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Georges BraqueComposition (Vallier 153), Le Tir à l'arc mis en lumière par Georges Braque1960
1960
About the Item
Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lumière par Georges Braque, 1960. Published by Louis Broder, Paris; printed by Crommelynck et Doutrou, Paris, March, 1960, in an edition of 298. Excerpted from the folio (translated from French), Printed in one hundred and sixty-five examples, signed by the artist, all on vélin pur Chiffon au la main Moulin d'Ambert, numbered 1 to 130, I to XX, and chapelle 1/15 to 15/15. Examples 1 to 20, and I to X are enriched with a series of original prints on papier nacré du Japon, numbered and signed by the artist. Apart from that, it was pulled, large-margin proofs, all justified by the artist. The cover has been drawn on Antaimoro paper. The printing of the text and the two original woods were provided by Fequet et Baudier. The draw of the eight lithographs were shot by E. et J. Desjobert; the original cover etching by Crommelynck et Dutrou. The stones were erased, the coppers and woods scratched. Printed in March 1960 in Paris.
GEORGES BRAQUE (1882-1963) was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. Their respective Cubist works were indistinguishable for many years, yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso.
- Creator:Georges Braque (1882 - 1963, French)
- Creation Year:1960
- Dimensions:Height: 9 in (22.86 cm)Width: 6.5 in (16.51 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU1465215348962
Georges Braque
Georges Braque was born in Argenteuil, France, in 1882. Braque lived much of his childhood and young adult life in Le Havre. He attended night classes at the art school from 1897–99 and then moved to Paris, where he obtained his license as a master decorator. From 1905–06, after studying at École des Beaux-Arts in Paris and having been influenced by the works of Henri Matisse, he began to paint in the way of Fauvism by using bright colors and taking advantage of the freedom of the composition. Paysage à L'Estaque (1906) was one of the prominent works of art made at this time.
The year 1907 was a significant time in Braque's development, wherein he visited the retrospective on Paul Cézanne and he came into contact with Picasso, who was very engrossed in the realization of Les Demoiselles d'Avignon at the time. At this point, Braque began nurturing a considerable interest in primitive art. After the First World War, Braque worked autonomously and developed a more personal style, which was characterized by vivid colors and textured surfaces. Braque painted still life, interior views, and ocean scenes. The Ateliers (1948–55) and Birds (1955–63) series were painted during this period. In 1948, he obtained his first award for painting at the XXIV Biennial in Venice.
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