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Andre BeaudinCheval, Regards sur Paris, André Beaudin1963
1963
$1,036
$1,29520% Off
£776.29
£970.3620% Off
€910.04
€1,137.5520% Off
CA$1,450.91
CA$1,813.6420% Off
A$1,626.22
A$2,032.7820% Off
CHF 851.35
CHF 1,064.1920% Off
MX$20,066.61
MX$25,083.2620% Off
NOK 10,694.54
NOK 13,368.1820% Off
SEK 10,066.96
SEK 12,583.7020% Off
DKK 6,788.95
DKK 8,486.1920% Off
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About the Item
Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Regards sur Paris, 1963. Published by André Sauret, Paris; printed by Mourlot Frères, Paris, January 22: 1963. Excerpted from the folio (translated from French), Original lithographs of André Beaudin, Georges Braque, Maurice Brianchon, Jean Carzou, Marc Chagall, Dunoyer de Segonzac, André Masson, Pablo Picasso, Kees van Dongen, Jacques Villon. Printed completed on January 22: 1963 on the presses de l'Imprimerie Nationale de France, Daniel Gibelin, director. Georges Arnoult, inspector of typography. This work was composed by hand in characters called "Romain du Roi Corps” engraved in 1699 by Grandjean on the order of Louis XIV, the original lithographies were drawn by Mourlot Frères, and the stones erased after printing. Justification of the draw; one hundred and eighty examples on a grand vélin d'Arches décomposant as follows: ten examples, numbered to the press from 1 to 10, including a sequel on japon nacré, the original lithographies signed by the artists and a sequel on Arches; twenty examples, numbered to the press from 11 to 30, including a suite on Arches of the original lithographies; one hundred and twenty examples, numbered from 31 to 150; thirty non-trade examples, marked H.C., reserved for the authors, artists and artisans of the folio. All colophons are signed by the ten authors and the ten artists.
ANDRE BEAUDIN (1895-1979) developed his individual style during the 1930’s and became regarded as one of the leading painters of the École de Paris. His technique has its origins in the early 1920’s. By that time Cubism had become a formulaic and intellectualised system of painting which left little artistic liberty to its adherents. Beaudin was one of the first younger artists to have reacted pictorially against the continuation of the movement, and though considered a descendant of Cubism and especially of his friend Juan Gris, the art of Beaudin became a search for all that was contrary to formula. He relished the freedom to paint intuitively, creating lyrical harmonious compositions for which he is internationally renowned. Having studied at the École des Art Décoratifs in Paris from 1911-1913, Beaudin was called up to serve during WWI, so his artistic motivation was suppressed until he visited Italy in 1921 with his new wife Suzanne Roger. On his return to Paris he began to paint zealously and in 1922 his close friend André Masson introduced him to Max Jacob who organised an exhibition for Beaudin the following year at Galerie Percier. The success of this show lead to further shows over the next few years at Galerie Georges Bernheim and Galerie Simon. In 1937 Beaudin exhibited at the International Paris exhibition, and the following year participated in the L’Art Français Exhibition in Buenos Aires. By the 1940’s he had established an international reputation and held major solo shows in Dublin, 1947; New York and Zurich, 1949; Berne 1953; Stockholm, 1956; Maison de la Culture du Harvre, 1962; Chicago, 1967; Milan, 1970; Grand Palais, Paris, 1970. Also major group shows including École de Paris, Berne 1946; Carnegie International, Pittsburgh, 1950; School of Paris, Royal Academy, London, 1951; Biennale de Sao Paulo, 1951, 1955; Art from France, Museum of Art, San Francisco, 1956; École de Paris, Tate Gallery, London, 1962; Venice Biennale, 1964. He was furthermore awarded the prestigious Grand Prix National des Arts in 1962 in recognition of his contribution to Modern Art. The artist is represented in numerous museums of modern art including Musée National d’Art Moderne, Centre Georges Pompidou, Centre National d’Art Contemporain, Paris; Grenoble; Marseille; Baltimore; Caracas; Dortmund; Luxembourg; Santiago; Sao Paulo; Stockholm; Vienna.
- Creator:Andre Beaudin (1895 - 1879, French)
- Creation Year:1963
- Dimensions:Height: 15.5 in (39.37 cm)Width: 24 in (60.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU1465215331902
Andre Beaudin
André Beaudin (1895-1979) was a French painter and sculptor known for his distinctive contributions to modern art. Born in Mennecy, France, Beaudin studied at the École des Beaux-Arts in Paris. Initially influenced by Cubism, Beaudin developed a unique style characterized by simplified forms and geometric abstraction. He often depicted still lifes, nudes, and landscapes with a poetic and lyrical quality, using a subdued color palette and refined compositions. Beaudin's work evolved over time, incorporating elements of Surrealism and Abstract Expressionism while maintaining his focus on structure and balance. His sculptures, primarily in bronze, also reflect his interest in form and rhythm. André Beaudin's artistic legacy continues to be celebrated, with his works exhibited in major museums and collections worldwide. He passed away in Paris in 1979, leaving behind a significant body of work that exemplifies his mastery of modern artistic expression.
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Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Regards sur Paris, 1963. Publi...
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