Diane Burko

Lily Pond at Giverny, gorgeous signed lithograph with hand coloring unique var.

1990

Wolf Kahn Untitled color field landscape, 1990 Monotype on paper (unique) Pencil signed and dated by Wolf Kahn on the front Frame included: held ...

Lois Dodd Untitled Landscape, 1990 Colored chalk on grey wove paper Signed, dated and inscribed "For Beverly & Howard", lower right. Original artist's frame included This unique work...

Jennifer Losch Bartlett Ocean piece: Untitled painting studies, 1975 Ink and pastel, mixed media on graph paper Boldly signed and dated "Summer 75" by Jennifer Bartlett on the lower right front Frame included: held in a museum quality wood frame with UV plexiglass Ink and pastel on graph paper drawing. Boldly signed and dated "Summer 75" by Jennifer Bartlett on the lower right front. Some of the artist's annotations on the drawings say: Ocean piece Sky Water Beach Sometimes looking from water maybe see mountain two people on beach lying down sometimes they face each other ... bwhitefree hand drawing from water beach w/ towel sky sand water on a diagonal on a curve sky water sand...

Christo and Jeanne-Claude: Wrapped Reichstag, Berlin, 1971-1995, 1996 Hardback monograph with slipcase (hand signed and numbered - Hors Commerce edition, reserved for artists and contributors) Signed by Christo, Jeanne-Claude and photographer Wolfgang Volz and numbered numbered HC-694/HC-700 on the colophon. Also has an encased piece of the actual Reichstag wrapping! fabric! 12 × 12 × 1 1/2 inches Makes a memorable gift! It's hand signed and numbered - with a piece of the actual Reichstag wrapping fabric laid in. Signed by Christo, Jeanne-Claude and Wolfgang Volz and numbered numbered HC-694 on the colophon page (an Hors Commerce [not for sale] edition reserved for artists and collaborators) Original textured silver cloth with blue lettering on spine, housed in matching photo-illustrated slipcase, black lettering on spine. Contains an example of the original aluminum mesh used to wrap the Reichstag, framed in white cardboard (9 x 9") at inside back cover. Documentation of one of the startling and most stunning public art projects, representing the essence of conceptual art on a scale unmatched in the 20th century, one might say. 100 rock climbers abseiling down the facade of the Reichstag, without cranes or machinery being used in the project. This publication provides vivid documentation and a perspective of the extent of the project by the Bulgarian artist. His personal view, as expressed in The Guardian: "Artist - and above all architects - seek permanence," he said. "I don't. I like leaving nothing. That takes courage." His projects were funded mainly by selling preparatory drawings, always refusing sponsorship. Christo forbade the Three Tenors...

Yvonne Jacquette EAST 15th Street (Faberman 8), 1974 Lithograph in five colors on Arches Cover paper Hand signed by the artist on lower right front This is a rare pencil signed proof, aside from the regular edition of 125. Printed by Paul Narkiewicz and Chip Elwell; published by Brooke Alexander, Inc. (to benefit the Horace Mann School in NYC) 17 3/8 × 21 1/8 inches Unframed Other examples of this exquisite work are in major museums and collections such as the Whitney Museum of American Art. Literature: Aerial Muse: The Art of Yvonne Jacquette by Hilarie Faberman (2002-01-29), 8. Yvonne Jacquette Biography: Yvonne Jacquette (1934 - 2023) was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew up in Stamford, Connecticut. She attended the Rhode Island School of Design, Providence from 1952 to 1955, when she moved to New York City. She continued to live and work in New York City, as well as in Searsmont, Maine. A flight to San Diego in 1969 sparked Jacquette’s interest in aerial views, after which she began flying in commercial airliners to study cloud formations and weather patterns. She soon started sketching and painting the landscape as seen from above, beginning a process that has developed into a defining element of her art. Her first nocturnal painting with an aerial perspective, East River View At Night (1978), inspired a lasting exploration of the effects of bright lights, reflections, and indistinct objects set against surrounding darkness. The city of New York was a special focus of Jacquette’s. In the 1980s and 1990s, she chartered planes from Teterborough Airport in New Jersey to circle the city while she sketched the scene below. She also worked from the Empire State Building, and, from 1974 through early 2001, often used empty offices or an enclosed deck at the World Trade Center. Jacquette painted aerial landscapes across the country, as well as city views in San Francisco, Chicago, Minneapolis, Philadelphia, Vancouver, Tokyo, and New Orleans. After a trip to Hong Kong in 1990, she began incorporating composite viewpoints into her work, realizing that she could better express the city’s many layers of complexity by creating new spatial configurations through multiple perspectives. Since then, she continued to base her paintings on pastels made from direct observation, while frequently enlivening compositions through heightened color, repetition of certain elements, and manipulation of light, scale, and perspective. As she approached the rendering of space with greater freedom, her paintings became both more inventive and disjunctive, combining aspects of observation, memory, and imagination.  Jacquette participated in her first group show in New York City in 1962 and has been exhibiting steadily since. In 1965 she had a one-person exhibition at Swarthmore College, PA. In 1983, the St. Louis Art Museum organized her first major museum exhibition. A comprehensive retrospective, Aerial Muse: The Art of Yvonne Jacquette, originated at the Cantor Center for Visual Arts, Stanford University, CA in 2002 and traveled to Colby College Museum of Art, Waterville, ME; Utah Museum of Fine Arts, Salt Lake City; and the Hudson River Museum, Yonkers, NY. In 2008, the Museum of the City of New York organized Under New York Skies: Nocturnes by Yvonne Jacquette, which was shown concurrently with Street Dance, an exhibition of photography by her late husband, Rudy Burckhardt...

Damien Hirst Pegwell Bay, H13-6, from Where the Land Meets the Sea, 2023 Laminated Giclée print on aluminium composite panel 35 2/5 × 35 2/5 in 89.9 × 89.9 cm Hand-signed on the lab...

This is an exclusive handprinted limited edition cyanotype. "Abstract Ripples Under Moonlight" is a handmade cyanotype print portraying the subtle movements and abstract ripples of t...

This is an exclusive handprinted limited edition cyanotype. "Day Time Seascape in Blue" is a handmade cyanotype print portraying the vibrant reflections of th...

This is an exclusive handprinted limited edition cyanotype. "Calming Sea Ripples" is a handmade cyanotype print portraying the subtle movements and abstract ripples of the open sea. ...

This is an exclusive handprinted limited edition cyanotype. Contemporary linear cyanotype showing a 3D mountain terrain. Details: + Title: 3D Render Mountain + Year: 2021 + Edition ...

Offset lithograph with a yellow silk screen overlay on 170gsm paper 35.20 x 10.00 in (89.4 x 25.4 cm) From a limited edition of 3,000. Comes with the publisher Certificate of Authe...

This is an exclusive handprinted limited edition cyanotype. "Fireworks Lights" is a minimal cyanotype diptych that shows path of the fireworks over the sky. Details: + Title: Firew...