Hans Figura

Hans Figura "Chateaux de Vitre" Original Etching w/ Aquatint c.1940

Circa 1940

James Sanford Hulme "Army Plaza" Original Signed Etching c.1930 Plate dimensions 6" wide x 4" high The distressed period frame measures 10.75" wi...

John Marin "Clock Tower of Santa Maria Zobenigo, Venice, Italy" Original Pencil Signed Etching c.1907 Rare pencil signed etching by listed American artist John Marin (1870-1953) Pl...

Tanna Kasimir-Hoernes "Broad Street, New York" Original Etching W/ Aquatint C.1930s Plate dimensions 10.25" wide x 17.75" high The frame measures 19" w...

John Collette "Drilling" Original Drypoint Etching W/ Aquatint C.1980 Plate dimensions 6" wide x 9" high The frame measures 13.25" wide x 18.5" high Pencil signed, titled and numb...

Adolph Dehn "Golden Gate" Lithograph c.1940 Fine pencil signed lithograph issued by Associated American Artists, New York Edition size 200. Dimensions 1...

San Francisco from Telegraph Hill Serigraph by Marco Sassone 20th c. Limited edition pencil signed serigraph by listed California / Canadian artist Marco Sassone. San Francisco from...

Automne (Autumn). 1938. Aquatint print in colors. Chapon/Rouault 288C. 19 1/2 x 25 1/2 ( sheet 22 5/8 x 30 3/4). Edition 175, #44 Published by Vollard. A rich impression with bright...

Effet de pluie by Camille Pissarro (1830-1903) Etching, aquatint and drypoint 15.9 x 21.3 cm (6 ¹/₄ x 8 ³/₈ inches) Stamped with initials C.P. lower left and numbered 7/14 lower righ...

Desolation, S.C. or Deserted Cabins, Beauford, S.C. Etching & Aquatint, c. 1930 Signed by the artist in pencil lower right (see photo) Annotated "Trial Proof" in pencil lower left co...

Brittany Landscape with Figure Etching & color aquatint, c. 1920 Signed lower right (see photo) Numbered lower left: "No. 21" (see photo) An early ...

Artist: Harold Altman (American, 1924-2003) Title: Five Pigeons (Jardin du Luxembourg, Paris) Year: 1981 Medium: Original color etching with aquatint Edition: Numbered 75/200 in pencil Paper: Arches Image (plate mark) size: 11.75 x 8.25 inches Framed size: 24.5 x 17.65 inches Signature: Hand signed and titled in pencil by the artist Condition: It is in very good condition, the matting have some marks, see picture #1 Frame: Custom framed in a wooden silver frame frame, with fabric matting and brownish green fillet. About the artist. Printmaker Harold Altman was an etcher, painter, and teacher, who was born in New York City in 1924. He attended the Art Students League, 1941-42 and Cooper Union, (Graduate in Fine Arts), 1941-47, both in New York City. In 1946, he attended Black Mountain College, North Carolina and then went on to The New School, New York City 1947-49. Finishing his extensive art education at the L'Academie de la Grande Chaumiere in Paris 1949-52. Altman settled in the central Pennsylvanian village of Lemont in 1962, where a nineteenth-century frame church serves as his studio. Approximately four months out of the year are spent working in Paris where his lithographs are printed at Atelier DesJobert. In previous years, his etchings were printed at Atelier George LeBlanc. Altman's landscapes and figurative works have been exhibited at numerous galleries and museums, both in the United States and abroad. He is represented in nearly every significant collection in the world. New York's Museum of Modern Art owns over forty Altmans while the Whitney Museum of American Art and Brooklyn Museums each have over fifty of his works in their permanent collections. His work is to be found in many significant museum collections outside of the United States, several of which are the Victoria and Albert Museum of London, the Stedelijk Museum of Amsterdam, the Kunst Museum of Basel, the Royal Museum of Fine Arts of Copenhagen and the Bibliotheque Nationale of Paris. OVER 300 ONE-MAN EXHIBITIONS (PARTIAL LISTING) Galerie Huit - Paris (1951) The Art Institute of Chicago - (1960) The Escuela Nacional de Artes Plasticas - Mexico City (1961) The San Francisco Museum of Art - (1961) The Santa Barbara Museum of Art - (1961) Oklahoma Art Center - (1966, 1976) The Southeastern Center for Contemporary Art - Winston-Salem, NC (1976) Milwaukee Art Center - (1969) The Print Cabinet...

"Road Landscape" is an original etching and aquatint by Felix Bracquemond. This piece depicts a shadowy path through the foliage. The artist signed the piece in the lower right and i...