Arthur Wesley Dow

River Reflections

c. 1910

Forest or Blue Forest Color woodcut, 1958 Signed in pencil lower right Edition: 260 The Print Club of Cleveland Publication No. 39 for 1961 (see photo of their label) Note: The Clev...

Trout Fishing on the Gunnison (Colorado) Lithograph, 1941 Signed and dated '42 in pencil lower right Annotated lower left: "40 Prints-The Gunnison River, Colorado-For Anne & Jack" Ed...

Western Hills Viaduct Under Construction Drypoint, June 1931 Signed in pencil lower right (see photo) Initialed and dated in the plate lower right above pencil signature (see photo) From: Cincinnati Series, 1930-1931, 8 plates, this No. 5 Small edition, not specified From Greenfield Hill Condition: Excellent Image/Plate size: 8 1/2 x 15 1/4 inches Sheet size: 11 1/4 x 18 1/2 inches Louis Conrad Rosenberg 1890-1983 An American architectural etcher...

Cincinnati Union Terminal, Perspective From East Drypoint, 1930-1931 Signed in pencil lower right (see photo) Initialed and dated the the plate above the pencil signature From: Cincinnati Series (8 Plates), this No. 2 Edition: 155, completed May 4, 1931 Delivered to Fellheimer & Wagner, 1931 Louis Conrad Rosenberg 1890-1983 An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology...

St. George Hotel Searchlight Lithograph, 1930 Signed in pencil lower right (see photo) Titled lower left (see photo) Edition: 30 Printed by Meister Schulz...

New York Night\Lithograph, 1930 Edition: 30 Printer: Meister Schulz, Berlin Printed on heavy wove paper without watermark This lithograph was created in...

More a wood engraving rather than a woodcut, Glintenkamp's Farmyard scene was given all the care and detail of the artist's more complex images. It is signed and numbered in pencil. ...

Wien 204. Wood engraving on wove japanese paper, full margins. First trial proof printed by the artist, before the edition of 60. Rare. Titled lower left and annotated “Trial I” by t...

November Twilight. 1928. Woodcut. 4 5/16 x 6 (sheet 7 1/4 x 10). Printed on sturdy Japanese mulberry paper. Signed, dated and titled in pencil. Housed in a 16 x 20-inch archival ma...

Jim Stoker was born in Nash, Texas, in 1935, and grew up in Atlanta, Texas. He graduated from The University of Texas at Austin with a BFA in Applied Art in 1957. His teaching career...

Julius J. Lankes, 'Cottage in Winter', woodcut, 1919. Signed, dated, and numbered '15' in pencil. Initialed and dated in the block, lower right. A fine, richly-inked impression, on off-white, wove Japan paper, the full sheet with margins (1 1/4 to 2 inches) in excellent condition. Printed by the artist. Scarce. Matted to museum standards, unframed. Image size 7 7/8 x 7 1/4 inches (200 x 184 mm); sheet size 11 x 9 7/8 inches (279 x 251 mm). Collection: Burchfield Penney Art Center. ABOUT THE ARTIST “I honor him for his realism. The man has feeling. He has that odd quality, so infinitely valuable, the feeling for things, for the reflected life in things.” —Sherwood Anderson, American novelist. Julius John (J.J.) Lankes (1884-1960) was a highly-regarded American illustrator, graphic artist, author, lecturer, costume & scenery designer, and college professor. He is known primarily for his woodcut prints and his artistic collaboration with the poet Robert Frost, a friendship that spanned over forty years. Lankes was born in Buffalo, NY, to parents of German heritage and graduated from the Buffalo Commercial and Electro-Mechanical Institute in 1902. From 1908-1910 he studied at the Art Students League in Buffalo, NY, and from 1912-13 he studied at the School of the Museum of Fine Arts, Boston, under Philip Leslie Hale and William McGregor Paxton. He also studied with artists Ernest Fosbery and Mary B.W. Coxe. Lankes made his first woodcut in 1917 and, over the course of his career, produced over 1,300 woodcuts. Lankes produced woodcuts to illustrate Robert Frost's poems as well as other notable authors and poets, including Ellen Glasgow’s ‘Barren Ground’ (1925), Roark Bradford’s ‘John Henry’ (1931), Sherwood Anderson’s ‘Perhaps Women’ (1931), Pulitzer Prize-winning poet Robert Peter Tristram Coffin’s ‘Elegy Written in a Country Churchyard’ (1940), Beatrix Potter’s ‘Wag-By-Wall’ (1944) and August William Derleth’s ‘Country Poems’ (1956). He collaborated with his friend Charles Ephraim Burchfield to produce eleven woodcut designs based on Burchfield’s drawings. Lankes also published his own woodcuts, and how-to manuals, and authored articles in numerous magazines and publications. In 1930, Lankes and his Hilton Village neighbor Eager Wood of the Virginia Press collaborated on Virginia Woodcuts, a limited edition volume of 25 prints that featured and supported the preservation of the historic lands of Tidewater, Virginia. Lankes wrote and illustrated A Woodcut Manual, published by Henry Holt in 1932, the first definitive book on the woodcut printmaking medium in America. In 1933, Lankes was persuaded by Frost to accept a position as visiting Professor at Wells College in Aurora, New York. He taught at Wells for seven years. During the World War II years, he joined the National Advisory Committee for Aeronautics, as head of technical illustration at Langley Memorial Aeronautical Laboratory, Langley, VA. Lankes’ art association memberships included the Society of American Graphic Artists, the American Artists Professional League, the Prairie Print Makers...

Paul Landacre, 'Hill', wood engraving, 1936, edition 60 (only 54 printed); only 2 impressions printed in a second edition of 150. Signed, titled, and numbered '49/60' in pencil. Wien...