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Anna BarryTaos Puebloc. 1945
c. 1945
About the Item
Taos Pueblo
Screen print in colors, c. 1945
Signed and titled in pencil by the artist
Printed in Taos
Taos is the oldest continually inhabited city/village in North America.
How old is taos pueblo?
The people of Taos Pueblo have a detailed oral history which is not divulge due to religious privacy. The ancestors of the Taos people lived in this valley long before Columbus discovered America and hundreds of years before Europe emerged from the Dark Ages. Ancient ruins in the Taos Valley indicate our people lived here nearly 1000 years ago. The main part of the present buildings were most likely constructed between 1000 and 1450 A.D. The appeared much as they do today when the first Spanish explorers arrived in Northern New Mexico in 1540 and believed that the Pueblo was one of the fabled golden cities of Cibola. The two structures called Hlauuma (north house) and Hlaukwima (south house) are said to be of similar age. They are considered to be the oldest continuously inhabited communities in the USA.
How were the buildings constructed?
The Pueblo is made entirely of adobe — earth mixed with water and straw, then either poured into forms or made into sun-dried bricks. The walls are frequently several feet thick. The roofs of each of the five stories are supported by large timbers — vigas — hauled down from the mountain forests. Smaller pieces of wood — pine or aspen latillas — are placed side-by-side on top of the vigas; the whole roof is covered with packed dirt. The outside surfaces of the Pueblo are continuously maintained by replastering with think layers of mud. Interior walls are carefully coated with thin washes of white earth to keep them clean and bright. The Pueblo is actually many individual homes, built side-by-side and in layers, with common walls but no connecting doorways. In earlier days there were no doors or windows and entry was gained only from the top.
Condition: Excellent
Tape residue on reverse in the corners from previous mounting
Colrs fresh
Image size: 4-7/8 x 7-1/8"
Sheet size: 6 x 8"
“In 1944, after several prior trips to the area during which they had become friends with several of the Taos Founders, Ira and his wife, the artist Anna Barry moved to Taos, New Mexico. They would reside in the area on and off until 1955. Like many others, Moskowitz was entranced by New Mexico's light, landscapes, and cultures. By the time Ira arrived there, the region had already attracted Georgia O'Keeffe, Robert Henri, and Leon Gaspard; the Southwest was starting to be recognized as an art center. Moskowitz and his wife became acquainted with Oscar Berninghaus, Andrew Dasburg, Ernest Blumenschein, and Mabel Dodge Lujan, among others. Ira wrote of that time that "Our house was always open and we had scarcely a single meal without visitors dropping in."
"Anna Barry was an artist/printmaker. She married Ira Moskowitz (from a long line of Polish rabbinical leaders) in New York in 1938. They soon visited Taos and Santa Fe in New Mexico, returning there for extended periods until in 1944 they moved there permanently—staying until 1949 when they returned to New York.
Her work in New Mexico depicts mostly the pueblos and their people, capturing ritual ceremonial dances in colorful serigraph prints and other artworks. She and Ira (also an artist) worked closely together during their New Mexico sojourns. The pueblos seemed their favored subjects there. She signed her New Mexico work as, "Anna Barry." Her prints are colorful and often detailed. The only ones I have seen (6 in all) were 5"x7" in size.
Anna probably lived longest in New York, but perhaps was also in both Europe and Israel for extended periods. (See the AskART Ira Moskowitz biography.)" Courtesy of Fred McCraw
- Creator:Anna Barry (1907 - 2001)
- Creation Year:c. 1945
- Dimensions:Height: 4.88 in (12.4 cm)Width: 7.13 in (18.12 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA63101stDibs: LU14015733222
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