Timothy Hursley

Chicken Ranch Parlor, Pahrump Nevada, documentary-style dye transfer print, 1986

1986/1990

Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...

Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...

Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...

In his "Symphony (TP)," 2002, Keiji Shinohara flattens a sunset landscape to its most essential visual elements in the tradition of Japanese woodcut, while updating the medium with t...

Printmaker Ann Aspinwall made this etching in 1999, while living in Venice. During those years she did several etchings that adhered to a certain principle. She drew a freehand line, as straight as possible; and beneath that line drew another, following as closely as possible the one above. Each successive line followed the line directly above, imitating all the curves and shakes. These imperfections, or deviations from the original line, became more and more prominent, each line being an interpretation of what came before it. Around that time, Aspinwall discovered the writing of John Dewey on the subject of rhythm in his Art as Experience (1934): Rhythm, writes Dewey, is an “ordered variation of changes.” There is no rhythm “when there is a uniformly even flow, with no variations of intensity or speed,” when “variations of pulse and rest do not occur.” “Variations of intensity are relative to the subject matter directly experienced. Each beat, in differentiating a part within the whole, adds to the force of what went before while creating a suspense that is a demand for something to come. It is not a variation in a single feature but a modulation of the entire pervasive and unifying qualitative substratum.” Ten years later Aspinwall returned to this plate. Looking at it again after a long time she perceived the strong influence of Venice; the texture calls to mind water and fabric. The artist was unable to decide on one color for an edition, so after printing many color proofs, she chose ten combinations of colored lines on colored Japanese papers. The prints evoke the light and surfaces of Venice. The title of the series, Tessuto Veneziano, means Venetian textile...

In his Ukiyo-e monotype, Opus 9, 2011, Keiji Shinohara uses the tradition of landscape as a playground for his dialogue between eastern and western tradition. Shinohara's flattened s...

Massimo Listri is a Florence-based photographer whose work often presents interiors of great architectural and cultural importance, some open to the public, others not easily accessi...

"What makes his work unique is how he has made interiors look so absolutely vivid, as if they had a secret life of their own that only he knows how to portray. Listri has the extraor...

Uffizi - Scalone Lorenese, Florence 2009 The photographer is based in Florence, and is fascinated how his architectural subject matter allows him to control the composition of his...

Uffizi - Scalone Lorenese, Florence 2009 The photographer is based in Florence, and is fascinated how his architectural subject matter allows him to control the composition of his...

Massimo Listri Torino I (Under Construction), 2005 C print Signed and numbered edition of 5 The photographer is based in Florence, and is fascinated how his architectural subject ma...

MASSIMO LISTRI Basilica of Sant’Andrea, Mantua, Italy2017 Available sizes: 120 x 240 cm (48 x 96 inches) Triptych Edition of 5 Chromogenic print Mounted and Framed 180 x 360 cm (71 x 142 inches) Triptych Edition of 5 Chromogenic print Mounted and Framed Signed by the artist Frame can be custom made, ask us for details. The basilica of Sant'Andrea was built in 1472 on the site of an old 11th-century church. Built according to Leon Battista Alberti...