Jan Frans van Bloemen (Orizzonte)

Untitled - Italian garden with statues, sculpted vases and stairs.

circa 1700

Interesting b/w etching and drypoint, representing the Parisian foreshortening of a bridge on the Seine. Edition of 50 prints. Signature, date, technique and print run, title handwri...

Trembles au bord de la Seine is an Etching and Drypoint realized by an anonymous artist in The 19th Century. Edition for 'Gazette des Beaux-Arts', inscribed on plate. Beraldi, no. 2...

Poggio a Caiano is an original black and white etching realized by Ardengo Soffici in 1964. Hand written dedication on the right margin "Per Ardengo Soffici, Maria Soffici". Number...

James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...

Donald Baechler, Potted Plant, 2005 A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Aquatint and drypoint on ...

Nursing is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realized through s...