Mombasa, Antique Map from "Civitates Orbis Terrarum"
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Franz HogenbergMombasa, Antique Map from "Civitates Orbis Terrarum"1572-1617
1572-1617
About the Item
- Creator:Franz Hogenberg (1540 - 1590, Flemish)
- Creation Year:1572-1617
- Dimensions:Height: 7.21 in (18.3 cm)Width: 7.37 in (18.7 cm)Depth: 0.04 in (1 mm)
- Medium:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: J-718461stDibs: LU65033830921
Franz Hogenberg
Braun and Hogenberg's 'The Civitates Orbis Terrarum' was the second atlas of maps ever published and the first atlas of cities and towns of the world. It is one of the most important books published in the 16th century. Most of the maps in the atlas were engraved by Franz Hogenberg and the text, with its descriptions of the history and additional factual information of the cities, was written by a team of writers and edited by Georg Braun. The work contained 546 bird-eye views and map views of cities and towns from all over the world. It gave graphic representation of the main features of the illustrated cities and towns, including the buildings and streets. Although the ordinary buildings are stylized, the principal buildings are reproduced from actual drawings created on location. The principal landmarks and streets can still be recognized today. In addition, the maps often include the heraldic arms of the city, the nature of the surrounding countryside, the important rivers, streams and harbors, even depicting stone bridges, wooden pontoons, flat-bottomed ferries, ships and working boats, wharves and jetties, as well as land-based activities, including horsemen, pedestrians, wagons, coaches, and palanquins. Small vignettes are often included which illustrate the trade, occupations and habits of the local inhabitants, such as agriculture, paper-making and textiles, as well as local forms of punishment, such as gibbets, wheels, floggings etc. Large figures dressed in their local costume are often presented out of proportion in the foreground. The aim of the authors was to give as much information as possible in a pleasing visual form. They succeeded in creating maps that were both informative and decorative works of art. The atlas is a wonderful glimpse of life in medieval Europe. Georg Braun (1541-1622) was German Catholic cleric who was born and who died in Cologne, Germany. He was the principal editor of 'The Civitates Orbis Terrarum', acquiring the tables, hiring the artists, and composing the texts. Abraham Ortelius, whose Theatrum Orbis Terrarum of 1570 was the first atlas of maps ever published, assisted Braun in his compilation of the details and maps for the atlas. The Civitates was intended as a companion for the Ortellius' Theatrum, as suggested by the similarity in the titles. Braun was the only survivor of the original team to live to see the publication of last volume (VI) in 1617. Franz Hogenberg (1535-1590) was a Flemish and German painter, engraver, and mapmaker. He was born in Mechelen (also known as Malines) in Flanders, the son of an engraver. After being expelled from Antwerp by the Duke of Alva, he moved to London and then eventually to Cologne, Germany, where he met Georg Braun and Abraham Ortellius. He engraved most of the plates for Ortelius's Theatrum and the majority of those in the Civitates. Many believe that he was responsible for originating the Civitates project.
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2017
6,767 sales on 1stDibs
Typical response time: 3 hours
More From This SellerView All
- NovembreBy Telemaco SignoriniLocated in Roma, ITSigned the plate with the artist's monogram “TS”lower left. Inscription “C. Lovera imp” lower right. Very rare print from “L'Art in Italia”, 1871.Original Prints. Image Dimensions : ...Category
1870s Realist Landscape Prints
MaterialsEtching
- Cowdray Castle (with cows)By Sir Francis Seymour Haden, R.A.Located in Roma, ITBeautiful proof on verge, with note “Pl.194” and signed by the artist in pencil. Full margins. Ex-coll. H.H. Benedict (Lugt 1298), with dry stamp not identified. Ref. Cat. Harrington...Category
1880s Post-Impressionist Landscape Prints
MaterialsDrypoint, Etching
- Cowdray Castle (with Geese)By Sir Francis Seymour Haden, R.A.Located in Roma, ITBeautiful proof on vergé crème, signed by the artist in pencil. Full margins. Ex-coll. H.H. Benedict (Lugt 1298). Ref. Cat. Harrington 221; Schneiderman 208.Category
1880s Modern Landscape Prints
MaterialsDrypoint, Etching
- Group of three Clowns - Etching and Drypoint by Jean Lurçat - 1921By Jean LurçatLocated in Roma, ITHand Signed and signed on plate. Edition of 35 prints. Image Dimensions : 30 x 20 cm This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created ove...Category
1920s Post-Impressionist Landscape Prints
MaterialsDrypoint, Etching
- Le Petit Oiseau - Etching by Jean François Raffaelli - 1915By Jean-Francois RaffaelliLocated in Roma, ITHand signed. Not numbered. With dedication to "Bernard" (1921). Etching and aquatint technique. Perfect conditions. Image Dimensions : 15 x 19 cm Passepartout included : 35 x 50 cmCategory
1910s Post-Impressionist Landscape Prints
MaterialsEtching
- La distribution des récompenses - Etching by Jacques Callot - 1633By Jacques CallotLocated in Roma, ITSigned on plate “Callot fecit, Frad excudit” lower right. Very good condition except some light discoloration. Wonderful artist proof, on antique laid paper. Second state of three, d...Category
1630s Old Masters Landscape Prints
MaterialsEtching
$263 Sale Price20% Off
You May Also Like
- An early 19th C. satirical etching of John Bull kneeling before William PittLocated in Alamo, CAThis is an early 19th century hand-colored satirical caricature etching entitled "John Bull and his favourite statue of bronze!!", published and possibly engraved in London in 1802 by William Holland (1757-1815). It depicts John Bull (symbolizing the English people) kneeling in profile before William Pitt, who was prime minister of England at the time, and for whom the American city of Pittsburgh was named. Pitt is standing, pretending to be a statue. A rectangular pedestal beneath Pitt is inscribed: "Erected by Voluntary Subscription!" Pitt's body seems elongated, reminding that this a caricature. He is standing, looking to the left, his aristocratic nose held high in apparent arrogance and his hands are deep in his pockets, with his hat under his right arm. John Bull, is dressed simply for the time. He is on in his knees in a gesture of supplication, as if in prayer or begging for some action from a deity. He is holding his hat in both hands, looking up at Pitt. Trees and bushes are seen in the background. A caption showing John Bull's words in the upper left ironically reads: "O Wonderful Man! - how I revere thy sublime resemblance. - what obligations I am under to thee! what happy times thou hast brought about! Bread for nothing! Beef 3d per pound! Porter 3d per pot! a Goose 2 shillings! and a fat Turkey 3s.6d!! - whit every thing else cheap in proportion! - besides the wonderful decrease of Taxes!! - O Dear - O Dear I hardly know how to express myself, I feel so enraptured. - O that fine brass countenance how it shines with conscious Integrity!" The engraving is presented in a gold-colored wood frame and a tan-colored mat, with curved upper corners. The frame measures 18" high, 13.13" wide and 0.5" deep. The framing and mounting utilizes acid-free archival materials and it is glazed with UV conservation clear glass. There are a few faint areas of discoloration and spotting and an apparent short barely visible crease in the lower right corner of the inscription area. The print is otherwise in very good condition. William Holland was printmaker as well as a prominent dealer of satirical prints in London in late 18th and early 19th century. He carried works by the best known satirists of the time: Gillray, Rowlandson, Newton and Woodward, as well as his own creations. Holland along with the other prominent print-sellers of the time, Hannah Humphrey and Samuel Fores, were responsible for promoting the golden age of British caricature...Category
Early 19th Century Portrait Prints
MaterialsEtching
- Venice: 18th Century View of the Grand Canal by LovisaBy Domenico LovisaLocated in Alamo, CAThis is an early 18th century etching of the Grand Canal in Venice entitled "Veduta del Canal Grande dirimpetto la Pescaria di Rialto" by Domenico Lovisa, first published in 1720 in ...Category
Early 18th Century Landscape Prints
MaterialsEtching
- Piranesi 18th C. Etching "Reliquiae Theartri Pompejani" an Ancient Roman TheaterBy Giovanni Battista PiranesiLocated in Alamo, CAThis a framed Giovanni Battista Piranesi (1720-1778) etching entitled "Reliquiae Theartri Pompejani" (Remains of the Theatre of Pompey) from "Il Campo Marzio dell'Antica Roma" (The C...Category
Mid-18th Century Old Masters Landscape Prints
MaterialsEtching
- "Earl Sandwich Refusing to Leave His Ship": An 18th Century Etching/EngravingBy Robert SmirkeLocated in Alamo, CAAn 18th century etching and engraving entitled "Earl Sandwich Refusing to Leave His Ship While on Fire in the Battle of Sole Bay" by William Byrne (1743-1805), after a painting by Robert Smirke (1753-1845). It was published in London in 1798. The print is presented in a cream-colored mat. The mat measures 17.13" in height and 13" in width. The print is in excellent condition. Edward Montagu, the 1st Earl of Sandwich...Category
1790s Landscape Prints
MaterialsEtching, Engraving
- Venice: 18th Century View of the Basilica of S. Pietro di Castello by LovisaBy Domenico LovisaLocated in Alamo, CAThis is an 18th century etching of the Patriarchal Church or Basilica of S. Pietro di Castello in Venice entitled "Chiesa Patriarcale di S. Pietro di Castello" by Domenico Lovisa, fi...Category
Early 18th Century Landscape Prints
MaterialsEtching
- "Pillory, Charing Cross" by Rowlandson from "The Microcosm of London"By Thomas RowlandsonLocated in Alamo, CA"Pillory, Charing Cross" is an illustration (Plate 62) from "The Microcosm of London", published in London in 1809 by R Ackermann's Repository of Arts. The scene was created by one of the most famous British satirists and caricaturists of the late 18th and early 19th centuries' Georgian Period, Thomas Rowlandson, who drew the figures, while Augustus Charles Pugin drew the architecture. The plate was then created by Hill, Stadler and Bluck using a combination of aquatint and etching and was then hand colored with watercolor. Scenes illustrated in "The Microcosm of London" gives an accurate and often comical view of everyday life in London during the Regency Period of the early 19th century. While Pugin’s excellent architectural drawings capture the size and shape of the exterior as well as the interior of London’s principal buildings, Thomas Rowlandson’s insightful and often whimsical and satirical view of the city's inhabitants depicts the color and vitality of the late Georgian society, both rich and poor alike. This print depicts the "Pillory, Charing Cross", where criminals were brought and placed on display while secure in the stocks, as are seen in this print. A crowd is present in the square jeering at the prisoners. A statue of Charles I on horseback stands atop a very large pillar to the right. Shops with apartments are seen on the left. Young wealthy people frolic around and on a carriage on the right in front of the statue of King...Category
Early 1800s Other Art Style Landscape Prints
MaterialsEtching, Aquatint