Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Charles John Watson
Old Battersea Bridge View, Chelsea, 1879 - Etching on Paper

1879

About the Item

Old Battersea Bridge View, Chelsea, 1879 - Etching on Paper Black and white 1897 etching titled "Old Battersea Bridge View" by Charles John Watson (British, 1846-1947). View at Chelsea from the bank of the Thames, with boats moored in foreground at left, Old Battersea Bridge in background, and Chelsea Old Church beyond. Signed and dated "Charles J Watson 1879" "Chelsea" lower left. Presented in a black mat. Mat: 16"H x 20"W Paper: 11"H x 14"W Image: 6 3/4"H x 10 3/4"L Charles John Watson was born in Norwich, Norfolk in 1846. Watsons parents owned a small print selling business, with his dad working as a carver and gilder. From a young age, Charles began learning printmaking, painting and etching and soon began exhibiting his paintings and etchings in galleries around London. These included the Royal Academy, the Society of British Artists, the Institute of Painters in Water Colors and, most significantly, the Society of Painter-Etchers and Engravers. Watson was one of the earliest fellows of the Society of Painter-Etchers and Engravers, joining after the ‘Allcomers’ exhibition in spring 1881, and exhibiting a considerable number of etchings between then and 1920, with increasing artistic success. (The society gained its Royal Charter in 1888.) While establishing himself with scenes of Norfolk, he soon widened his repertoire. In 1885, Watson helped found the Norwich Art Circle, with Edward Elliott and Robert Bagge-Scott, and became its first president. Other early members included Minna Bolingbroke, his junior by 10 years, who would later become his wife. Despite his strong affiliations to Norfolk, and to Norwich in particular, including his knowledge of the history of local artists, he moved to London in 1888. Settling in Chelsea, he took a studio at 5 Wentworth Studios, Manresa Road, and produced work for a series of shows at Robert Dunthorne’s Gallery in Vigo Street, often inspired by his travels in France, Holland and Italy (including Venice and Sicily). He also became a member of the Hogarth Club, in Dover Street. By 1893, he had sufficiently raised his profile that he won a medal at Chicago’s International Exhibition. His work is represented in numerous public collections, including the V&A; and the Castle Museum (Norwich).
  • Creator:
    Charles John Watson (1846 - 1927, British)
  • Creation Year:
    1879
  • Dimensions:
    Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)Depth: 0.5 in (1.27 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Significant acid stain center. Tear professionally reinforced with tissue tape.
  • Gallery Location:
    Soquel, CA
  • Reference Number:
    Seller: N91441stDibs: LU54214199122
More From This SellerView All
You May Also Like
  • Crab Boats, Southampton Water /// Impressionist British Seascape Ship Maritime
    By Aileen Mary Elliot
    Located in Saint Augustine, FL
    Artist: Aileen Mary Elliot (English, 1896-1966) Title: "Crab Boats, Southampton Water" *Signed by Elliot in pencil lower right Circa: 1925 Medium: Original Drypoint Etching on laid p...
    Category

    1920s Impressionist Landscape Prints

    Materials

    Drypoint, Etching, Laid Paper, Intaglio

  • Billingsgate
    By James Abbott McNeill Whistler
    Located in Middletown, NY
    Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...
    Category

    Mid-19th Century Impressionist Landscape Prints

    Materials

    Drypoint, Laid Paper, Etching

  • 'Queensborough Bridge', Vienna Academy of Art, Metropolitan Museum, Smithsonian
    By Luigi Kasimir
    Located in Santa Cruz, CA
    Signed lower center, in pencil, 'Luigi Kasimir' (Austro-Hungarian, 1881-1962), annotated lower left, 'Queensborough Bridge' and with title and dat...
    Category

    1930s Impressionist Landscape Prints

    Materials

    Paper, Color, Etching

  • Champs de Lavande (Fields of Lavender)
    By Kaiko Moti
    Located in San Francisco, CA
    Artist: Kaiko Moti – Indian/French (1921-1989-) Title: Champs de Lavande (Fields of Lavender) Year: 1979 Medium: Color Aquatint on Arches paper Sight size: 17.25 x 22.5 inches. She...
    Category

    1970s Impressionist Landscape Prints

    Materials

    Paper, Aquatint, Etching

  • Charlie Davies, Flying Amongst the Flowers, Limited Edition Print, Floral Art
    By Charlie Davies
    Located in Deddington, GB
    Charlie Davies Flying amongst the flowers Original botanical etching Soft ground etching on paper Image Size: 35 cm x 35 cm x 1 cm Sheet/Canvas Size: 50 cm x 50 cm x 1 cm Unframed Fr...
    Category

    21st Century and Contemporary Impressionist Still-life Prints

    Materials

    Paper, Etching

  • 'On the Lake', Vienna Academy of Art, Metropolitan Museum, Smithsonian
    By Luigi Kasimir
    Located in Santa Cruz, CA
    Signed lower center, in pencil, '(nach) Luigi Kasimir' (Austro-Hungarian, 1881-1962) by a member of the artist's family workshop. Paper dimensions: 17.5 x 24 inches Austrian etcher ...
    Category

    1960s Impressionist Landscape Prints

    Materials

    Color, Paper, Etching

Recently Viewed

View All