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Jacques Villon
Jacques Villon, Untitled, from Alternation, 1946

1946

$956
$1,19520% Off
£741.09
£926.3620% Off
€838.85
€1,048.5620% Off
CA$1,368.24
CA$1,710.3020% Off
A$1,493.05
A$1,866.3220% Off
CHF 774.98
CHF 968.7320% Off
MX$17,863.13
MX$22,328.9120% Off
NOK 9,837.01
NOK 12,296.2620% Off
SEK 9,214.20
SEK 11,517.7520% Off
DKK 6,265.93
DKK 7,832.4120% Off

About the Item

This exquisite etching by Jacques Villon (1875–1963), titled Sans titre (Untitled), from the album Alternance (Alternation), originates from the 1946 edition published by Le Gerbier, Paris, and printed by atelier Quesneville, Paris, March 2, 1946. The work embodies Villon's mastery of Cubist structure, lyrical abstraction, and geometric clarity, distilling the harmonic rigor and expressive luminosity that define his contribution to twentieth-century modernism. Executed as an etching on velin de Rives paper, this work measures 9.88 x 12.88 inches (25.1 x 32.7 cm). Signed in the plate and unnumbered, as issued. The edition exemplifies the refined craftsmanship of atelier Quesneville, Paris. Artwork Details: Artist: Jacques Villon (1875–1963) Title: Sans titre (Untitled), from the album Alternance (Alternation) Medium: Etching on velin de Rives paper Dimensions: 9.88 x 12.88 inches (25.1 x 32.7 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1946 Publisher: Le Gerbier, Paris Printer: atelier Quesneville, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Alternance (Alternation), published by Le Gerbier, Paris; printed by atelier Quesneville, Paris, March 2, 1946 Notes: Excerpted from the folio (translated from French), Printing was finished on March 2, 1946 on the presses of atelier Quesneville for thirteen etchings; on the presses of Lacouriere for the etchings by Henri Matisse and Dignimont; the etching of J.G. Daragnes was engraved by himself; the typography, which is composed of Garamond was printed on the presses of the Master Printer, G. Girard. This collection of sixteen original etchings, alternating with sixteen unpublished writings, CCC examples have been drawn, including XXXVIII on Monival and hand numbered from I to XXXVIII; and, CCLXII on Rives BFK, numbered from XXXIX to CCC. XL examples have been drawn for hors commerce on Lana a la forme have been numbered form of I to XL. About the Publication: Alternance (Alternation), published in 1946 by Le Gerbier, stands as a significant postwar livre d'artiste uniting sixteen original etchings with sixteen unpublished literary texts. Produced with exceptional attention to etching technique, paper selection, and typographic refinement, the album reflects the collaborative vitality of mid-century French printmaking. Printed across several fine papers including Monival, Rives BFK, and Lana a la forme, the edition embodies the craft traditions of atelier Quesneville, Lacouriere, and the presses of G. Girard, preserving a moment of rich artistic exchange in the years immediately following World War II. About the Artist: Jacques Villon (1875–1963) was a French painter and printmaker whose pioneering fusion of Cubism, color theory, and lyrical abstraction made him one of the key architects of modern art. Born Gaston Emile Duchamp in Damville, France, he was the eldest brother of Marcel Duchamp and Raymond Duchamp-Villon, and together they became one of the most influential artistic families of the 20th century. Adopting the pseudonym Jacques Villon, he carved out an independent identity as a visionary who bridged the analytical rigor of Cubism with the emotional freedom of abstraction. After moving to Paris in the 1890s, Villon immersed himself in the avant-garde circles of Montmartre and later the Puteaux Group also known as the Section d'Or alongside Fernand Leger, Francis Picabia, Jean Metzinger, Albert Gleizes, and his brother Marcel. Influenced by Paul Cezanne and working in creative dialogue with contemporaries such as Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, and Man Ray, Villon sought to reconcile scientific order and spiritual beauty through geometry, rhythm, and color. His early mastery of etching and aquatint earned him acclaim as a printmaker, while his paintings from the 1910s onward such as Portrait of Marcel Duchamp (1913), The Rider (1914), and Composition Abstraite (1919) demonstrated a unique Cubist lyricism characterized by transparent planes, interlocking forms, and a prismatic use of light. Over the following decades, he transformed Cubism's intellectual structure into a radiant, harmonious abstraction that anticipated mid-century lyrical and color field painting. Like Kandinsky and Miro, Villon believed that art could evoke music's spiritual depth through pure form, while his chromatic harmonies inspired later artists such as Sonia and Robert Delaunay, Nicolas de Stael, Hans Hartung, and Victor Vasarely. Recognized internationally, Villon exhibited at the Venice Biennale, the Museum of Modern Art in New York, the Tate in London, and the Centre Pompidou in Paris, and in 1956 received the Grand Prize for Painting at the Venice Biennale for his lifetime achievements. His influence extended far beyond painting his geometric precision and luminous palette shaped later movements including lyrical abstraction, Op Art, and postwar modernism. A deeply poetic thinker, Villon merged intellect and emotion, science and beauty, transforming mathematical order into visual harmony. His art remains celebrated for its timeless grace, uniting the logic of Cubism with the lyricism of color. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Jacques Villon is remembered as a central figure in the evolution of modern art a master whose elegant compositions continue to inspire collectors and creators worldwide. His highest auction record was achieved by Composition (Abstraction) (1919), which sold for 2.7 million USD at Sotheby's New York on November 7, 2018, reaffirming his legacy as one of the most refined, visionary, and collectible artists of the 20th century. Jacques Villon Sans titre Alternance 1946, Villon etching, Villon velin de Rives, Villon collectible print.
  • Creator:
    Jacques Villon (1875-1963, French)
  • Creation Year:
    1946
  • Dimensions:
    Height: 9.875 in (25.09 cm)Width: 12.875 in (32.71 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU1465214866752

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