The Old Dominy House (East Hampton)
View Similar Items
Childe HassamThe Old Dominy House (East Hampton)1928
1928
About the Item
- Creator:Childe Hassam (1859-1935, American)
- Creation Year:1928
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU51531528673
Childe Hassam
Childe Hassam was one of the most prolific American Impressionist painters of his day, creating more than 3,000 works of art. In addition to his love of urban scenes, Hassam is known for his portraits, landscapes and figurative paintings. He enjoyed a successful career, commercial popularity and critical acclaim, cementing an enduring legacy in American art.
Hassam was born in 1859 in Dorchester, Massachusetts, as Frederick Childe Hassam. As a teenager, he apprenticed in an engraver’s workshop but later started working as an illustrator. Hassam took a life drawing class at the Boston Art Club and an anatomy class at the Lowell Institute. In 1883, he embarked on a journey to Europe, where he began producing watercolor paintings.
Hassam returned to Boston in 1884 and married Kathleen Maude Doane. In 1886, the couple traveled to Paris together, where Hassam studied at the Academie Julian and exhibited his work at the Parisian salons. They returned to America in 1889 and took up residence in New York City.
Along with Boston and Paris, New York City featured heavily in Hassam's urban paintings. Among his most famous works is Avenue of the Allies, Great Britain, representing Manhattan’s Fifth Avenue.
Beginning in the 1890s, Hassam spent summers painting throughout Connecticut, Rhode Island and New Hampshire. He earned numerous accolades and exhibited at museums across the country by the turn of the century. In 1915, he turned his attention to prints and etchings.
Before he died in 1935, Hassam gifted the paintings in his studio to the American Academy of Arts and Letters with instructions that they be sold and the funds used to purchase American works. Today, his art is held in numerous museums, including the Brooklyn Museum, the Metropolitan Museum of Art, the National Gallery of Art and the Smithsonian American Art Museum.
In 2016, the “Impressionism: American Gardens on Canvas” exhibition at the New York Botanical Garden featured Hassam’s Celia Thaxter's Garden, Isles of Shoals, Maine among its showcase of American impressionist masters.
On 1stDibs, find original Childe Hassam prints, paintings, watercolor paintings and more.
- Black MagicBy Gerald GeerlingsLocated in New York, NYGerald Geerlings (1897-1998), Black Magic, etching and aquatint, 1929, signed in pencil lower right, titled and annotated (New York, 1928) lower left margi...Category
1920s American Impressionist Landscape Prints
MaterialsEtching
- St. Germain-Des-Pres, ParisBy John MarinLocated in New York, NYJohn Marin (1870-1953), St. Germain-Des-Pres, Paris, etching, 1906. Signed in pencil lower right and titled lower left [also signed and dated in the plate]. Zigrosser 47, only state,...Category
Early 1900s American Impressionist Landscape Prints
MaterialsEtching
- Armistice Day, 1918By William MeyerowitzLocated in New York, NYWilliam Meyerowitz (1898-1981), Armistice Day, 1918, etching with watercolor. Edition not stated. Signed in pencil. Signed and dated in the plate, lower left. Image size 9 3/4 ...Category
1910s American Impressionist Landscape Prints
MaterialsWatercolor, Etching
- Switch Engines, Erie Yards, Jersey City, Stone No. 3By Reginald MarshLocated in New York, NYReginald Marsh (1898-1954), Switch Engines, Erie Yards, Jersey City, Stone No. 3, lithograph, 1948, signed in pencil lower right. Reference: Sasowsky 30, o...Category
1940s American Impressionist Landscape Prints
MaterialsLithograph
- French CruiserBy Childe HassamLocated in New York, NYChilde Hassam (1859-1935), French Cruiser, lithotint, 1918, signed in pencil with the cipher lower right. Reference: Griffith 8. In very good condition, printed in black ink on cream...Category
1910s American Impressionist Landscape Prints
MaterialsLithograph
- Bridge, AmsterdamBy James Abbott McNeill WhistlerLocated in New York, NYJames McNeill Whistler (1834-1903), Bridge, Amsterdam, etching, 1889, printed in brown ink on thin laid paper, signed with the butterfly on the tab and annotated “imp”, also signed with the butterfly on the verso and numbered 11. References: Kennedy 409, Glasgow 447, fifth state (of 5). In very good condition (slight nicks at edges), trimmed by the artist on the plate mark apart from the tab, 6 1/2 x 9 1/2 inches. Provenance: Vivian and Meyer P. Potamkin, Philadelphia; sale, Sotheby’s, New York, May 11, 1989, lot 302 Samuel Josefowitz, Pully, Switzerland A very fine, shimmering impression of this great rarity. This impression is included in the Glasgow inventory, ID number K4090301; only about 11 lifetime impressions in all states are known (three were also printed posthumously by Nathaniel Sparks...Category
1880s Impressionist Landscape Prints
MaterialsEtching
- Mending the TearsBy Winslow HomerLocated in New York, NYWinslow Homer created this etching entitled “MENDING THE TEARS” in 1888. This is a lifetime impression signed by Homer and printed by the famous New York etcher George W. H. Ritchie...Category
1880s American Impressionist Figurative Prints
MaterialsEtching
- Signed Original Pastoral Etching by John E. CostiganBy John CostiganLocated in New York, NYThis original, limited edition etching, was realized by the esteemed American artist John E. Costigan, who is represented in the collections of the Metropolitan Museum, the Philips M...Category
1930s American Impressionist Portrait Prints
MaterialsEtching
- "Woman, Boy and Goats", Original Signed Etching by John E. CostiganBy John CostiganLocated in New York, NYThis original, limited edition etching, was realized by the esteemed American artist John E. Costigan, who is represented in the collections of the Metropolitan Museum, the Philips Memorial Gallery in Washington and the Brooklyn Museum, to name only a few of the many institutions that feature his work. This print, with its highly considered composition and its loose style of figuration- deftly balances realism and abstraction- helps to explain his acclaim. This etching features a mother walking with her child and two goats in a forested glen. It is a Classic pastoral scene rendered in Costigan's inimitable style- somewhere between Theodore Rousseau and Thomas Hart Benton. These offer a beautiful glimpse of a bygone American pastoral...Category
1930s American Impressionist Figurative Prints
MaterialsEtching
- Landscape with Horses.By James Abbott McNeill WhistlerLocated in Storrs, CTKennedy catalog 36 state ii; Glasgow 45 state ii. Image: 4 7/8 x 7 3/4 (sheet 6 7/8 x 9 5/8).The Glasgow catalog records 32 known impressions. A scarce early etching -- there was no ...Category
Mid-19th Century American Impressionist Landscape Prints
MaterialsDrypoint, Etching
$3,000 Sale Price36% Off - The Venetian MastBy James Abbott McNeill WhistlerLocated in Storrs, CTThe Venetian Mast. 1879-80. Etching and drypoint. Kennedy catalog 195 state .vi; Glasgow catalog 219 state x/xii. 13 3/8 x 6 3/8. Glasgow records 53 impressions. A fine, atmospheric...Category
1870s American Impressionist Landscape Prints
MaterialsDrypoint, Etching
- The Church Across the WayBy Childe HassamLocated in Storrs, CTThe Church Across the Way. 1916. Etching. Cortissoz, Clayton 66. 8 1/4 x 4 3/8 (sheet 10 1/16 x 6 1/8). A fine impression with carefully-wiped plate tone printed on white laid paper ...Category
1910s American Impressionist Landscape Prints
MaterialsEtching
$3,500 Sale Price22% Off
