Jennifer Bartlett

House II #4

2015

Donald Baechler Thistle; 1999 Lithograph 43 1/2 x 21 3/4 inches Signed and dated in the lower right Numbered from the edition of 75 in the lower left Published by Brooke Alexander, I...

Roy Lichtenstein Untitled I, 1980 Soft-ground etching on mold-made Lana paper 23 x 20 5/8 inches Edition of 8 Signed and dated by the artist in the lower right Unframed

Donald Sultan Peppers, 1989 Screenprint 23 x 22 inches Numbered from the edition of 100 in lower right corner Titled, signed, and dated by the artist in left margin

Andy Warhol U.N. Stamp, II.185, 1979 Offset lithograph on Rives paper 8 1/2 x 11 inches From the edition of 1000, written in the bottom edge Signed by the artist in both the lower ri...

Rita Letendre, Canadian, 1928-2021 Serigraph 25 x 22 in signed and numbered in pencil, edition of 250 framed

Matt Kleberg Untitled, 2024 Oil stick monotype on paper 41 1/2 x 32 3/4 in (105.4 x 83.2 cm) JPHB 6181

Recently graduated from Pasadena’s legendary Art Center College of Design, Tom Baldwin created the series of inkjet prints Japanese Gardens in 1996 on his computer, using then-nascent graphics technology to "paint" his images on the computer screen. Baldwin embraced this technology and its accompanying printing process not just for the speed and ease of their use, but because the artist could achieve the absolute flatness that the principles of modernism preached but ultimately--because of the limitations of their tools--never reached. These colorful, semi-abstracted views of Japanese temple landscapes subtly, but radically redefine picture space. Baldwin shifts fore and backgrounds, giving equal weight to skies and hillsides. Endowing a lowly bush with a vibrant purple or orange might cause it to pop out of proportion, but ultimately lends balance and stability to the work itself, in short, returning the composition to its original, harmonious whole in keeping with the subject matter. these original prints employ a color scheme that seems more reminiscent of 1980s Japanese pop art beer advertisements...

Hewitt, Charlie. UNTITLED COMPOSITION. Woodcut, not dated, but circa 1995. Edition of 100. Signed and numbered in pencil. 16 x 20 inches. In excellent condition.