Josef Albers - Homage to the Square : Sentinel 1967, Screenprint (After)

1967

A skilled chef as well as an artist, Jay Batlle treats his art much like a recipe, with careful preparation and a methodical process. His layered compositions often incorporate image...

"I would look up at the ceiling, imagine myself as the character in her dilemma and draw – on napkins, scrap paper, the backs of paper menus. The rule was, I had to write the subject down first, and when I looked down, I was finished. Not all the drawings work, of course. At times I go right off the page. At times they are incoherent or emotionally flat. The truth is, the drawings only work when I succeed in becoming the woman in the drawing in my own head – I need to get under her skin, feel what she feels. " - Rebecca Miller A SUITE OF EIGHT HAND-PRINTED SILKSCREENS WITH HAND-PAINTING SIGNED, NUMBERED AND TITLED BY THE ARTIST IN PENCIL IMAGE SIZE: 14 X 14 INCHES PAPER SIZE OF 19 X 19 ½ INCHES PRINTED ON 290 GRAM ARCHIVAL COVENTRY RAG PAPER EDITION OF TEN NUMBERED 1/10-10/10 3 ARTIST’S PROOFS AND 2 PRINTER’S PROOFS ALL SCREENS USED IN THE MAKING OF THE EDITION HAVE BEEN CANCELLED PUBLISHED AND PRINTED BY GARY LICHTENSTEIN Rebecca Miller has written and directed six feature films: "Angela" (1995), winner of the Sundance Film Festival Filmmakers Trophy and Cinematography Award; "Personal Velocity" (2002), starring Parker Posey, Kyra Sedgwick and Fairuza Balk, winner of the Sundance Grand Jury Prize and Cinematography Award, as well as the Independent Spirit John Cassavetes Award; "The Ballad of Jack...

Jane Dickson has been exhibiting her paintings, drawings and prints in museums and galleries domestically and internationally for three decades. She frequently works with unusual sur...

To Amir Hossein Akhavan, “nature” is not an abstraction. “Nature is not the forest and the trees as we so often define it, but all is nature.” Nor is painting an abstraction. The sub...

A skilled chef as well as an artist, Jay Batlle treats his art much like a recipe, with careful preparation and a methodical process. His layered compositions often incorporate image...

A skilled chef as well as an artist, Jay Batlle treats his art much like a recipe, with careful preparation and a methodical process. His layered compositions often incorporate image...

A skilled chef as well as an artist, Jay Batlle treats his art much like a recipe, with careful preparation and a methodical process. His layered compositions often incorporate image...

Silkscreen and diamond dust on canvas Dimensions: 22" x 30" An edition of 25 Signed and numbered by the Artist Bob Gruen is one of the most well-known and respected photographers in Rock and Roll. By the mid 1970's he was already regarded as one of the foremost documenters of the scene working with major artists such as John Lennon and Yoko Ono, Tina Turner, The Rolling Stones, Led Zeppelin, Elton John, Kiss and others, also covering the emerging New Wave and Punk bands including The New York...

"IT WILL NOT DISAPPEAR IF WE JUST IGNORE IT," Al Diaz, 2022 Silkscreen on 290 gram Coventry Rag paper with hand deckled edges Dimensions: 18" x 37" An edition of 10 Signed and numbered by the Artist Note that the edition number you receive may be different than the one in the photograph. Al Díaz’s career spans five decades. Born and raised Puerto Rican in New York City, by age 15 he was an influential first-generation subway graffiti artist known as “BOMB-ONE.” His friendship and artistic collaboration with high school schoolmate Jean-Michel Basquiat on SAMO, (a late 70s Avant-garde graffiti tag project) has been noted often in contemporary art history. Díaz later contributed percussion to numerous musical recordings and performances, including Basquiat’s historic 1983 record, “Beat Bop,” (considered to be one of the earliest hip-hop albums). Díaz is sought-after as an expert of New York City counterculture art. He appears often in publications, as a highlighted speaker for a variety of panel discussions at universities and museums (including Smithsonian Institution, the Brooklyn Museum, The New School and Christie’s Education), and has been featured in several films, including Boom for Real: The Late Teenage Years of Jean-Michel Basquiat, BBC’s American Masters — Basquiat: Rage to Riches and Jean-Michel Basquiat: The Radiant Child. In 2018, Díaz authored "SAMO …SINCE 1978", an in-depth, color illustrated history of the street art legacy that he began with Basquiat in the late 70s. A notebook that Díaz made with Basquiat in his teens is currently held in the collection of the Yale University Beinecke Library.

"I would look up at the ceiling, imagine myself as the character in her dilemma and draw – on napkins, scrap paper, the backs of paper menus. The rule was, I had to write the subject down first, and when I looked down, I was finished. Not all the drawings work, of course. At times I go right off the page. At times they are incoherent or emotionally flat. The truth is, the drawings only work when I succeed in becoming the woman in the drawing in my own head – I need to get under her skin, feel what she feels. " - Rebecca Miller A SUITE OF EIGHT HAND-PRINTED SILKSCREENS WITH HAND-PAINTING SIGNED, NUMBERED AND TITLED BY THE ARTIST IN PENCIL IMAGE SIZE: 14 X 14 INCHES PAPER SIZE OF 19 X 19 ½ INCHES PRINTED ON 290 GRAM ARCHIVAL COVENTRY RAG PAPER EDITION OF TEN NUMBERED 1/10-10/10 3 ARTIST’S PROOFS AND 2 PRINTER’S PROOFS ALL SCREENS USED IN THE MAKING OF THE EDITION HAVE BEEN CANCELLED PUBLISHED AND PRINTED BY GARY LICHTENSTEIN Rebecca Miller has written and directed six feature films: "Angela" (1995), winner of the Sundance Film Festival Filmmakers Trophy and Cinematography Award; "Personal Velocity" (2002), starring Parker Posey, Kyra Sedgwick and Fairuza Balk, winner of the Sundance Grand Jury Prize and Cinematography Award, as well as the Independent Spirit John Cassavetes Award; "The Ballad of Jack...