Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 4

John Taylor Arms
On Lake Como # 1

1919

About the Item

Both of Arms' Lake Como images were mostly printed in color. is a rarer black and white impression, John Taylor Arms was born in Washington, DC. He studied architecture at the Massachusetts Institute of Technology, Boston, graduating in 1912. After World War I, he devoted himself full-time to etching, the printing process that relies on acid to "bite" out an image drawn on a metal plate. From his early interest in sketching, Arms developed a successful career as a graphic artist in the 1920s and 1930s. He specialized in etchings of medieval churches and cathedrals, hoping to convey the glory of earlier ages that endured in Europe's architecture. Arms made several trips to France, Spain, and Italy to draw such buildings. Beginning with studies of architectural details, he later rendered entire facades and finally a great number of buildings and their reflections in water, as in The Grand Canal. In addition to his medieval subjects, Arms made a series of prints of American cities.
  • Creator:
    John Taylor Arms (1887 - 1953, American)
  • Creation Year:
    1919
  • Dimensions:
    Height: 9.94 in (25.25 cm)Width: 4.57 in (11.61 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    New Orleans, LA
  • Reference Number:
    1stDibs: LU841312897592

More From This Seller

View All
A Gable in the Grande Rue, Lisieux
By John Taylor Arms
Located in New Orleans, LA
This image is the 3rd etching created by Arms. It was printed byGrederick Reynolds in an edition of 116. Referenced as Fletcher #3 the image is the second in his Gable series. Lis...
Category

1910s American Modern Landscape Prints

Materials

Etching

La Colegiata Toro (Romanesque Santa Maria la Mayor/Zamora province Spain)
By John Taylor Arms
Located in New Orleans, LA
John Taylor Arms created this superb architectural image of La Colegiata in 1935 in an edition of 153. It is #12 in his Spanish Churches series and is referenced as Fletcher #284. One of the most characteristic examples of transitional Romanesque architecture in Spain, the church of Santa María la Mayor is inspired by the Cathedral of Zamora, in turn inspired by the Old Cathedral of Salamanca. The tower-dome is usually listed as one of the four most typical in León together with those in the cathedrals of Salamanca, Plasencia and Zamora. The church was begun around 1170, and was finished in the mid-13th century. Two different directors of the work have been identified, according to the different types of stone used (limestone in the old sections, sandstone in the most recent ones), and by the barrel vaults...
Category

1930s American Modern Landscape Prints

Materials

Etching

Sanctuary (St. Anthony's Garden at rear of St. Louis Cathedral on Royal Street)
By Frederick Mershimer
Located in New Orleans, LA
This French Quarter garden is a serene haven with a lighted statue of Christ that exists not very far from the raucous revelry of New Orleans' Bourbon S...
Category

1990s American Modern Landscape Prints

Materials

Mezzotint, Aquatint

Puerta del Obispo ( Romanesque Spanish Cathedral)
By John Taylor Arms
Located in New Orleans, LA
This image is by America's greatest etcher, John Taylor Arms. The Spanish cathedral in Zamora is an impressive example of Romanesque architecture located on the hilltop by the river ...
Category

1930s American Modern Landscape Prints

Materials

Etching

Rooftops (the harbor and skyline of NYC from Brooklyn rooftop)
By Frederick Mershimer
Located in New Orleans, LA
Moody, mysterious, majestic – these are some of the ways to describe the mezzotints of Frederick Mershimer. His images travel through the serenity of a Brooklyn neighborhood on a sti...
Category

Early 20th Century American Modern Landscape Prints

Materials

Mezzotint, Aquatint

Restaurant in Mott Street
By Charles Frederick William Mielatz
Located in New Orleans, LA
The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.” CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art C.F.W. Mielatz American, 1860-1919 Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...
Category

Early 20th Century American Modern Landscape Prints

Materials

Drypoint, Etching

You May Also Like

San Marino (Sketch)
By John Taylor Arms
Located in Middletown, NY
Ecthing in black ink on cream laid paper with a partial watermark, full margins. In excellent condition. A very scarce work from an edition of less than 20 impressions. Signed, date...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Laid Paper, Etching

Guardians of the Spire; Amiens Cathedral Number 2
By John Taylor Arms
Located in Middletown, NY
Guardians of the Spire; Amiens Cathedral Number 2 New York: 1937. Etching and drypoint on watermarked F.J. Head cream-colored, antique laid paper, 6 3/4 ...
Category

Mid-20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

Low Country (South Carolina)
By Elizabeth Verner
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance, Elizabeth O'Neill Verner(1883-1979) Etching and drypoint on cream wove paper, 6 15/16 x 5 1/16 inches (175 x 128 mm), full margins. Signed, titled and numbered 72/100 in pencil, lower margin. Uniform age tone, minor surface soiling. A rich and inky impression of a magical southern landscape with figure tilling soil under Spanish moss covered oaks. A native of Charleston, South Carolina...
Category

1930s American Modern Landscape Prints

Materials

Etching, Drypoint

Rainy Day, Providence
Located in Middletown, NY
Etching with drypoint on Japan paper, 9 3/4 x 12 3/4 inches (245 x 322 mm), full margins, from an edition of approximately 50. Signed by the artist in pencil, lower center margin, t...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

The Lych Gate; Little Church Around the Corner - New York
Located in Middletown, NY
Etching and sand ground on cream laid paper, 10 1/2 x 7 5/8 inches (262 x 193 mm), full margins. Inscribed "No. 29" in black ink, lower right margin. In good condition with minor tim...
Category

Early 20th Century American Modern Landscape Prints

Materials

Etching, Laid Paper

Coutances
By John Taylor Arms
Located in Middletown, NY
Etching on thin, bluish-green cream laid paper, 9 1/4 x 4 3/4 inches (233 x 120 mm), full margins. Signed and dated in pencil, lower margin. First and only state. Printed by Frederi...
Category

Early 20th Century American Modern Landscape Prints

Materials

Laid Paper, Etching

Recently Viewed

View All