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Charles Frederick William MielatzTen of views of Manhattan (10).1898
1898
About the Item
The Society of Iconophiles (New York, 1894–1936), 1898. Each a lithograph printed on grayish-green, or white wove paper each sheet 10 3/4 x 7 1/2 inches (274 x 190 mm), each with full margins. Each with the "Gott schutze die Marke" windmill copyright blindstamp in the lower left. Ten lithographs, loose as issued.
[Society of Iconophiles, Series II, no. 9]
Richard Hoe Lawrence, Harris Dunscombe Colt, Isaac Newton Phelps Stokes – History of the Society of Iconophiles of the city of New York, MDCCCXCV:MCMXXX, and catalogue of its publications, with historical and biographical notes, etc., 1930, Series II, no. 9, p. 43, ill.
- Creator:Charles Frederick William Mielatz (1864 - 1919, American, German)
- Creation Year:1898
- Dimensions:Height: 10.79 in (27.4 cm)Width: 7.49 in (19 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Middletown, NY
- Reference Number:Seller: BH15321stDibs: LU1979215130352
Charles Frederick William Mielatz
Charles Frederick William Mielatz was born in Bredding, Germany. He emigrated to the United States with his family and studied at the Chicago School of Design, the National Academy of Design and with James J. Calahan in Newport, Rhode Island, where he learned etching. Though his initial prints were pastoral landscapes of New England, Mielatz turned instead to the depiction of workaday urban settings. Mielatz was a member of the New York Etching Club, the Brooklyn Society of Etchers and was an associate member of the National Academy of Design. In 1906 he succeeded James David Smillie as the etching teacher at the National Academy, a position he held until his death in 1919. Echoes of his work can be seen in the prints of John Sloan and Martin Lewis, themselves champions of the urban environment. Mielatz died in New York City.
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