John Taylor ArmsLimoges (French Church Series #32)1932
1932
About the Item
- Creator:John Taylor Arms (1887 - 1953, American)
- Creation Year:1932
- Dimensions:Height: 10.07 in (25.58 cm)Width: 13.63 in (34.63 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Myrtle Beach, SC
- Reference Number:
John Taylor Arms
John Taylor Arms was born in Washington, D.C., in 1887. Arms studied architecture at Princeton and MIT and later became the country’s finest etcher of his age. His renderings of European and American architectural subjects are not only beautiful, but they are unrivaled in their technical virtuosity and nuanced light. In a recent exhibit, the Cleveland Museum noted, Arms believed that art could be a tool for the spiritual and moral improvement of mankind and that Gothic cathedrals represented the most significant expression of man’s aspirations. He viewed printmaking as a vehicle for disseminating images of subjects that would uplift and inspire contemporary society. He served as President of the Society of American Etchers and as an ambassador for American printmakers and printmaking throughout the world.
- ShippingRetrieving quote...Ships From: Myrtle Beach, SC
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Manhattan BridgeBy George StimmelLocated in Myrtle Beach, SC'Manhattan Bridge', etching, c. 1920, proofs only. Signed in ink in the image, lower right. A fine, rich impression, in warm black ink, on cream wove ...Category
1920s American Realist Landscape Prints
MaterialsEtching
- New York SkylineBy John Taylor ArmsLocated in Myrtle Beach, SCA superb impression in warm black ink, on cream, laid paper; the full sheet with margins (1 5/8 to 2 3/4 inches); original brown paper hinges on the top sheet edge recto, in excellen...Category
1920s American Realist Landscape Prints
MaterialsEtching
- Bridges of FlorenceLocated in Myrtle Beach, SCAlonzo C. Webb, 'Bridges of Florence', etching, 1929, edition 100. Signed and titled in pencil. Signed and dated in the plate, lower left. A superb, richly-inked impression, in warm ...Category
1920s American Realist Figurative Prints
MaterialsEtching
- 'Philadelphia, Broad Street' — 1920s RealismBy Anton SchutzLocated in Myrtle Beach, SCAnton Schutz, 'Philadelphia – Broad Street', etching, edition not stated, circa 1927. Signed in pencil. Annotated 'Philadelphia Broad St. Showing City Hall', in another hand, in the ...Category
1920s American Realist Landscape Prints
MaterialsEtching
- 'U.S. Chamber of Commerce' — 1920s Realism, Washington D.C.By Anton SchutzLocated in Myrtle Beach, SCAnton Schutz, 'U.S. Chamber of Commerce', etching, edition not stated, 1928. Signed in pencil. Annotated 'U.S. Chamber of Commerce S/516', in another hand, in the bottom right margin...Category
1920s American Realist Landscape Prints
MaterialsEtching
- 'Cleveland Public Square' — 1920s Urban RealismBy Anton SchutzLocated in Myrtle Beach, SCAnton Schutz, 'Cleveland Public Square', etching, edition not stated, 1927. Signed in pencil. Signed and dated in the plate, lower left. Annotated 'Cleveland Public Square S489', in another hand, in the bottom right margin. A fine, richly-inked impression, in brown/black ink, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 5/8 to 3 inches), in excellent condition. Archivally sleeved, unmatted. Image size 11 7/8 x 8 7/8 inches; sheet size 17 1/4 x 12 1/8 inches. ABOUT THIS IMAGE 'Public Square' is the two-block (formerly four-block) central plaza of downtown Cleveland, Ohio. Based on an 18th-century New England model, it was part of the original 1796 town plan overseen by Moses Cleveland and remains today as an integral part of the city's center. The 10-acre (4.0 ha) square is centered on the former intersection of Superior Avenue and Ontario Street.[2] Cleveland's three tallest buildings, Key Tower, 200 Public Square, and the Terminal Tower, face the square. Public Square was part of the Connecticut Land Company's original plan for the city, overseen by Moses Cleveland in the 1790s. The square is signature of the layout for early New England towns, which Cleveland was modeled after. While it initially served as a common pasture for settlers' animals, less than a century later in 1879 Public Square became the first street in the world to be lit with electric street lights—arc lamps designed by Cleveland native Charles F. Brush. The square was added to the National Register of Historic Places on December 18, 1975. Public Square is often the site of political rallies and civic functions, including a free annual Independence Day concert by the Cleveland Orchestra...Category
1920s American Realist Landscape Prints
MaterialsEtching
- Basilica of Madeleine, VezelayBy John Taylor ArmsLocated in Fairlawn, OHBasilica of Madeleine, Vezelay Etching, 1929 Signed and dated lower right (see photo) Annotated: "Third State" lower left Printed on a sheet of old book paper From: French Church Ser...Category
1920s American Realist Landscape Prints
MaterialsEtching
- The Burning Tower, American Modernist Abstract Landscape EtchingBy Robert A. BirmelinLocated in Surfside, FLBorn in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...Category
20th Century American Realist Landscape Prints
MaterialsEtching
- 4 Animals, American Modernist Abstract EtchingBy Robert A. BirmelinLocated in Surfside, FLBorn in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...Category
20th Century American Realist Landscape Prints
MaterialsEtching
- REFLECTIONS OF GLOUCESTERBy Joseph MarguliesLocated in Santa Monica, CAJOSEPH MARGULIES (1896 - 1984) REFLECTIONS OF GLOUCESTER ca 1940 Aquatint signed in pencil. 8 ½ x 11 ¾”, sheet 10 ½” x 13”. Very good condition, asid...Category
1940s American Realist Landscape Prints
MaterialsAquatint
- MANHATTANBy Anton SchutzLocated in Santa Monica, CAANTON SCHUTZ MANHATTAN c 1940 Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...Category
1940s American Realist Landscape Prints
MaterialsEtching
- Beach and WillowsBy Frederick Garrison HallLocated in New York, NYFrederick Garrison Hall (1879-1946), Beach and Willows, etching, c. 1920, signed in pencil by the artist (?) and annotated "by HPH". Reference: Elton Waylon Hall: Frederick Garrison ...Category
1920s American Realist Landscape Prints
MaterialsEtching