2004 After Joan Miro 'Illustrated Poems-"Parler Seul" VIII'

2004

This original poster was created for a 1980 exhibition of Eduardo Chillida’s works at the Museum of Art, Carnegie Institute in Pittsburgh. Known for his mastery of form and space, Ch...

This original double-page lithograph by Joan Miró is featured on pages 10-11 of Derrière le Miroir No. 203, published in 1973. The lithograph includes a visible fold line down the ce...

Derives from a publication of 33 first edition lithographs in four colors, all completed for the final (6th) edition of The Situationalist Times: International Parisian Edition, prod...

Paper Size: 12.5 x 9.25 inches ( 31.75 x 23.495 cm ) Image Size: 8.5 x 6.5 inches ( 21.59 x 16.51 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additio...

Joan Miró (Spanish, 1893-1983) La Boite Alerte, 1959 Color lithograph Signed lower right, numbered 98/200 lower left 9.75 x 6.75 inches Joan Miró Ferra was born April 20, 1893, in B...

Paul Jenkins' works are described as: "Flowing veils of color that overlap and interact together, seeping and bleeding vivid color." In 1954 Jenkins had his first exhibition in Paris...

Joan Miró Untitled from Je traville comme un jardinier 1963 Original lithograph in colors on Rives vellum paper 16 x 13 inches Hand signed in pencil From an edition of 5 H.C. copies...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land. Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...