Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

James Priddey
James Priddey: Durham Cathedral lithograph University City

c. 1970s

$636.74
£470
€549.39
CA$878.80
A$984.44
CHF 512.99
MX$12,008.19
NOK 6,518.87
SEK 6,146.83
DKK 4,100.47

About the Item

James Priddey (1916-1980) FRSA RBSA Durham Cathedral Lithograph 37 x 36cm A Birmingham-based artist, educated at the Birmingham College of Art and a member of the Royal Birmingham Society of Artists, Priddey has a very distinctive style which he applied to his topographical watercolours. This striking view of Durham illustrates the city's river and cathedral.
  • Creator:
    James Priddey (1916 - 1980, British)
  • Creation Year:
    c. 1970s
  • Dimensions:
    Height: 10.63 in (27 cm)Width: 14.18 in (36 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Mounted to board.
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU79539677522

More From This Seller

View All
Durham Cathedral silkscreen print by Norman Wade
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Norman Wade (20th century) Durham Cathedral (1972) Silkscreen print 24 x 43 cm...
Category

1970s Prints and Multiples

Materials

Screen

William Roxby Beverley 'Durham Cathedral from the North East' University
Located in London, GB
To see our other views and maps of England - including London, Durham, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" -...
Category

19th Century Victorian Landscape Drawings and Watercolors

Materials

Watercolor

New College, View from the Master's Lodgings lithograph by John Malchair
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Baptist Malchair (1730 – 1812) View from the Master's Lodgings, New College, Oxford (1929) Lithograph 33 x 46 cm A 1929 lithograph from a 1767 watercolour of New College by John Malchair. The artist's composition highlights the pale stone of New College on a winter's day. The chapel's spires stretch upward into a cold, cloud-filled sky, as do the bare branches of the trees. Malchair's watercolour (which is held by the Ashmolean museum) was reproduced as a lithograph in 1929, to be published in the "Oxford Almanack". The Oxford Almanack was an annual almanac published by the Oxford University Press for the University of Oxford from 1674 through 2019 (when printing sadly ceased due to "dwindling interest"). The almanac traditionally included engravings or lithographs of the University and information about the upcoming year. Other almanac artists have included James Basire, Michael Burghers, J. M. W. Turner, and John Piper. Malchair was a German-born watercolourist, violinist, drawing master, and collector of traditional European music. He is described as “one of the most distinctive figures of eighteenth century Oxford”, and is recognised as having been an influence on later landscape artists, including John Constable. Malchair was a talented artist, producing hundreds of paintings of English landscapes...
Category

20th Century Landscape Prints

Materials

Lithograph

Panoramic view across Durham with Durham Cathedral by Sir Albert Richardson PRA
Located in London, GB
Sir Albert Richardson PRA Panoramic view across Durham Monochrome Wash 22 x 33 cm A unique monochrome wash composition depicting a panoramic view across the Durham skyline. Richard...
Category

20th Century Realist Landscape Drawings and Watercolors

Materials

Watercolor, Gouache, Ballpoint Pen

Oriel College, Oxford etching by Richard Beer 1980s
By Richard Beer
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

1980s Realist Landscape Prints

Materials

Etching

Trinity College, Oxford etching by Richard Beer Modern British Art
By Richard Beer
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category

1980s Realist Landscape Prints

Materials

Etching

You May Also Like

Durham Cathedral, C19th English topographical engraving, by Samuel Read, 1873
By Samuel Read
Located in Melbourne, Victoria
'Durham Cathedral' Wood-engraving after Samuel Read. From 'The Illustrated London News'. Samuel Read was an English illustrator who provided many illust...
Category

Late 19th Century Naturalistic Landscape Prints

Materials

Engraving

Durham Cathedral, C19th English topographical engraving, by Samuel Read, 1884
By Samuel Read
Located in Melbourne, Victoria
'Durham Cathedral' Wood-engraving after Samuel Read. From 'The Illustrated London News'. Samuel Read was an English illustrator who provided many illust...
Category

Late 19th Century Naturalistic Landscape Prints

Materials

Engraving

"Durham, England" original etching
By Samuel Colman
Located in Henderson, NV
Medium: original etching. This impression was published in 1880 by the American Art Review. The American Art Review was a lavishly produced revue featuring original etchings by leadi...
Category

1880s Prints and Multiples

Materials

Etching

Durham Cathedral - English School
Located in Middletown, NY
Etching with aquatint on cream laid paper with a partial Arches watermark, 5 3/8 x 4 inches (135 x 100 mm), full margins. Signed illegibly in pencil in the lower right margin.
Category

Early 20th Century Landscape Prints

Materials

Etching, Laid Paper, Aquatint

Durham. Paul Sandby C18th English landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Durham' Engraving by F Chesham after Paul Sandby (1731-1809). From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Ireland', published by G...
Category

18th Century Naturalistic Landscape Prints

Materials

Engraving

Chester Cathedral - Drypoint Etching in Ink on Paper
Located in Soquel, CA
Chester Cathedral - Drypoint Etching in Ink on Paper Dramatic drypoint etching by J. Alphege Brewer (British, 1881-1946). This composition shows the interior of Chester Cathedral in Brewer's characteristic style - highly detailed and with strong contrast. The scene encompasses the cathedral from floor to ceiling, capturing the immense size of the building. There are several people in the scene which contribute to the sense of scale. Signed by hand "J. Alphege Brewer" in the lower right corner. Titled "Chester Cathedral" in plate, lower left corner. Includes original card with artist's name. Presented in a new black mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 10.75"H x 7.75"W James Alphege Brewer was well known in the early 20th century as a producer of color etchings of European cathedrals and other scenes of church, college, and community. He was born July 24, 1881, in the Kensington section of London, England, the son of Henry W. Brewer, noted artist of historical architecture and prominent convert to the Catholic Church, and the grandson of John Sherren Brewer, Jr., “the brilliant editor of the Calendar of Letters of Henry VIII.” His great uncle was E. Cobham Brewer, the polymath who compiled Brewer’s Dictionary of Phrase and Fable. Among his older siblings were the artist Henry C. Brewer and the organist and writer John Francis Brewer. Brewer attended the Westminster School of Art in London, where his brother Henry also trained. In 1910, he married Florence Emma Lucas, an accomplished painter in oil and watercolor, whose father was the noted landscape artist George Lucas and whose great uncle was David Lucas, the famous engraver for John Constable. Florence's brothers Edwin and George assisted Brewer in the printing of Brewer's etchings. Brewer exhibited at the Royal Academy (RA) and the Royal Institute of Painters in Watercolour (RI), at the Paris Salon of the Académie des Beaux-Arts, and in the shows of the Royal Cambrian Academy (RCA). He became an associate of the Royal Cambrian Academy in 1929 and a full member in the last two years of his life. He was also a member of the Hampstead Society of Artists, the Society of Graphic Art, and the Ealing Arts Club, where he was first Honorary Art Secretary and then Honorary Art Chairman. Most of Brewer's larger etchings were published by Alfred Bell...
Category

Early 20th Century Romantic Interior Prints

Materials

Paper, Ink, Drypoint