Red Square and the Forbidden City
View Similar Items
David HockneyRed Square and the Forbidden City1982
1982
About the Item
- Creator:David Hockney (1937, British)
- Creation Year:1982
- Dimensions:Height: 32 in (81.28 cm)Width: 34 in (86.36 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Presented in a custom frame with decorative matting which mimics the Hockney motifs in the lithograph. A unique and very attractive finished presentation.
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA98451stDibs: LU1401191913
David Hockney
The art of David Hockney is always engaging in its pleasant ambiguities: his prints, drawings and paintings are warm but somehow aloof; filled with light yet often dark and brooding in subject; simple, frank and mundane, but also ethereal and complex. The artist’s stature in the contemporary art world is such that, in a 2011 survey of one thousand British painters and sculptors, he was named the most influential British artist of all time.
Hockney grew up in Bradford, in the northern English county of Yorkshire, studying at the Bradford School of Art from 1953 to ’57, and at the Royal College of Art in London from 1959 to 1962. Though he was educated in art at a time when abstraction dominated the field, Hockney stuck resolutely to figurative painting and drawing.
Hockney's early paintings suggest a search for a style, veering from Expressionism to a grotesquerie suggestive of James Ensor. But Hockney found himself almost the moment he arrived in Los Angeles, in 1963. The move from the gray and rainy Britain to a world of bright sunshine and sparkling water brought Hockney a sense of freedom and an artistic epiphany. He would spend most of the next five years in L.A., painting luminous pictures, such as A Bigger Splash (1967), of things that made him happy: swimming pools, manicured lawns, palm trees, stucco buildings and luxuries like shower stalls. Hockney also painted people, almost always his friends. His California portraits such as Beverly Hills Housewife (1966) are considered to be his finest work. They are at once grandly scaled, intimate and poetic.
In the 1970s, Hockney moved back to Britain and spent much of his time on photography and printmaking. He returned to painting in the 1980s, and to subjects like still lifes, seascapes and portraits. Hockney has always been fascinated by the use of technology in art — he’s credited with inventing the technique of joining Polaroid photos in a collage to form a panoramic picture — and has been using the Brush app to paint on an iPad. Because he is prolific and works in a wide range of mediums, Hockney’s art is available at many price points. His consistently striking and provocative work should have a place in any comprehensive collection of contemporary art.
Find original David Hockney art on 1stDibs.
- Matsu (Pine)Located in Fairlawn, OHMatsu (Pine) Woodcut, 1968 Signed: "'Matsu' Naoko Matsubara" in pencil by the artist (see photo) Annotated in pencil "Ed 25" (see photo) Edition: 25 Condition: 7" long waterstain at bottom edge of sheet starting ca. 6" in from lower left corner. Does not effect image. Light foxing throughout, especially in margins. Matting covers the foxing up. Image size: 22 x 43 1/4 inches Naoko Matsubara (1937 - ) Matsubara Naoko (松原直子) was born in 1937 on Shikoku Island into an old Shinto family, and grew up in Kyoto, where her father was a senior priest. She was educated at the Kyoto Academy of Fine Art (BFA, 1960); and was a Fulbright Scholar at what is now Carnegie Mellon University, Pittsburgh (MFA, 1962). She was also a Special Invited Student at the Royal College of Art in London (1962). After travelling extensively in Europe and Asia, Naoko Matsubara returned to Japan for two years, before being lured back to the United States. There she worked as personal assistant to the late Prof. Fritz Eichenberg, and also taught at the Pratt Institute of Graphic Art in New York, as well as at the University of Rhode Island. Subsequently she lived in Cambridge, Mass. In 1972 Naoko Matsubara moved to Canada, and now lives in Oakville, Ontario. She has continued to be extremely active as an artist: locally, nationally and internationally. Since 1960 she has had some 75 solo exhibitions, in the USA, Canada, Japan, England, Ireland, Germany, Austria, Switzerland, Holland and Mexico. She has also participated in numerous group exhibitions. Public collections owning work by Naoko Matsubara include: Albertina, Vienna; Art Institute of Chicago; British Museum; Carnegie Institute; Museum für Kunst und Gewerbe, Hamburg; Museum of Fine Arts, Boston; Philadelphia Museum of Art; Cincinnati Art Museum; Detroit Institute of Art; Fogg Art Museum, Harvard University; Haifa Museum, Israel; Kyoto National Museum of Modern Art; Royal Ontario Museum; The White House, Washington DC; Tokyo National Museum of Modern Art; Yale University Art Gallery. Naoko Matsubara has published some 20 books and portfolios of her work, including most recently Tibetan Sky (Calgary: Bayeux Arts Publishers, 1997; Preface by the Dalai Lama); Tokonoma (Bath, England: Old School Press, 1999); and Konjaku monogatari (Tokyo: ALIS, 2002). Her work also includes a large mural and donor pillar for the new YMCA building in Oakville, Ontario (2003); mixed-media screens; and paintings. In 2005, the Royal Ontario Museum commissioned two large works from Naoko Matsubara for the Museum's Bloor Street window case. The artist generously donated a third work, Emerald Summer (2006). The three works (each 195 cm. high by 95 cm. wide) will be rotated at regular intervals into the outside window. This is the first commissioned artwork to be displayed on the Museum’s Bloor Street Plaza. Recent major exhibitions have been in Tokyo, Kyoto, Indiana, and Toronto (Royal Ontario Museum). Further exhibitions are currently being planned in Seattle and Tokyo; new books in process include In Praise of Hands. She also continues to travel widely; is frequently invited to speak about her work; and also publishes essays, in both English and Japanese. Naoko Matsubara’s work has been the subject of countless articles and reviews; documentary films (including two from the Canadian Broadcasting Corporation); and several book-length publications: notably Mokuhan: The Woodcuts of Munakata and Matsubara (text by Joan Stanley-Baker; Victoria, BC: Art Gallery of Greater Victoria, 1976); Naoko Matsubara: Development of Artistic Style and Technique (text by Barbara Woodworth; MFA thesis, Harvard University, 1985);.and Tree Spirit...Category
1960s Abstract Landscape Prints
MaterialsWoodcut
- Trees (Trees in Circle)By Louise NevelsonLocated in Fairlawn, OHTrees (Trees in Circle) Etching & drypoint with monotype inking, 1953-1955 Signed in pencil An unrecorded trial proof, printed on heavy wove proofing paper at Atelier 17, before the ...Category
1950s Abstract Landscape Prints
MaterialsDrypoint, Etching, Monotype
- French StacksBy Donald SultanLocated in Fairlawn, OHFrench Stacks Linocut printed in color Unsigned Stamped verso “Imprimerie Arnera Archives/Non Signe” Printer: Jaime Arnera, Vallarius, France (their stamp verso) Condition: Printed ...Category
1980s Abstract Expressionist Landscape Prints
MaterialsLinocut
- SurvivorBy Ray H. FrenchLocated in Fairlawn, OHSigned , dated and titled in pencil by the artist Artist proof from the second printing by Jon Clemens Annotated "To Jon from Ray"Category
1980s Abstract Landscape Prints
MaterialsEtching
- Dejeuner sur l'HerbeBy After Paul CezanneLocated in Fairlawn, OHDejeuner sur l'Herbe Lithograph, c. 1914 Edition: c. 100 Unsigned as issued by Vollard References And Exhibitions: Commissioned from Cezanne by Ambrose Vollard in the late 1890s Prin...Category
1910s French School Landscape Prints
MaterialsLithograph
- Trout Fishing on the Gunnison (Colorado)By Adolf DehnLocated in Fairlawn, OHTrout Fishing on the Gunnison (Colorado) Lithograph, 1941 Signed and dated '42 in pencil lower right Annotated lower left: "40 Prints-The Gunnison River, Colorado-For Anne & Jack" Ed...Category
1940s American Modern Landscape Prints
MaterialsLithograph
- Grey Folded Clouds - II Blue and whiteBy Joe GoodeLocated in London, GBJoe Goode Grey Folded Clouds - II Blue and white (blue paper sky) 1971 Lithograph, Edition of 50 41 x 61 cms (16 x 24 ins)Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Grey Folded Clouds - II Blue and whiteBy Joe GoodeLocated in London, GBJoe Goode Grey Folded Clouds - II Blue and white (blue paper sky) 1971 Lithograph, Edition of 50 41 x 61 cms (16 x 24 ins)Category
1970s Abstract Abstract Prints
MaterialsLithograph
$1,200 Sale Price20% Off - Grey Folded Clouds - III Pink and GreenBy Joe GoodeLocated in London, GBJoe Goode Grey Folded Clouds - III Pink and Green 1971 Lithograph, Edition of 50 41 x 61 cms (16 x 24 ins)Category
1970s Abstract Landscape Prints
MaterialsLithograph
- Grey Folded Clouds - I Blue and PinkBy Joe GoodeLocated in London, GBJoe Goode Grey Folded Clouds - I Blue and Pink (blue sky tiles) 1971 Lithograph, Edition of 50 33 x 46 cms (13 x 18 ins) JGE007Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Jean Picart Le Doux Lithograph Tree of Life Hand Signed c1950-1960 unframedBy Jean Picart Le DouxLocated in FRJean Picart Le Doux signed Lithograph Limited edition this being number 61 of 120 Signed in pencil by the artist Jean Picart Le Doux, 1902-1982 French Cartridge paper unframed The...Category
1950s Abstract Landscape Prints
MaterialsLithograph
- Landscape by Moonlight, Barges in Vietnam lithograph by Vietnamese MasterBy Dang LebadongLocated in Norwich, GBWonderful original original artist's proof lithograph by Vietnamese/French Master Dang Lebadang. Marked EA (for "Epreuve d'Artiste" lower left, signed lo...Category
1960s Abstract Impressionist Landscape Prints
MaterialsLithograph