Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

G Cooper
G Cooper: 'St Mary's Church, Oxford' etching on paper

c.1820

$228.30
£165
€195.44
CA$312.57
A$346.66
CHF 182.05
MX$4,257.27
NOK 2,304.59
SEK 2,173.26
DKK 1,458.18
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. G. Cooper St. Mary’s Church, Oxford Etching 40 x 47 cm From The Oxford Portfolio a series of thirteen views printed on Sepia paper; very rare.
  • Creator:
    G Cooper (British)
  • Creation Year:
    c.1820
  • Dimensions:
    Height: 15.75 in (40 cm)Width: 18.51 in (47 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Generally good, with some age toning to paper.
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU79538703652

More From This Seller

View All
Christ Church, Oxford 1965 etching by Richard Beer
By Richard Beer
Located in London, GB
To see our other views of Oxford and Cambridge, or Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message ...
Category

1960s Modern Landscape Prints

Materials

Etching, Aquatint

St Mary's Church, Oxford engraving by Lewis after Nash for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Frederick Christian Lewis (1779 - 1856) after Frederick Nash (1782 - 1856) St Mary's Church, Oxford (1813) Aquatint with original hand colouring 21 x 27 cm Published by Rudolph Ackermann (1764 - 1834). Frederick Nash was born in Lambeth. He studied architectural drawing under Thomas Malton and then enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton and Edward Wedlake Brayley, subsequently becoming a member of the Society of Painters in Watercolours - a group of painters who had left the Royal Academy following complaints of under-recognition of their works. Nash became primarily a landscape painter and toured the rivers of Germany. Frederick Christian Lewis was an English etcher, aquatint and stipple engraver, landscape and portrait painter. He studied under J. C. Stadler and in the schools of the Royal Academy and aquatinted most of Thomas Girtin's etchings of Paris...
Category

1810s Prints and Multiples

Materials

Aquatint

University Church of St Mary, Oxford by Pieter van der Aa after David Loggan
By Pieter Van Der Aa
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) The University Church of St Mary the Virgin, University of Oxford Engraving 12 x 16 cm An eighteenth-century view of the University Church, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. St Mary's was the first building of the University of Oxford and its parish consists almost exclusively of university and college buildings. Its eccentric Baroque porch, designed by Nicholas Stone, faces the High Street, and it boasts a spire which is claimed by some church historians to be one of the most beautiful in England. Radcliffe Square lies to the north and to the east is Catte Street. The 13th-century tower is open to the public and provides magnificent views across the heart of the historic university city, especially Radcliffe Square, the Radcliffe Camera...
Category

Early 18th Century Realist Prints and Multiples

Materials

Engraving

Mabel Oliver Rae, etching of Tom Tower, Oxford
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...
Category

Early 20th Century Modern Landscape Prints

Materials

Etching

All Souls College Oxford University etching c. 1920 Mabel Oliver Rae
Located in London, GB
To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...
Category

Early 20th Century Modern Landscape Prints

Materials

Etching

Trinity College, Oxford etching by Richard Beer Modern British Art
By Richard Beer
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category

1980s Realist Landscape Prints

Materials

Etching

You May Also Like

Southwest View of Sherborne Abbey Church /// History of Dorset English Engraving
Located in Saint Augustine, FL
Artist: John Hutchins (English, 1698-1773) Title: "Southwest View of Sherborne Abbey Church" (Plate 15) Portfolio: The History and Antiquities of the County of Dorset Year: 1861-1870...
Category

1860s Victorian Landscape Prints

Materials

Engraving

Chester Cathedral - Drypoint Etching in Ink on Paper
Located in Soquel, CA
Chester Cathedral - Drypoint Etching in Ink on Paper Dramatic drypoint etching by J. Alphege Brewer (British, 1881-1946). This composition shows the interior of Chester Cathedral in Brewer's characteristic style - highly detailed and with strong contrast. The scene encompasses the cathedral from floor to ceiling, capturing the immense size of the building. There are several people in the scene which contribute to the sense of scale. Signed by hand "J. Alphege Brewer" in the lower right corner. Titled "Chester Cathedral" in plate, lower left corner. Includes original card with artist's name. Presented in a new black mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 10.75"H x 7.75"W James Alphege Brewer was well known in the early 20th century as a producer of color etchings of European cathedrals and other scenes of church, college, and community. He was born July 24, 1881, in the Kensington section of London, England, the son of Henry W. Brewer, noted artist of historical architecture and prominent convert to the Catholic Church, and the grandson of John Sherren Brewer, Jr., “the brilliant editor of the Calendar of Letters of Henry VIII.” His great uncle was E. Cobham Brewer, the polymath who compiled Brewer’s Dictionary of Phrase and Fable. Among his older siblings were the artist Henry C. Brewer and the organist and writer John Francis Brewer. Brewer attended the Westminster School of Art in London, where his brother Henry also trained. In 1910, he married Florence Emma Lucas, an accomplished painter in oil and watercolor, whose father was the noted landscape artist George Lucas and whose great uncle was David Lucas, the famous engraver for John Constable. Florence's brothers Edwin and George assisted Brewer in the printing of Brewer's etchings. Brewer exhibited at the Royal Academy (RA) and the Royal Institute of Painters in Watercolour (RI), at the Paris Salon of the Académie des Beaux-Arts, and in the shows of the Royal Cambrian Academy (RCA). He became an associate of the Royal Cambrian Academy in 1929 and a full member in the last two years of his life. He was also a member of the Hampstead Society of Artists, the Society of Graphic Art, and the Ealing Arts Club, where he was first Honorary Art Secretary and then Honorary Art Chairman. Most of Brewer's larger etchings were published by Alfred Bell...
Category

Early 20th Century Romantic Interior Prints

Materials

Paper, Ink, Drypoint

Cathedral Church of Notre Dame, at Séez /// John Sell Cotman Architectural Print
By John Sell Cotman
Located in Saint Augustine, FL
Artist: John Sell Cotman (English, 1782-1842) Title: "Cathedral Church of Notre Dame, at Séez (West Front)" (Vol. 2, Plate 99) Portfolio: Architectural Antiquities of Normandy Year: ...
Category

1820s Victorian Landscape Prints

Materials

Etching, Intaglio

Original Drypoint Etching by Harold Thornton Kings College Cambridge Old Gateway
Located in West Hartford, CT
Signed in pencil at lower left, Harold Thornton original drypoint etching titled "Kings College Old Gateway Cambridge", circa mid-19th century. Medium i...
Category

Antique Mid-19th Century English George III Drawings

Materials

Paper

Twickenham Church
By Sir Francis Seymour Haden, R.A.
Located in Middletown, NY
A luminous first state impression, Hamerton's "Portfolio" edition. Etching and drypoint on cream wove paper, 7 3/16 x 9 15/16 inches (135 x 213 mm), wide margins. First state (of 5)...
Category

Mid-19th Century Realist Landscape Prints

Materials

Etching, Drypoint

The South West Prospect of St. Mary's Church in the Strand /// William Maitland
Located in Saint Augustine, FL
Artist: Benjamin Cole (English, c. 1697-1783) Title: "The South West Prospect of St. Mary's Church in the Strand" Portfolio: The History and Survey of London from its Foundation to t...
Category

1750s Old Masters Landscape Prints

Materials

Engraving, Laid Paper, Intaglio, Etching