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Edwin La DellEdwin La Dell Cambridge King's College from Copper Kettle Signed Lithographc.1960
c.1960
$1,053.25
£765
€901.06
CA$1,442.90
A$1,601.02
CHF 838.65
MX$19,632.78
NOK 10,667.31
SEK 10,069.49
DKK 6,719.73
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About the Item
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Edwin La Dell (1914-1970)
King's College from the Copper Kettle, Cambridge
Signed in pencil and titled
32x48cm
A copy of this print is in the Government Art Collection.
Lithograph
Born in Coventry, La Dell's father was a Sheffield-born bookbinder. After study at Sheffield School of Art, he was the winner of a scholarship to the Royal College of Art where the head of print making was John Nash (from 1934 to 1940). La Dell became head of lithography there from 1948 until his death.
During the war he was an official war artist and a camofleur, but he is probably best known for his lithographs of Oxford and Cambridge that he published himself, together with those he published for the School Prints scheme and Lyons Tea Rooms.
His works are widely held in the public collections, including the Royal Academy and the Government Art Collection, the latter having a copy of this print.
Modern British Art
- Creator:Edwin La Dell (1914 - 1970, British)
- Creation Year:c.1960
- Dimensions:Height: 12.6 in (32 cm)Width: 18.9 in (48 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:In conservation mount, some age toning to print as visible in photograph.
- Gallery Location:London, GB
- Reference Number:1stDibs: LU79535398671
Edwin La Dell
Edwin La Dell was born in Coventry, his father was a Sheffield-born bookbinder. After studying at Sheffield School of Art, he was the winner of a scholarship to the Royal College of Art, where the head of printmaking was John Nash. La Dell became head of lithography from 1948 until his death. During the war, he was an official war artist and a camoufleur, but he is probably best known for his lithographs of Oxford and Cambridge that he published himself, together with those he published for the School Prints scheme and Lyons Tea Rooms. La Dell’s works are widely held in the public collections, including the Royal Academy and the Government Art Collection, the latter having a copy of this print.
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