Long-Billed Curlew after John James Audubon, Amsterdam Edition

1971-1973

Plate CCCLXVI, Iceland or Gyr Falcon, posthumous reproduction after John James Audubon from The Birds of America, the Amsterdam Edition, printed in Amsterdam, 1971-73. Original multicolored photo-offset print. "G Schut and Zonen" watermark at lower edge of paper. A facsimile from the double-elephant folio...

Original stone lithograph with hand-coloring from "The Quadrupeds of North America. Octavo Edition" by John James Audubon. Plate CXXXI. Philadelphia, J.T. Bowen, ca. 1856. Excellent ...

Plate CCXXI, Mallard Duck, posthumous reproduction after John James Audubon from The Birds of America, the Amsterdam Edition, printed in Amsterdam, 1971-73. Original multicolored pho...

Pochoir print, Plate 15, from Relais by Edouard Benedictus. Printed by J. Saudé. Paris, Éditions Vincent, Fréal et Cie, 1930. Framed in a red-stained handmade wood frame with UV f...

Peter Handel - "Karina In Front Of Porsche". Giclée on Hahnemühle Velvet, handsigned. High-quality art print after the original painting: Peter Handel transforms nude photographs painterly into highly realistic, subjective images. Light and shadow, plasticity and form are modulated with several layers as well as glazing application: The compositions refer to the person depicted and give her an individual presence, so that the person and not the object is accentuated here. A beautiful artwork that looks good in every room and especially in the living room or bedroom. About Peter Handel: Peter Handel is an artist of international format and was born in 1949 in Anklam, East Germany. 1968 - 1971 studied art and sports, 1977 - 1982 teaching position at the GHS Duisburg, since 1979 freelance artist. Handels' art developed out of the American photorealism movement of the 1970s, in which the visual reality of everyday life is depicted realistically, without the intervention of emotion. He transforms his nude photographs into hyper-realistic paintings and graphics that play with the mutual conditionality of reality-representing or reality-simulating images and media art. Through meticulous imitation, Handel thus reflects on the photographic image and its sign-like quality, often on an additional level of reality when there are apparently pasted or hung photographs next to the painted level. The encounter with the painter Peter Handel reveals an old-masterly skill. In the creative process of the highly realistic nudes, light and shadow, plasticity and form are modulated with several layers as well as by glazing application. Handel slowly approaches his painting and in a subjective way arrives at an independent result. Fascinated by the possibilities of painting, Handel confronts and discusses different levels of reality - realistic and idealistic - leaving behind the objective level of pure depiction. Peter Handel's works are represented in numerous exhibitions: 1972 - 1975 Wilhelm Lehmbruck...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These triptychs are large pieces that feature lush blues, making them an impressive addition to any beautifully designed space. Each triptych is printed by hand and carefully crafted to capture the unique essence of these natural environments, with a focus on the interplay of light and shadows, and the subtle nuances of tone and texture. The beach and ocean scenes depict the dynamic beauty of waves crashing against the shore, with the cyanotype process lending a dreamy, ethereal quality to the images. Similarly, the forest and wood scenes...

Untitled (M.250) from the Album 19 suite is a lithograph on paper, image size 20 x 26.5 inches and framed in a contemporary, black wood frame, colors vibrant, initialed 'M.' lower ri...