Harold Altman

Women Parc Morceau-Limited Edition Etching, EA, Signed by Artist

Unknown

Central Park, New York City is the locale for this subtle etching by Harold Altman. It is yellowing a bit around the corners due to natural aging process, however the coloring of th...

20 in x 16 in - image size Etching (Reproduction). Measures 20 x 16 inches and is framed. The piece is in Very Good Condition.

Limited Edition Etching (2/100). Signed by Artist. Measures 30 x 22 inches and is unframed. The piece is in Good Condition-wrinkling/creasing/discoloration consistent with age and ha...

Limited Edition Etching (125/200). Signed by Artist. Measures 32.75 x 25.5 inches and is unframed. The piece is in Fair/Distressed Condition-discoloration/yellowing primarily in the ...

Construction d’un temple – Plate n. 11  is a b/w original etching and dry-point  realized in 1973 (as stated on plate on the lower right margin) by Paul Delvaux. From the collection...

Fallen Rider  is a modern artwork realized by Max Klinger in 1881. The artwork belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroef...

This is an early 18th century etching of the Grand Canal in Venice entitled "Veduta del Canal Grande dirimpetto la Pescaria di Rialto" by Domenico Lovisa, first published in 1720 in ...

This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter), etched by Phillip Gilbert Hamerton after a drawing by Maxime Lalanne in London in 1868. The etching depicts many boats in the busy harbor of Bordeaux, including small sailboats, as well as tall ships. Another harbor is seen in the distance across the river on the left. Snow covered buildings are on the left and extending long distances in the distant background. Many people occupy the road and ground centrally and on the left along with some horses or mules attached to carts. The sky is a wintery gray. This etching is an excellent impression printed on thick chain-linked, laid, deckle-edge paper with wide margins, watermarked with a 2 in the lower left corner. It is signed in the plate in the lower left, the title and date are in the center and Bordeaux and the year are included in script along the top of a wall in the lower left of the engraving. The sheet measures 8.75" high by 12" wide. The print is in excellent condition. This etching is held by many museums and institutions, including The National Gallery of Art, Washington, D.C. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching...