Items Similar to XXXIII Fig. I Avanzo del Tempio di Castore e Polluce
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Giovanni Battista PiranesiXXXIII Fig. I Avanzo del Tempio di Castore e Polluce 1756
1756
About the Item
XXXIII Fig. I Avanzo del Tempio di Castore e Polluce .View of the Remains of the Peristyle of the House of Nero,
Etching, 1756
Signed in the plate (see photo)
From: Le Antichità Romane (Roman Antiquity), 1756-1757, Four Volumes
From the first edition, printed in Roma, 1758
Publisher: Angelo Rotili
Watermark: Double Circle Fleur de Lys
Inscription: At upper left: Fig. XXXVI
At bottom center: Veduta dell' Avanzo del Peristilo della Casa Neroniana
At lower right: Piranesi Archit. dis. inc.
Condition: Excellent
Plate/Image size: 5 1/8 x 7 5/8 inches
Sheet size: 8 3/4 x 11 5/8 inches
Reference: Focillon 20.A.213
Wilton_Ely 392.348
Provenance: Dale Zimmerman (1928=2021), noted artist and collector
“Piranesi spent his first few years in Rome measuring and sketching ancient architectural sites. The results of Piranesi’s comprehensive research were presented in the four volumes of the Antichità Romane (1756). This production rapidly earned Piranesi an international reputation, as evidenced by his election to the Honorary Fellowship of the Society of Antiquaries of London a year later. Antichità Romane itself set out to provide a sweeping overview of the archaeological information on Ancient Rome Piranesi gathered over the years. Its purpose was the education of contemporary designers and their patrons. The more than 250 images feature original methods of illustration, combining an impressive amount of data and skilled etchings into a single plate. As depicted in the views of the burial chamber and tomb, Piranesi balances the picturesque appearance of Roman architecture with detailed explanatory text in one plate. Piranesi’s expansive topographical knowledge of Rome allowed him to place the many diverse and isolated ancient remains into the broader context of Rome’s new urban development. 21 The Antichità Romane represented a milestone in the history of classical archaeology, a newly established area of study for historians. Classical archaeology became popular, or valued, after the discovery of Pompeii and Herculaneum, sites that piqued the interest of many intellectuals and aristocrats. Besides representing a massive advance in the how archaeological discoveries were communicated to the broader public, the Antichità Romane focused attention in a visually stunning way to neglected aspects of antiquity, such as the techniques of Roman building science and non-traditional Roman decoration. The Antichità Romane was set apart from the work of Piranesi’s peers due to the greater spectrum of buildings he included in the work and by the way he placed them within landscape settings, often with the addition of figures. The figures within Piranesi’s etchings often hint towards the sublime, an art style defined by the seemingly overwhelming terror of nature looming over mankind. In the early 18th century, nature was determined to be a devastating force that needed to be controlled; control over nature represented the control one had over man. The sublime was introduced as philosophers and intellectuals from France and Britain came to see that the overwhelming powers of nature were, in a way, beautiful, because of the pure terror and emotion it incited in viewers. Piranesi’s miniscule figures and grand, vast structures represent the relationship people of the 18th century believed they had with nature and ancient ruins. The Antichità Romane, and his sublime images of ruins, allowed Piranesi to make a name for himself as an antiquarian.” Courtesy: Wellesley Davis Museum of Art
- Creator:Giovanni Battista Piranesi (1720-1778, Italian)
- Creation Year:1756
- Dimensions:Height: 5.13 in (13.04 cm)Width: 7.63 in (19.39 cm)
- Medium:
- Movement & Style:
- Period:1750-1759
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1978
1stDibs seller since 2013
711 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Fairlawn, OH
- Return PolicyA return for this item may be initiated within 10 days of delivery.
More From This SellerView All
- Scene II, Le Nozze Degli DeiBy Stefano Della BellaLocated in Fairlawn, OHScene II, Le Nozze Degli Dei Etching, 1637 Signed in the plate lower left The scene depicts the initial moment when Diana is revealed, surrounded by her nymphs, celebrating a success...Category
1630s Old Masters Landscape Prints
MaterialsEtching
- View of the Ancient Structure built by Tarquinius Superbus called the Bel LidoBy Giovanni Battista PiranesiLocated in Fairlawn, OHView of the Ancient Structure built by Tarquinius Superbus called the Bel Lido, and like others built by Marcus Agrippa in the time of Augustus when he ...Category
1750s Old Masters Landscape Prints
MaterialsEtching
- Veduta dell'esterno della gran Basilica di S. Pietro in VaticanoBy Giovanni Battista PiranesiLocated in Fairlawn, OHVeduta dell'esterno della gran Basilica di S. Pietro in Vaticano (View of the Exterior of St. Peter's Basilica in the Vatican) Etching, 1748 From the first printing of the "Vedute di...Category
1740s Old Masters Landscape Prints
MaterialsEtching
- The Monumental TabletBy Giovanni Battista PiranesiLocated in Fairlawn, OHThe Monumental Tablet Etching, engraving, drypoint and burnishing, c. 1748 Series: Grotteschi (Grotesques, 4 plates) Original, unwashed condition. Excellent. Second edition first is...Category
1740s Old Masters Prints and Multiples
MaterialsEtching
- The Ponte and Castel S. Angelo (Veduta del Ponte e Castello Sant' Angelo)By Giovanni Battista PiranesiLocated in Fairlawn, OHThe Ponte and Castel S. Angelo Veduta del Ponte e Castello Sant' Angelo Etching, 1754 Signed in the plate lower right above the caption From: Vedute di Roma A proper Roman printing with the price in the lower right corner. Printed on a Double Circle Fleur de Lys watermark paper, c. 1760, with full margins. A brilliant impression . Note: A view of the Tiber River, Castello Sant' Angelo and St. Peter's Basilica in the distance. Watermark: Double Circle Fleur de Lys References: Robison c/g Hind 29 ii/VII Foclllon 793 Condition: A Roman printing before the numbers added in Paris. Printed on a Double Circle Fleur-de-Lys watermark paper. Right margin folded over 5/8 inches for framing. Usual centerfold as issued in the album. Slight aging to the sheet. Binding holes at the left margin edge Framed with plexi. Plate size: 14 7/8 x 22 7/8 inches Sheet size: 21 5/8 x 30 5/16 inches Frame size: 22 3/4 x 33 1/2 inches Sant’Angelo Bridge, Italian Ponte Sant’Angelo, ancient (Latin) Pons Aelius, ancient Roman bridge, probably the finest surviving in Rome itself, built over the Tiber by the emperor Hadrian (reigned 117–138 AD) to connect the Campus Martius with his mausoleum (later renamed Castel Sant’Angelo). The bridge was completed about AD 135. It consists of seven stone arches and five main spans of about 60 feet (18 m) each, supported on piers 24 feet (7 m) high. In the 13th century Pope Clement IV installed an iron balustrade and in the 16th century Pope Clement VII placed statues of Saints Peter and Paul...Category
1750s Old Masters Landscape Prints
MaterialsEtching
- The Arch of Constantine and the ColosseumBy Giovanni Battista PiranesiLocated in Fairlawn, OHThe Arch of Constantine and the Colosseum Vedute dell' Arco di Costantino, e dell' Anfiteatro Flavio il Colosseo From: "Vedute di Roma" (Roman Views), part II An early Paris edition,...Category
1760s Old Masters Landscape Prints
MaterialsEtching
You May Also Like
- Column of Antoninus Pius, Rome Italy. Jacobs Lauro 17th century engravingLocated in Melbourne, VictoriaLauro produced a series of engravings of the ancient monuments of Classical Rome with detailed descriptions in Latin below. 180mm by 240mm (plate mark)...Category
Early 17th Century Old Masters Landscape Prints
MaterialsEngraving, Etching
- The Plank Bridge – Landschap met een bruggetje van plankenBy Anthonie WaterlooLocated in Middletown, NYEtching on thin cream laid paper with a partial "M" or "W" watermark, 5 x 5 15/16 inches (126 x 150 mm), thread margins. Inscribed in the plate in the upper-right: “Antoni Waterlo fe...Category
17th Century Old Masters Landscape Prints
MaterialsEtching, Laid Paper
- Arcadian riverscape with different figures by a tree [Arcadisch rivierlandschap]Located in Middletown, NYA beautiful Arcadian landscape after Johannes Glauber. Amsterdam: 1721. Etching on handmade laid paper with an intact fleur-de-lis watermark. 203 x 275 mm; 8 x 10 7/8 inches, trimm...Category
18th Century Old Masters Landscape Prints
MaterialsHandmade Paper, Laid Paper, Etching
- Veduta del Tempio della Fortuna Virile, from Raccolta delle più belle Vedute ...By Giuseppe VasiLocated in Middletown, NYBy Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...Category
Late 18th Century Old Masters Landscape Prints
MaterialsWatercolor, Laid Paper, Engraving, Etching
- Avanzo del Pronao del Tempio di Giove Tonante, from Le Antichità RomaneBy Giovanni Battista PiranesiLocated in Middletown, NYEtching on buff laid paper with a partial indiscernible watermark, full margins. In very good condition with some minor scattered spots of foxing in the margins. Some pencil notatio...Category
Late 18th Century Old Masters Landscape Prints
MaterialsHandmade Paper, Etching
- Venus Lamenting over the Death of AdonisBy Herman van SwaneveltLocated in Middletown, NYc. 1654. Etching with engraving on thin laid paper with an early and large unidentified watermark with a sundial and a many-pointed star, and an unidentified collector's stamp in the...Category
Mid-17th Century Old Masters Landscape Prints
MaterialsHandmade Paper, Engraving, Etching
![Arcadian riverscape with different figures by a tree [Arcadisch rivierlandschap]](https://a.1stdibscdn.com/adolf-van-der-laan-prints-works-on-paper-arcadian-riverscape-with-different-figures-by-a-tree-arcadisch-rivierlandschap-for-sale/a_19792/1654896344262/280_master.jpg?width=240)
