Victorian Interior Prints
Materials
Watercolor, Etching
Mr. B. on the Middle Watch- "cold blows the wind & the rain's coming on."
Located in Middletown, NY
From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 3)
London: Thomas McLean, 1835. Etching with handcoloring in watercolor on cream wove pa...
Category
Mid-19th Century Victorian Interior Prints
Materials
Watercolor, Etching
Hindoo No 3, Grammar of Ornament, Owen Jones, late 19th century, 1868
By Owen Jones
Located in Melbourne, Victoria
Chromolithograph, 1868.
From Owen Jones' 'Grammar of Ornament', 1868. Welshman Owen Jones first published his monument to design, the Grammar of Ornament, in instalments for subscri...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
Interior of the Great Temple of Aboo Simbel - 19th Century Lithograph - Roberts
Located in London, GB
David Roberts R.A.
1796 - 1864
Interior of the Great Temple of Aboo Simbel
Subscription edition and First edition lithograph
Full plate: 139
Height 35.0...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
The German Chapel in St. James Palace, A 19th Century Hand Colored Engraving
By Charles Wild
Located in Alamo, CA
A hand-colored engraving of the interior The German Chapel, St. James Palace in London, England from 'The History of the Royal Residences of Windsor Castle, St. James Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore', commissioned by the British Royal Family. The work is one of the finest depictions of interiors ever published. The engraving was created by Daniel Havel (1786-1826) after a painting by Charles Wild (1781-1835) and published by William Henry Pyne (1770–1843) in 1819.
The print is presented in a gold-colored wood museum style frame and an elaborate light grey French mat with highlighted gold and royal blue bands. A certificate of authenticity from Trowbridge Gallery...
Category
Early 19th Century Victorian Interior Prints
Materials
Aquatint
Interior of the Great Temple of Aboo Simbel - 19th Century Lithograph - Roberts
Located in London, GB
David Roberts R.A.
1796 - 1864
Interior of the Great Temple of Aboo Simbel
First edition lithograph
Full plate: 139
Height 35.00 cm (13.78 inches)
Widt...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
Suggestions in Floral Design, Frederick Hulme, 19th century chromolithograph
By Frederick William Hulme
Located in Melbourne, Victoria
Chromolithograph, 1878. The gold colour is actually metallic and shiny.
From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
Suggestions in Floral Design, Frederick Hulme, 19th century chromolithograph
By Frederick William Hulme
Located in Melbourne, Victoria
Chromolithograph, 1878. The gold colour is actually metallic and shiny.
From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
Italian No 5, Grammar of Ornament, Owen Jones, late 19th century, 1868
By Owen Jones
Located in Melbourne, Victoria
Chromolithograph, 1868.
From Owen Jones' 'Grammar of Ornament', 1868. Welshman Owen Jones first published his monument to design, the Grammar of O...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
The Dome of the Rock, showing the Site of the Temple, 19th Century Orientalist
Located in London, GB
1796 - 1864
The Dome of the Rock, showing the Site of the Temple
First edition lithograph
Full plate: 8
Acid free mount
One of a full collection from the series of the Holy Land and...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
Suggestions in Floral Design, Frederick Hulme, 19th century chromolithograph
By Frederick William Hulme
Located in Melbourne, Victoria
Chromolithograph, 1878. The gold colour is actually metallic and shiny.
From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
Suggestions in Floral Design, Frederick Hulme, 19th century chromolithograph
By Frederick William Hulme
Located in Melbourne, Victoria
Chromolithograph, 1878.
From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior designers with st...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
Mid 19thCent. Kings Hall Party Session, Athelhampton, Dorsetshire by Joseph Nash
By Joseph Nash
Located in Soquel, CA
Historical mid-19th century hand tinted lithograph and a lively scene of men and women engaging in a light hearted game of the era by artist Joseph Nash (British, 1808-1878). Signed ...
Category
Mid-19th Century Victorian Interior Prints
Materials
Watercolor, Lithograph
Suggestions in Floral Design, Frederick Hulme, 19th century chromolithograph
By Frederick William Hulme
Located in Melbourne, Victoria
Chromolithograph, 1878. The gold colour is actually metallic and shiny.
From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
Suggestions in Floral Design, Frederick Hulme, 19th century chromolithograph
By Frederick William Hulme
Located in Melbourne, Victoria
Chromolithograph, 1878. The gold colour is actually metallic and shiny.
From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
Suggestions in Floral Design, Frederick Hulme, 19th century chromolithograph
By Frederick William Hulme
Located in Melbourne, Victoria
Chromolithograph, 1878. The gold colour is actually metallic and shiny.
From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
Suggestions in Floral Design, Frederick Hulme, 19th century chromolithograph
By Frederick William Hulme
Located in Melbourne, Victoria
Chromolithograph, 1878. The gold colour is actually metallic and shiny.
From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
Suggestions in Floral Design, Frederick Hulme, 19th century chromolithograph
By Frederick William Hulme
Located in Melbourne, Victoria
Chromolithograph, 1878.
From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior designers with st...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
Suggestions in Floral Design, Frederick Hulme, 19th century chromolithograph
By Frederick William Hulme
Located in Melbourne, Victoria
Chromolithograph, 1878. The gold colour is actually metallic and shiny.
From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
Suggestions in Floral Design, Frederick Hulme, 19th century chromolithograph
By Frederick William Hulme
Located in Melbourne, Victoria
Chromolithograph, 1878. The gold colour is actually metallic and shiny.
From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
Suggestions in Floral Design, Frederick Hulme, 19th century chromolithograph
By Frederick William Hulme
Located in Melbourne, Victoria
Chromolithograph, 1878. The gold colour is actually metallic and shiny.
From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
Suggestions in Floral Design, Frederick Hulme, 19th century chromolithograph
By Frederick William Hulme
Located in Melbourne, Victoria
Chromolithograph, 1878.
From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior designers with st...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
Savage Tribes, Grammar of Ornament, Owen Jones, late 19th century, 1868
By Owen Jones
Located in Melbourne, Victoria
Chromolithograph, 1868.
From Owen Jones' 'Grammar of Ornament', 1868. Welshman Owen Jones first published his monument to design, the Grammar of O...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
Hindoo No 2, Grammar of Ornament, Owen Jones, late 19th century, 1868
By Owen Jones
Located in Melbourne, Victoria
Chromolithograph, 1868.
From Owen Jones' 'Grammar of Ornament', 1868. Welshman Owen Jones first published his monument to design, the Grammar of O...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
Victorian interior prints for sale on 1stDibs.
Find a wide variety of authentic Victorian interior prints available for sale on 1stDibs. Works in this style were very popular during the 20th Century, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including George Cruikshank, Owen Jones, David Roberts, and John Taylor Arms. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Victorian interior prints, so small editions measuring 7.75 inches across are also available. Prices for interior prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $65 and tops out at $2,556, while the average work sells for $120.
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