Ian Phillips

Sea Mist, Limited edition print, seascape, landscape, contemporary, affordable

2020

Colin Moore Portland Bill Limited Edition Linocut Print Edition of 100 Image Size: H 42cm x W 59.5cm Sheet Size: H 51cm x W 67cm x D 0.1cm Sold Unframed Pl...

Jennifer Jokhoo Emerald forest Limited Edition Handmade reduction linocut print Edition of 13 Sheet Size: H 26cm x W 34cm x D 0.1cm Sold Unframed Please note that in situ images are ...

Colin Moore Blakeney Harbour Limited Edition 3 Block Linocut Print Edition of 100 Image Size: H 42cm x W 59.5cm Sheet Size: H 51cm x W 67cm x D 0.1cm Sold ...

Created in 2018 by Alexandra Buckle. A reduction linocut of marsh marigolds next to a rippling pool of water with a reflected tree. This is one of a s...

Last of the Snow and Sidewalk 2025 Three-layer reduction linoleum block print on Reeves BFK with acrylic Ed. 2/15 6 x 6 inches Framed: 11 x 10 x 1 inches

Cantedeskia - Linocut Black and White XXI century, Linocut, Flower, Figurative Art 5/50 Signed, numbered MARTA BOZYK (1973). A graduate of the Graphic Department of the Academy of...

Hibiscus - Linocut Black and White XXI century, Linocut, Flower, Figurative Art MARTA BOZYK (1973). A graduate of the Graphic Department of the Academy of Fine Arts in Krakow. She...

DAVIES, Peter (b.1953) ‘Solstice Sun’ 2019 Linocut on paper 15.0 x 10.0 cm (6 x 4 in.) Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical, rather than lyrical or painterly, approach. This probably puts my observational paint – by – numbers pictures at a creative and expressive disadvantage. But it doers prove conducive to a structural or compositional kind of drawing over which are applied layers of oil paint to deliver idiosyncratic textural and atmospheric effects. Furthermore, a Ben Nicholson – inspired dichotomy between foreground rooftops or architecture and a naturalistic marine or landscape background makes a chosen plastic and temperamental approach apt. So when in 2004 I was inspired by the much loved master relief printmaker John Liddell 1925-2005) to try my hand at linocut I found a process ideally suited to my mechanical bent it has been a love affair ever since. The workshop he founded in 1991 Poole Printmakers is a safe haven, an intimate co-operative near Poole Quay, and some of the most scenic terrain in Britain. It is also an area where my art career started in 1978 and inspired my early book Art in Poole and Dorset, published by Poole Historical Trust, 1987. Many blissful and absorbing hours over the last 13 years have yielded a large body of linocut prints in which I exercise those mechanical and reproductive qualities proper to the medium. Peter Davies...