Josh Keyes

Tin Can Skatedeck by Josh Keyes

Original Artwork Paint and ink on board with raised 3D wood stencil character Size 80 x 50 cm White wood stain frame

Mixed Media - Spray Paint, ink, and paper on treated plywood with raised stencil character Edges painted black, ready to hang 60 x 50 cm Comes with COA

Mixed media on treated plywood with raised stencil detail Original 60 x 50cm

Fine art pigment print 40cm x 50cm Limited Edition of 100 Signed and embossed by the artist

Complete Set of 3 Gilbert & George Supreme Skateboard Decks (New in original packaging): A stand out skate triptych paying homage to Gilbert & George's 1984 Pictures series, through which Gilbert & George applied bold colors to a series of photographs developed in the ‘70s. The photomontages address issues involving religion, race, corruption, illness, and death. Dimensions: 31.5 x 8 x 0.5 in. (applies to each individual) Medium: Silkscreen on Maple Wood. Year: 2019. Printed artist signature & Supreme logo on reverse (on all 3). New in original packaging, excellent overall condition. Provenance: Acquired directly from Supreme New York. From a sold out limited edition of unknown. British artists Gilbert & George met in 1967 while studying at St. Martin’s School of Art. While their work is rooted in sculpture and performance, it has evolved over the years to include photography, drawing, painting, and film. Supreme’s love of Pop Art is well noted and Gilbert & George’s work has earned consistent comparisons with Andy Warhol. And while there are clear visual consistencies between Warhol’s Polaroid series...

Christine Tarkowski (American, b. 1967) Wood, 2007 Screenprint in colors on wood veneer 36 x 24 inches From the edition of 3 Provenance: Priska C. Juschka Fine Art, New York Christ...

Potter at Work is an original artwork realized by André Desligneres in the first half of the XX Century. Original Xylograph on paper. Numbered on t...

Hand-coloured tableau of a weeping spirit and her guardians, immobilised in marble. A disjointed narrative looking at recovery and protection, the angels shield the spirit with tender embraces and cry for her when alone. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical...