Brume (A lone boatman rows through the mist on a placid Canadian lake)
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Anne DykmansBrume (A lone boatman rows through the mist on a placid Canadian lake)2000
2000
About the Item
- Creator:Anne Dykmans (1952, Belgian)
- Creation Year:2000
- Dimensions:Height: 2.25 in (5.72 cm)Width: 8 in (20.32 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:1stDibs: LU84132592251
Anne Dykmans
Anne Dykmans is an established artist. Anne Dykmans was born in 1952. Artists born in the same year and of the same generation are Raúl Blisniuk, Peter Andersson, José Macaparana, Ricardo Cejudo Nogales, and Abolfazl Beytoei.
Further Biographical Context for Anne Dykmans Born in 1952, Anne Dykmans was primarily influenced by the 1970s. The 1970s were a period of consolidation and development in the arts, most often characterised as a response to the central strains of the previous decade. Conceptual art developed as a key movement, and was in part an evolution of and response to minimalism. Land Art took the works of art into the extensive outdoors, taking creative production away from commodities and engaging with the earliest ideas of environmentalism. Process art combined elements of conceptualism with other formal reflections, creating esoteric and experimental bodies of work. Expressive figurative painting began to regain importance for the first time since the decline of Abstract Expressionism twenty years prior, especially in Germany where Gerhard Richter, Anselm Kiefer, Georg Baselitz became highly respected figures worldwide. A number of the artists who gained fame and successful in the 1960s remained dominant figures. For example, Andy Warhol branched out into film and magazine publishing, the first kind of cross cultural activity for a visual artist. This secured his reputation as a globally renowned celebrity in his own right. Towards the end of the decade, the emerging practices of graffiti and street art were beginning to gain attention in the fine art community. Artists like Keith Haring and Jean-Michel Basquiat were working in downtown Manhattan and guaranteeing that spray paint and tagging gained some acceptability as a fine art practice, a trend which would fully develop and dominate during the next decade.
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