Bob Cato

Marsh Land From the Nantucket Series (Yellow), Modern Screenprint by Bob Cato

circa 1970

Bob Cato, American (1923 - 1999) - Marsh Land from Nantucket Series, Year: circa 1970, Medium: Screenprint on Somerset, signed, titled and numbered in penci...

Bob Cato, American (1923 - 1999) - Cattails from the Nantucket Series (Tan), Year: circa 1970, Medium: Screenprint on Somerset, signed and numbered in penci...

Bob Cato, American (1923 - 1999) - Cattails from Nantucket Seriers, Year: circa 1970, Medium: Screenprint on Somerset, signed, titled and numbered in pencil...

Bob Cato, American (1923 - 1999) - Tall Grass from the Nantucket Series (B&W), Year: circa 1970, Medium: Screenprint on Somerset, signed and numbered in pencil, Edition: 21/25, Ima...

Artist Name: Larry Zox Title:Niagara Series IV Yellow Signed Linocut Lithograph Year : 1979 Medium Type: Print - Linocut Lithograph Size-Width Size-Height : 42.25'' 29.75'' Signed ...

Recently graduated from Pasadena’s legendary Art Center College of Design, Tom Baldwin created the series of inkjet prints Japanese Gardens in 1996 on his computer, using then-nascen...

The Yellow Composition is a colored screen print realized by Renato Barisani in 1983. Hand-signed and dated in pencil on the lower right. Numbered in pencil on the lower left. Editi...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Untitled, Lino-cut chin- coll’e on German Ivory paper Edition: 3 of 5, 1999 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed 'This work reminds me of my childhood and early youth, growing up in a village that was full of nature, surrounded by lush green. The towering Aravalli hills left a strong impression on me.' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...