Altoon Sultan

Blue Boat, Eleuthera, Bahamas

1986

Wayne THIEBAUD Pie Case, 1964 Edition AP Drypoint on BFK Rives paper Image: 3 7/8 x 4 7/8 in. Sheet: 15 x 11 in. Signed in pencil, dated and inscribed "artist's proof" aside from th...

AYCOCK, Alice The World Above/The World Below According to the Pattern of the Rose Apple Tree 21/45, 1990 Silksreen print (Acquerelio 400 gm grey) 39 1/4 x 27 1/2 inches (unframed)

Alex Katz Black Brook, 1992 aquatint, Edition of 50 (Printers Proof available) 30 1/4 x 67 in. (76.8 x 170.2 cm) Alex Katz has painted scenes of the countryside in the American stat...

Alex Katz Sunset: Lake Wesserunsett II, 1972 screenprint, edition of 60 30 x 36 in. (76.2 x 91.4 cm)

Alex Katz Red Sails, 1973 silkscreen, edition of 60 23 x 29 in. (58.4 x 73.7 cm)

Alex Katz Twilight I, 1978 silkscreen, edition of 50 42 x 33 in. (106.7 x 83.8 cm)

James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...

James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches. A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions. watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.) This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate. According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...

Signed in pencil by the artist. Drypoint and sandground, 1933. Edition 100, recorded impressions 43. Of the forty-three recorded impressions printed, a group of those were unsigne...

Martin Lewis (1881-1962), Rainy Day, Queens, drypoint, 1931, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 94, only state, from the edition...

Cinque Torri. Original color drypoint and etching, 1975. Edition of 100 signed and numbered impressions on Arches paper. Zoran Mušič is one of the most celebrated Slovenian artists,...

Polish painter and graphic designer, Czeslaw Tumielewicz was born in 1942. In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Un...